Peter Collinson
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The جريمة film Ein Unbekannter rechnet ab, starring Oliver Reed, Elke Sommer, Richard Attenborough, etc., directed by Peter Collinson, was released on January 1, 1974 in إيطاليا. It tells the story of Ten people are invited to a hotel in the Iranian desert, only to find that an unseen person is killing them one by one. Could one of them be the killer. This is a جريمة, أُحجِيَّة, إثارة film with a runtime of 98 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 3,941 viewers.
Peter Collinson
بدور Director
Oliver Reed
بدور Hugh Lombard
Elke Sommer
بدور Vera Clyde
Richard Attenborough
بدور Judge Cannon
Stéphane Audran
بدور Ilona
Gert Fröbe
بدور Blore
Herbert Lom
بدور Dr. Armstrong
Maria Rohm
بدور Elsa Martino
Adolfo Celi
بدور The General
Alberto de Mendoza
بدور Martino
Charles Aznavour
بدور Raven
Orson Welles
بدور U. N. Owen
Orson Welles
بدور and the voice of
Teresa Gimpera
بدور Maria
Rik Battaglia
بدور Vendedor
Sepideh
بدور Trapisondista
Naser Malek Motiee
بدور Inspector
Harry Alan Towers
بدور Writer
Erich Kröhnke
بدور Writer
Enrique Llovet
بدور Writer
Agatha Christie
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: Ten Little Indians
فيلم جيد!
Ein Unbekannter rechnet ab
There is a pleasingly old-fashioned aura about this 1974 film: the killings are creepy but not gory; the locations and sets are majestic; the camera movements are slow and carefully thought out; the humor is subtle and not in-your-face ("After you, Judge." - "No, my dear Doctor, I insist. After you."). The diverse cast offers major cult value (two former Bond villains in the same film!), and there is also a grand, sometimes chilling score by Bruno Nicolai. After a load of red herrings, the very last scene is a bit underwhelming - perhaps if they had gone with the book's original, more logical and much darker conclusion, the ending would have been more powerful. Nevertheless, the 1974 "And Then There Were None" is considerably better than its reputation suggests. **1/2 out of 4.
This pretty mediocre remake has a very strange feel to it. The main reason for this is the setting. Filming was done in a very plush Iranian hotel and the film was set in the present day rather than the 1930's. The result is a rather kitsch 1970's thriller and it would be interesting to see what Agatha Christie thought of it. The story needs very few actors to perform in the film which explains the reason why the producers were able to afford such an impressive cast list on an obviously tight budget. Interestingly, Charles Aznavour makes an appearance and unnecessarily plugs his (then) new single during the after-dinner scene. Thankfully, we are spared from any more of his singing because he dies shortly afterwards. On a passing note, one of the most amusing death scenes in cinema history is provided by Richard Attenborough who plays the judge.
The Locale,Direction and Updating of the classic Agatha Christie tale have one by one destroyed this adaptation of the novel. The first version of the book,1945's And Then There Were None was a classic,the 1966 adaptation was of passing interest...even the 1989 version had it moments but this 1975 version is a botched job. Not only is the cast turning in "take the money and run" performances,they are in the wrong roles,this makes the killer obvious from the beginnig of the investigation. And one side note...the 1945 film retained the character of religous fanatic Emily Brent portrayed perfectly by Judith Anderson,each subsequent version has cut this wonderful role,replacing her with a rather uninteresting movie star (played dreadfully in this version by Stéphane Audran). My advice: avoid this film. Read the book,then watch the 1945 version.
Excellent acting comparing to 2015 miniseries. Love the movie. I don't know how the 2015 miniseries has much better score than this. Love Charles Aznavour piano scene.
OK, it's slow, it's typically "British" and a bit out of fashion, but this movie is really close to the novel and you cannot unlike it if you have loved the book. Besides, the performances of the actors are great and the end is one of the best I have ever seen.
I just wanted to stand up for this version of the movie. I've read the book 'Ten little indians' and while it's set on an island and this 1974 movie is set in a desert, I feel that it is the closest to the feel of the book out of the four (?) versions I've seen. The 1945 and the 1960's movies were too light-hearted, too fluffy. This is a scary situation, with people trapped somewhere they can't leave, and one of them is taking a perverse delight in murdering them one by one. There is no room for humour in a movie like this. The 1974 movie is dark, with no needless humour injected, and this makes it feel a lot like the book did. My only grievance with the movie, is that, like all the others, it doesn't finish in the same way as the book. I'd really like to see a version that does. Oh, and Elke Sommers clothing is hideous, but that's the passage of time, more than anything. :)
I don't understand some people, they think just because the film is a sequal it will be bad. Most everyone hates this version but i enjoyed it better than the original. Technically if you want the best version get the 1966 version with Hugh O'Brian. Actually none of the versions follow the story correctly. Everyone is suppose to be murdered. I've read the book. But this version, although not very strong is very entertaining, the murders are more explicit, and many of the actors are very good. Elke Sommer, Oliver Reed, Richard Auttenbourgh, Herbert Lom, Maria Rohm and many others. Don't be confused by the people who say this movie sucks, it's a good film.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.