Scott Peters
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The TV series ال4400 S1-S2, created by René Echevarria and produced by an unlisted studio, first premiered on July 11, 2004 in المملكة المتحدة. The series spans 2 seasons with 18 episodes, featuring the voices of Joel Gretsch, Jacqueline McKenzie, Patrick John Flueger, and Conchita Campbell. It follows the story of بعد طول اختفاء، يظهر للوجود من جديد 4400 شخص من المفقودين في يوم واحد مما يربك المجتمع العالمي، ويكتشف وكلاء الاتحاد ببطء عدد من الأساليب التي غيرت الضحايا. This is a دراما, أُحجِيَّة, خيال علمي series and has received a rating of 7.3/10 from 48,243 viewers.
Scott Peters
بدور Director
Vincent Misiano
بدور Director
Nick Copus
بدور Director
Leslie Libman
بدور Director
Colin Bucksey
بدور Director
Nick Gomez
بدور Director
Yves Simoneau
بدور Director
Morgan Beggs
بدور Director
Allison Liddi-Brown
بدور Director
Tim Hunter
بدور Director
Helen Shaver
بدور Director
David Straiton
بدور Director
John Behring
بدور Director
Milan Cheylov
بدور Director
Douglas Petrie
بدور Director
Oz Scott
بدور Director
Michael W. Watkins
بدور Director
Aaron Lipstadt
بدور Director
Frederick E.O. Toye
بدور Director
Ernest R. Dickerson
بدور Director
Craig Ross Jr.
بدور Director
Tony Westman
بدور Director
Joel Gretsch
بدور Tom Baldwin
Jacqueline McKenzie
بدور Diana Skouris
Jacqueline McKenzie
بدور Narrator
Patrick John Flueger
بدور Shawn Farrell
Patrick John Flueger
بدور Shawn Farrel
Conchita Campbell
بدور Maia Rutledge
Conchita Campbell
بدور Maia Skouris
Conchita Campbell
بدور Maia Rutledge Skouris
Chad Faust
بدور Kyle Baldwin
Mahershala Ali
بدور Richard Tyler
Richard Kahan
بدور Marco Pacella
Billy Campbell
بدور Jordan Collier
Megalyn Echikunwoke
بدور Isabelle Tyler
Samantha Ferris
بدور Nina Jarvis
Laura Allen
بدور Lily Moore Tyler
Laura Allen
بدور Lily
Laura Allen
بدور Lily Moore
Kavan Smith
بدور Jed Garrity
Karina Lombard
بدور Alana Mareva
Kaj-Erik Eriksen
بدور Danny Farrell
Jeffrey Combs
بدور Kevin Burkhoff
Peter Coyote
بدور Dennis Ryland
Jody Thompson
بدور Devon
Jenni Baird
بدور Meghan Doyle
René Echevarria
بدور Writer
Scott Peters
بدور Writer
Craig Sweeny
بدور Writer
Ira Steven Behr
بدور Writer
Shintaro Shimosawa
بدور Writer
Frederick Rappaport
بدور Writer
Amy Berg
بدور Writer
Robert Hewitt Wolfe
بدور Writer
Douglas Petrie
بدور Writer
Lisa Melamed
بدور Writer
Andrew Colville
بدور Writer
Adam Levy
بدور Writer
Bruce Miller
بدور Writer
Michael Narducci
بدور Writer
Darcy Meyers
بدور Writer
James Morris
بدور Writer
Mark Kruger
بدور Writer
Nick Wauters
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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need season 3 snd 4
Why there's no season 3 and 4?
can I have season 3 and 4 please
how can I get season 3 &4 please
interesting
Having seen reviews of this series, I finally got to see it when my DVD arrived. The story is really compelling and thought provoking. It asks of the viewer the "what if" when 4400 people are returned to the present day after being snatched being some unknown beings. The events surrounding their return start of innocently, but then more and more of the returnees, or 4400s, are exhibiting unexplained psychic skills in varying degrees and levels. My favourite 4400 is undoubtedly Maia, and the actress playing her has a bright acting career ahead. The title music is so cool. I've almost totally memorised it. I am already looking forward to Series 2, and with so many snatched individuals there's spaces for 10 series. Well worth missing out on a night for!!! I give this series 11 out of 10 for effort, story and acting.
