Piotr Skowronski
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The دراما film المهملة, starring Chisholm Pothier, A.J. Aschaber, Nick Biskupek, etc., directed by Piotr Skowronski, was released on August 4, 2020 in كندا. It tells the story of يعد الدَين والبطالة من قوى الاضطهاد في عالم (ماجي). عندما تتحطم طموحاتها في أن تصبح ممرضة، تتحول (ماجي) إلى "البرنامج"؛ وهو عمل قصير المدى يَعِد بالحرية المالية. ولكن في "البرنامج"، تختفي الخطوط الفاصلة بين الحرية والرق بسرعة، حيث تكتشف (ماجي) الحقيقة المظلمة حول الحياة داخل معسكرات العمل. This is a دراما, إثارة film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.5/10 from 155 viewers.
Piotr Skowronski
بدور Director
Chisholm Pothier
بدور Dr. Moreau
A.J. Aschaber
بدور Officer Wyatt
Nick Biskupek
بدور Viceroy
David Crowe
بدور Travis
Daniel Friedman
بدور Marco
Alino Giraldi
بدور Speaker in Corporate Video
Zara Jestadt
بدور Maggie
Neil Paterson
بدور Mason
Kate Alice Phillips
بدور Worker
Judy Roche
بدور Andrea
Rick Stolz
بدور Kyle
Milosz Skowronski
بدور Writer
Piotr Skowronski
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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فيلم جيد!
source: The Discarded
I will say this film was better than many recent films I've seen. I grew up in a time when plot and storyline actually mattered and films weren't just thrown together like they are today. I do agree with another reviewer that said It has a weak storyline/plot and it's pretty slow. My biggest complaint is that is felt like a musical at times. I can't stand movies that include some actor/actress singing. It feels weird and it doesn't belong. I think music belongs in musicals. Outside of that, it was watchable but that's all I can say. Many films today I can't even finish so I guess that's some kind of compliment but it can't live up to many movies I've seen just 20 years ago.
There could have been a good movie here if only someone decided to question the motivations behind the actions driving the story whilst it was still in embryonic script development stage but, obviously, no one ever bothered and the result is that what we've got here is a film that's confusing, preposterously outlandish, illogical and just plain silly. The pretense of the scenario is based upon the crushing conscientious weight of student debt for which people are apparently wholly prepared to live for years on end in concentration camps with armed guards, brutality, attacks dogs and all of those other atrocities that the civilised world in which this film is apparently set, (you wouldn't know, since they don't bother giving you any idea about which country this movie is set in), countries that have spent the last 70 years since the end of WWII legislating and outlawing out of existence through rules and laws designed to ensure nothing of the kind ever again has any chance of happening, and yet, for some crazed reason, the makers of this film expect us to somehow throw aside all comprehension of these aspects of modern life and fully accept that some corporation somewhere deemed it 'best business practice' to incarcerate the student loan debt laden poor with a cruel regime of suffering that would, in any real world scenario, see their board of directors quickly locked up for decades and their company sued until a meter deep layer of earth on their company head office building site had been bagged up and flogged off in order to settle the masses of damages lawsuits. If you're prepared to initiate 'nuclear response level logic wipe suspension of disbelief' then this film may be, for you, a peak viewing experience, whereas, for myself, it's logical flaws so voraciously made themselves glaringly and prominently omnipresent that I couldn't stomach another second of it in under the first 30 minutes. However, if you detest logic then prepare yourself to enjoy- People who live in a slick, 21st century environment in some unnamed nation where people live on the street in the manner of 15th century peasants, dealing daycare services for babies (that magically disappear after one scene) from the back of a car which are paid for with a handful of spare change,. Heads of medical departments who think pressuring staff into sex to keep their job a valid option something that would actually occur in the manner in which this film believes it possible. Unmolested by law, 'work camps' utilising armed guards, barbed wire and complete lack of heavy earth moving equipment as best practise for their end goal. I'm sure it later revved up to suck hard enough to empty a carcass of bones in under ten seconds were it a domestically available vacuum cleaner, but I'm not prepared to suffer another minute of it to find out as early on I deduced its 'resolution' point ending, and how we were going to get there, (with ample gratuitous violence employed whilst boyfriend rescuing girlfriend, escaped the camp). My only remaining question would then be- "Guys, maybe you need to locate your baby?"
Horribly directed and written, how are these movies even green lit and whose foolish enough to spend the money? Save your time and go for a walk, or watch paint dry, or the grass grow. Anything else is better than watching this movie. Hard pass.
Slow movie, weak storyline, questionable acting and horrible direction. A couple nice shots in the film but that's about it. Save yourself time and skip this one.
Definitely worth a watch, very relevant! I really enjoyed the female lead performance.
Intriguing story! Strong female lead ! Beautiful cinematography! The Discarded is a film I would highly recommend watching!
source: The Discarded
There could have been a good movie here if only someone decided to question the motivations behind the actions driving the story whilst it was still in embryonic script development stage but, obviously, no one ever bothered and the result is that what we've got here is a film that's confusing, preposterously outlandish, illogical and just plain silly. The pretense of the scenario is based upon the crushing conscientious weight of student debt for which people are apparently wholly prepared to live for years on end in concentration camps with armed guards, brutality, attacks dogs and all of those other atrocities that the civilised world in which this film is apparently set, (you wouldn't know, since they don't bother giving you any idea about which country this movie is set in), countries that have spent the last 70 years since the end of WWII legislating and outlawing out of existence through rules and laws designed to ensure nothing of the kind ever again has any chance of happening, and yet, for some crazed reason, the makers of this film expect us to somehow throw aside all comprehension of these aspects of modern life and fully accept that some corporation somewhere deemed it 'best business practice' to incarcerate the student loan debt laden poor with a cruel regime of suffering that would, in any real world scenario, see their board of directors quickly locked up for decades and their company sued until a meter deep layer of earth on their company head office building site had been bagged up and flogged off in order to settle the masses of damages lawsuits. If you're prepared to initiate 'nuclear response level logic wipe suspension of disbelief' then this film may be, for you, a peak viewing experience, whereas, for myself, it's logical flaws so voraciously made themselves glaringly and prominently omnipresent that I couldn't stomach another second of it in under the first 30 minutes. However, if you detest logic then prepare yourself to enjoy- People who live in a slick, 21st century environment in some unnamed nation where people live on the street in the manner of 15th century peasants, dealing daycare services for babies (that magically disappear after one scene) from the back of a car which are paid for with a handful of spare change,. Heads of medical departments who think pressuring staff into sex to keep their job a valid option something that would actually occur in the manner in which this film believes it possible. Unmolested by law, 'work camps' utilising armed guards, barbed wire and complete lack of heavy earth moving equipment as best practise for their end goal. I'm sure it later revved up to suck hard enough to empty a carcass of bones in under ten seconds were it a domestically available vacuum cleaner, but I'm not prepared to suffer another minute of it to find out as early on I deduced its 'resolution' point ending, and how we were going to get there, (with ample gratuitous violence employed whilst boyfriend rescuing girlfriend, escaped the camp). My only remaining question would then be- "Guys, maybe you need to locate your baby?"
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.