Lokasyon ng Filming
127A Smithfield Road, Frederiksted, Virgin Islands
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The komedya film Anna and the Apocalypse, starring an unlisted cast, directed by an unlisted director, was released on November 30, 2018 in the United Kingdom. It tells the story of A zombie apocalypse threatens the sleepy town of Little Haven - at Christmas - forcing Anna and her friends to fight, slash and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other. This is a Komedya, Katatakutan, Musikal film with a runtime of 93 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.7/10 from 13,448 viewers.
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127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 panalo at 43 nominasyon sa kabuuan
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Magandang pelikula!
Magandang pelikula!
Magandang pelikula!
source: Anna and the Apocalypse
When I heard from Fantastic Fest that there was going to be a UK-based, Christmas-set comedy/horror/musical, it immediately jumped to the top of my most anticipated film list. With an idea that unique, what could possibly go wrong? I found every minute of Anna and the Apocalypse to be cliche, tiresome and predictable. All of the jokes/gags were lowest common denominator/exactly what you would expect in any given moment from a writer with zero comedy experience. I didn't laugh once, and I'm a huge fan of UK comedy. I found each of the songs to be unoriginal, forgettable and not nearly as witty as they clearly thought they were. I go out of my way to watch musicals, so this might have been the most disappointing aspect to me. I understand that this film was shot in Scotland, but is it really that difficult to cast one person of color? The majority of the characters are high schoolers, and every actor in the movie, zombies included, was white (or light-skinned mixed). When I noticed that relatively early on, I had a feeling this would not be the most thoughtful film. I don't feel the need to speak on the zombie aspect of the film as I found it to be unremarkable in every way. Only one other time in my life have I walked out of a movie theater before the ending of the film, and the other time it was because of an insufferable audience. This was easily the most disappointing film of the year for me, but I can totally understand why someone would enjoy it. Hearing countless people call it "A cult classic in the making" made me think that a film with such a unique melding of genres would at least have something of an original approach rather than featuring a cookie-cutter plot, characters with zero depth and cliche after cliche.
Guys this is not a horror comedy, it's a musical at best.
What a massively disappointing conclusion. I have no idea how they could possibly mess up the second half this badly. The film starts off perfectly, a perfect commitment to the cheese and the campiness, genuine talent put into the songs, an awful lot of great slapstick, and over the top performances. And then they forgot what movie they were making. The film commits so much to its zombie film satire that it becomes an actual zombie film. It attempts to be sad, serious, dramatic. They start killing characters that have no reason to die because...? I am so incredibly disappointed. I laughed so so hard for like 35 minutes and then nothing.
Who knew you could have so much fun in an Apocalypse? Anna knew, that's who knew and she delivers with a very funny and welcome turn on the genre. This film walks firmly in the footsteps of Shaun of the Dead, a brilliant turn of events and a horror musical, doesn't get much better.
I just saw the first 20 minutes of this "movie" in a sneak preview. Bad, bad, bad. Combination of humour, musical, zombies and all done by actors with a heavy British accent just doesn't work in the Netherlands. At least 10% of the audience walked out after the first song began. Another 10% in the next few minutes. Maybe this works in the UK, but I'm afraid it's hard to take outside that area.
The best part of this film to me is it's ablity to not only combine two completely different genres (horror and musicals) seamlessly. It also shifts the seriousness of the film with out throwing the tone off at all. I also have to say the the songs and score fit perfectly in the film and are incredibly well done. It is some of the most fun I've had watching a film in a long time and hope to see more from these film Makers.
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Isang mahabang review na sumasaklaw kung bakit natatangi ang Project Hail Mary sa 2026: kalidad ng adaptation, siyentipikong pagkukuwento, lalim ng damdamin, at mga reaksyon ng manonood.
Ang mga kwentong komedya ay ginawa para magbigay-aliw sa pamamagitan ng katatawanan. Kabilang sa mga popular na format ang situational comedy, sketch-style humor, workplace comedy, at romantic comedy.
Binibigyang-diin ng mga action title ang excitement, pisikal na labanan, mga bayaning karakter, at mabilis na pagkukuwento. Madalas itinatampok ng mga adventure title ang eksplorasyon, survival, o malalaking paglalakbay.
Sinusundan ng mga crime drama ang mga imbestigador, detective, abogado, o mamamahayag habang nilulutas nila ang mga kasong kriminal. Hinihikayat ng mga mystery story ang mga manonood na tumuklas ng mga clue kasama ang mga karakter.
Tinutuklas ng science fiction ang futuristic na teknolohiya, paglalakbay sa kalawakan, artificial intelligence, alternatibong realidad, at siyentipikong haka-haka.
Ang horror storytelling ay lumilikha ng suspense sa pamamagitan ng psychological tension, supernatural na pangyayari, halimaw, o survival scenarios.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.
Kabilang sa animation ang mga gawa para sa bata, pamilya, at matatanda, mula sa educational content hanggang sa kumplikadong dramatikong pagkukuwento.
Pangunahing nakatuon ang mga romantikong kwento sa mga relasyon, pag-iibigan, at emosyonal na pag-unlad ng mga karakter.