Robert Altman
بدور Director
English,Filipino,Français,Indonesian,Português,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,中文
The دراما film الخماسية, starring Paul Newman, Vittorio Gassman, Fernando Rey, etc., directed by Robert Altman, was released on April 11, 1979 in الولايات المتحدة. It tells the story of خلال العصر الجليدي المستقبلي، يشغل آخر أفراد متبقين من سلالة البشر وقتهم المتبقي في الحياة من خلال لعبة لوحية غامضة تسمى (الخماسية)، حيث يكون فيها الخاسر معرضا للموت ولا ينجو فيها سوى الفائز. سوى الفائز. This is a دراما, أُحجِيَّة, خيال علمي film with a runtime of 118 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.0/10 from 3,905 viewers.
Robert Altman
بدور Director
Paul Newman
بدور Essex
Vittorio Gassman
بدور St. Christopher
Fernando Rey
بدور Grigor
Bibi Andersson
بدور Ambrosia
Brigitte Fossey
بدور Vivia
Nina van Pallandt
بدور Deuca
David Langton
بدور Goldstar
Thomas Hill
بدور Francha
Monique Mercure
بدور Redstone's Mate
Craig Richard Nelson
بدور Redstone
Maruska Stankova
بدور Jaspera
Anne Gerety
بدور Aeon
Michel Maillot
بدور Obelus
Max Fleck
بدور Wood Supplier
Françoise Berd
بدور Charity House Woman
Emil Glassbourg
بدور Lost Soul
Frank Barhydt
بدور Writer
Robert Altman
بدور Writer
Patricia Resnick
بدور Writer
Lionel Chetwynd
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: Quintet
فيلم جيد!
Quintet
Unreal that a film could rival Paranormal Activity for inducing yawns, but Quintet pulls out the stops. It's not only as boring as PA, but it tries to make points that are so vague they are meaningless to anyone able to stay awake through the entire film looking for some substance. Problems: First, that annoying filter! REALLY, this blur filter, as if the entire film is a dream sequence. Next, the music. It seems so out of place trying to make you think something is happening, while nothing is. Almost like the conductor had the band playing for another movie. Plot! Where was this thing going? I'm sure there might be fans of Altman or Newman who might like this just because, but if you're neither, this is a brutal and boring experience. Excruciating for someone hoping to see interesting sci-fi and a glimpse of someone's idea of the future.
The earlier review is pretty much on target, which Altman was NOT with this film. I haven't seen it since its original release but I have seldom spent two hours in a theater feeling as miserable and disappointed as I was with this film. If some pretentious community theater attempted a sci-fi version of a Ingmar Bergman film, it might come off like this. I can't bring myself to give anything Altman has made a "1" but this is probably the nadir of a career that has had some remarkable highs and lows. I would have walked out, but as a paid film critic I couldn't. (Think about that the next time you envy movie critics.)
Robert Altman's "Quintet" is a dreary, gloomy, hard to follow thriller where you finally give up after awhile because it's so complicated. I remember seeing this at my local twin on opening weekend with a full house. By the time the picture ended it was less than a quarter full. Never have I witnessed such a mass exodus without there being an emergency to drive people out. That should tell you how bad it is. I believe it to be the worst film ever made involving such major talent in front of and behind the camera.
Sorry--whatever merits the story about the game may have, this movie really loses it with the details. This post-apocalyptic city seems to have plenty of light bulbs and electricity (where from who knows where), but apparently no one bothered to save an electric heater. I am sorry, but if you have electricity, why do you have to rely solely on fire for warmth? Also, some characters seem to have vaguely Italian accents while the rest are deadpan American. And the dogs--jeez! Why aren't the people eating them (instead of the reverse)? And apparently only one breed survived. The dogs are a distraction and rather stupid. The movie could have worked on the level of the game, but the stupid "realistic" details were just the reverse and made the movie false and unwatchable.
...now I wish it had remained that way. Warning: If you stumble upon this movie while surfing TV, keep surfing! This isn't even a good one-time watch. It's the most boring, senseless piece of trash I've ever watched. I can't believe someone pitched this script, much less made the movie. I can't believe Paul Newman signed on to play in this movie. This is a bad, bad, bad movie.
I really wanted to like this movie--I like Altman, I like Newman. I like science fiction and I liked the idea. And since this movie seems to be universally hated, I wanted to swim against the tide and find the intellectual quality in the movie that others seemed to be missing. All that going for it, and I still hated it. Incomprehensible drivel. And what's with the vaseline all over the camera lens? Folks who like this movie are fooling themselves, just because you dont understand a movie doesn't mean that it's deep, it means that the director and writer didn't know what they were doing.
I don't know why i had never heard of this movie before with Paul Newman and directed by Robert Altman. This movie doesn't even seem to have a cult following and this must of been a big flop when it came out to be this unknown. A lot of the other people writing comments on this movie seem to really hate it but i actually liked it. I liked the fact that it didn't give any answers about what happened to the earth or even what year it is. The first hour of the movie is very slowing and you really don't know what's going on. I would like to know what Newman and Altman would have to say about this movie now and i guess i can see why so many people hated it even though i liked it.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.