Luc Besson
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film The Fifth Element, starring Bruce Willis, Milla Jovovich, Gary Oldman, etc., directed by Luc Besson, was released on May 9, 1997 in فرنسا. It tells the story of In the colorful future, cabdriver Korben Dallas unwittingly becomes the central figure in the search for a legendary cosmic weapon to keep the great evil and Jean-Baptiste Emmanuel Zorg at bay. This is a فعل, مفامرة, خيال علمي film with a runtime of 126 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 539,204 viewers.
Luc Besson
بدور Director
Bruce Willis
بدور Korben Dallas
Milla Jovovich
بدور Leeloo
Gary Oldman
بدور Zorg
Ian Holm
بدور Cornelius
Chris Tucker
بدور Ruby Rhod
Luke Perry
بدور Billy
Brion James
بدور General Munro
Tom Lister Jr.
بدور President Lindberg
Lee Evans
بدور Fog
Charlie Creed-Miles
بدور David
Tricky
بدور Right Arm
John Neville
بدور General Staedert
John Bluthal
بدور Professor Pacoli
Mathieu Kassovitz
بدور Mugger
Christopher Fairbank
بدور Mactilburgh
Kim Chan
بدور Thai
Richard Leaf
بدور Neighbour
Julie T. Wallace
بدور Major Iceborg
Luc Besson
بدور Writer
Robert Mark Kamen
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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c'est pas en français ?
فيلم جيد!
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The first third of the film is good and you think it's a decent sci-fi/action movie you'll enjoy. Then the Ruby Rhod (Chris Tucker) character is introduced and it's downhill into cliché from then on. Such a shame as the character is completely unnecessary to the plot and without his ever present shrill campness that only a teeny mind would find amusing, and then surely for only 60 seconds, the film would be much better. Plus points, Bruce Willis in laconic form, nice glimpses into the future, like the Chinese Takeaway, Milla Jovovich and Ian Holm are also well cast and add to the film.
The Fifth Element is right. Luc Besson has taken four sci-fi cliche elements and added just one element allegedly worth watching. Cliche 1: There is a purely aggressive warlike race that has somehow managed to not kill itself off. (Klingons, Draconians, etc.) Cliche 2: The universe is to be saved/destroyed by some mystical MacGuffin that everyone is chasing after. (The Genesis device, the Galaxy, etc.) Cliche 3: A wiser power is shocked to discover that mankind has this thing called "war." (The Abyss, Q, etc.) (Bonus points for apparently forgetting the warlike race in Cliche 1.) Cliche 4: Said wiser power is also puzzled because Mankind has this thing called "love." (The Abyss, E.T. etc.) New "Fifth" Element: A neat look, including costumes by Jean-Paul Gaultier. Cool, but isn't eye-candy a cliche too?
I remember when 'The Fifth Element' first came out in the cinema in 1997. I saw it twice. It was awesome. It was only really after its release did the narrative begin breaking through (the ways thing did prior to the internet!) that it wasn't 'very good.' And yet everyone I spoke to loved it. I worked in a video rental store in 1998. It was still a major title and the public seemed to love it, too. Over time I realised that, despite critics seemingly delighting in pulling it apart, the general public thought it was great. They say there are only about ten different story types and that every film is just a variation on the way each is told. With that in mind, 'The Fifth Element' isn't anything particularly original in terms of the actual story - in the distant future, a giant planet of 'pure evil' is hurtling towards the Earth preparing to wipe all us humans out. The only thing that can destroy it is a being of pure goodness (Milla Jovovich before she hit the big time in the 'Resident Evil' franchise), who just so happens to be in the care of a wise-cracking New York taxi driver (Bruce Willis when he still put effort into his performances). However, what makes the film stand out is the way its presented. If ever a film 'built a world' it was here. The special effects may look just ever-so-slightly dated today, they were amazing for the time and I think most people will still enjoy them for what they are. You'll see New York in the future with mile high skyscrapers and flying queues of cars gridlocked around their peaks (beating the 'Star Wars' prequels by a few years!). You'll see a variety of futuristic settings and technology, presented as if they are just everyday items that everyone uses. I hear fashion designer Jean Paul Gauteur (spelling!) personally designed every costume - right from the stars' own wardrobe to the background characters to give every person that 'space-age feel.' I've already said that Bruce Willis was still an A-list star when he made this. His once natural charm and endearing smirk, mixed with wise-cracks and macho heroics worked well here with Milla Jovovich's faux naive persona which underlies her true mystical powers. But they're just the icing on the cake. 'The Fifth Element' is practically an ensemble cast with villainous Gary Oldman as the bad-guy and Ian Holm as the well-meaning priest who's on hand to help out. Maybe the reason there was a certain amount of hate directed towards the film was down to Chris Rock. If you ever see some online list of 'Most Annoying Characters in Films' you'll probably find him as 'Number 2' (only pipped by Jar Jar Binks from 'Star Wars'). Yes, he's pretty obnoxious - but he's supposed to be! You're supposed to be irritated by his antics and he only comes into the story in the last third, so - personally - if you really can't stand him that much, I'm sure he should ruin the whole film for you. Basically, 'The Fifth Element' has everything an enduring film should have. It has action, romance, sci-fi (if you're into that!), adventure, sets, special effects, costumes, humour, brilliant direction (the way characters in one scene answer a seemingly unrelated question a different character had just posed is very nice and adds to the quirky feel very well) and - perhaps most importantly - if has all that without needing to be 'adult' in content. It was rated 'PG' here in the UK and I think it's a film that all the family can enjoy together. Better still... it never received a sequel or remake (to date, 2020!), therefore leaving this as a perfectly self-contained little gem of sci-fi brilliance.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.