The idea is interesting, and it's refreshing that people from future are in game, and not aliens again. And also, music, title sequence and effects are very well done. But story is not believable and neither is acting. I can't believe how unrealistic and incompetent American government and her officials are displayed. Well, except the part about acting all morally righteous, especially with people from other countries (Rwanda). It's a shame, because this could have been a great SF. Have you noticed advertisement?
I really wanted to like the 4400, and for the first few episodes, I did. The premise of abductees returning was intriguing, and in the first few episodes, watching the various "powers" of the returnee's was fun. Sadly, the poor acting of the major characters, especially Joel Gretsch, made what could have been a fun romp into SciFi, a long slow arduous horror show of constant over acting. Then, things turned from bad to worse. The plot lines devised to include the main characters, started to stretch the fabric of credibility. When the main "investigator's" nephew starts to show amazing powers, and eventually becomes the head of the 4400's secretive organization, the governmental agency doesn't balk at one of the most absurd conflicts of interest, which in the real world, would obviously negate his future involvement. He is partnered with female named Diana Skouris, (X file fans, sound like another female partner's name? Dana Scully anyone?) who also has a background in science (yet another Scully coincidence?) and "adopts" one of the 4400, a child who knows the future before it happens, she doesn't get removed from the case either. (Nor, in future episodes, when the investigators and government need to know things, like the location or targets of 4400 terrorist, do they employ let alone discuss the use of the child to help them know terrorist targets) Things get even more bizarre when Joel Gretsch's character marries a 4400. Again, no conflict of interest there. (another oddity, the woman he marries on the show, is the real life wife of Billy Campbell, who is supposedly assassinated on the show, by, surprise, Joel Gretsch's son on the show.) Like I said, the "Fi" just continues to get more bizarre. Its to bad, as many of the 4400 guest stars bring some interesting and refreshing acting and character developments. This show started off with some mystery and great potential, now, it has devolved into a bad soap opera, rife with convoluted relationships, in a poor attempt to include issues which were much better covered in Alien Nation, or X-Men, the natural instinct of people to fear the unknown or those who are different. It might not be too late to save the 4400, if only the writers would change back to the unfulfilled promise of the first few episodes. And a change in the leading man certainly would refresh what has become stale in less then 1 seasons and two episodes of the second.
Man I hope it's not just me, but Season 3 was terrible, and even though Season 4 just started my hopes that it would be better this year have been dashed so far. It's not just me that thinks that is it? The 1st season was great (mini-series included) and even the second was pretty good. But now it just seems to be lost! I don't know what the hell the deal is with it, but it seems like the writers are snoozing or maybe they are off on other more important projects, I don't know. It is a real shame because there is nothing else to watch during the summer. I really wish they would get with program and make it enjoyable to watch again. If this keeps up, I doubt we will see a fifth season.
I enjoyed reading through the comments that users have offered here about the show. I agree with the criticisms of the direction, lack of humor, etc. There was a general feeling of "lack of quality" about the production of the show. We'll see if that improves when this becomes a series next summer. It didn't surprise me that there were a lot of unanswered questions at the end of the mini-series. The big question (where did they come from) was answered. If all the plot lines were brought to conclusion, there would be no good beginning point for the upcoming series. One reviewer commented about the lack of "big things" that the 4400 changed that could affect the future vs. the relatively small scaled things they changed. I actually like that approach. You never know the long term effects of small changes. You know, the butterfly flapping its wings thing. With all of its faults, this series did "grab" me, and I'll be looking forward to its continuation next summer.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.