موقع التصوير
127A Smithfield Road, Frederiksted, Virgin Islands
The TV series Artemis, created by an unlisted creator and produced by an unlisted studio, first premiered on November 14, 2017 in an unspecified country. The series spans 0 seasons with 0 episodes, featuring the voices of an unlisted voice cast. It follows the story of Publisher's Summary The best-selling author of The Martian returns with an irresistible new near-future thriller - a heist story set on the moon. Jazz Bashara is a criminal. Well, sort of. Life on Artemis, the first and only city on the moon, is tough if you're not a rich tourist or an eccentric billionaire. So smuggling in the occasional harmless bit of contraband barely counts, right? Not when you've got debts to pay and your job as a porter barely covers the rent. Everything changes when Jazz sees the chance to commit the perfect crime, with a reward too lucrative to turn down. But pulling off the impossible is just the start of her problems, as she learns that she's stepped square into a conspiracy for control of Artemis itself - and that now her only chance at survival lies in a gambit even riskier than the first. Bringing to life Weir's brash, whip-smart protagonist is actress Rosario Dawson (Marvel's The Defenders, Sin City, Death Proof). With the breathless immediacy of one realizing they're one cracked helmet visor away from oblivion, Dawson deftly captures Jazz's first-person perspective – all while delivering sarcastic Weir-ian one-liners and cracking wise in the face of death. And with a cast of diverse characters from all walks of life calling Artemis home, Dawson tonally somersaults to voice Kenyan prime ministers, Ukrainian scientists, and Saudi welders. It's a performance that transports listeners right alongside Jazz, matching her step for step on every lunar inch of her pulse-pounding journey. ©2017 Andy Weir (P)2017 Audible, Inc. This is a Mystery & Thriller & Suspense series and has received a rating of 8.8/10 from 86,538 viewers.
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
If you like teenage angst books this is the book for you. As for me I could not stand this book.It was a struggle to finish.
I was so excited to get my hands on this and began listening immediately.I really enjoyed the first half of the book.........that rather quickly changed.I don’t know if the success of the Martian (which I loved) and the movie (which was pretty good) went to Andy’s head or what.The book felt drawn out and the plot continued to get weaker as it went on.The details about the living conditions and life on the moon were great.The main character was very likesble.Rosario Dawson did a FANTASTIC job narrating.
The story seems like it would be intersting but the reader in unconvining . I'm focusing on her unfamiliarity with the subject. Waste of a credit .
The story fell quite short of the expectations I had going into this book. The characters as well as the main inner dialogue was lacking in a lot of ways.
Weir produced this second novel in record time I suppose, to capitalize on the fame generated byThe Martian.And therein lies the problem, readers like me expected a polished, adult, scientific themed, "bang up" story.This is anything but.I felt at times I was listening to a young adult novel. The protagonist,Jazz sounded like a hyper spoiled teenager with an attitude.There was just enough obligatory scientific background scattered throughout, to satisfy Andy Weir fans.But, I really struggled to listen to this book.I also disliked the reader immensely.I had my doubts Weir could come up with a masterful book so soon after the release of the Martian,it is confirmed.
Expected so much more. This really isn’t a sci-fi book. The author never misses the opportunity for sexual innuendo. There really isn’t a good story is just a lot of self talk from a teenage want to be
I loved “The Martian”, so I got “Artemis” right away. The science of moon life is fun and interesting and the pace is fast. I had a hard time liking Jazz, the main character. She is sarcastic and makes all the wrong decisions. It was hard to keep rooting for her even when she was doing something good. All in all, this book was a quick read with a few good chuckles and interesting ideas. I just missed the good guy character of Mark from “The Martian”.
Book falls short of my expectations based on my fondness for “The Martian”. Two major problems. First, the main character is not compelling. She is shallow, one dimensional and callous. Her use of foul language is a turn off. The author could have found another way to exemplify that character trait. I couldn’t generate much empathy for the character. Second, the narrator was below average. Her narration distracted me and made it difficult to listen but for short stretches of time. In general, the book reads more like a screenplay rather than a novel. The extended descriptions in the book provide critical details for a set designer. I wonder why?Despite my disappointments, I did get through the book and found it interesting and entertaining. It may be the hype surrounding the book and the excellence of Mr. Weir’s Martian work set too high a bar for “Artemis”.
I loved The Martian but Artemis appears to be a rush job. Lots of redundant bickering between characters takes up space. Some technical story line but nothing like Martian. I persevered to the end. Waste of time and money.
Unlike the Martian, Artemis struggles to find it's voice and path through it's thin plot. Where Andy Weir excels in writing about the technical mechanics of space habitation he struggles with interpersonal relationships and writing in a female voice. Not to say this is a terrible book but it's not an equal to his last. One major part of the book bothered me from start to finish. Mr Weir chooses to forgo a world where NASA is the host agency and invents the Kenyan Space Corporation. When read by the narrator it ALWAYS sounded like KFC. I'm sure this wasn't Mr Weir's intent but it made me repeatedly think of the 1993 movie Demolition Man where, after the great franchise wars of 2030, Taco Bell has become the only restaurant.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.