Sleepless in Seattle

Why are there so many bitter people here is actually disturbing it's a nice film watch it and enjoy I aw someone say" he is a nice guy but he he could be the next Jeffrey dahmer "what? 😂😂😂😂 Y'all need help and they always writing long ass epistle

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Well, today was a bank holiday and it was pouring rain outside so my wife and I thought we'd watch a family-oriented romantic-comedy, giving "Sleepless In Seattle" the nod. It's fair to say my wife liked it more than I did. For me it wasn't really very funny and worse, was guilty of over-sentimentality and coincidence. Nothing against Meg Ryan, but she hasn't got the kind of face that would stop you in your tracks the way she does at the airport with Tom Hanks' character's first view of her. Moreover her ditzy character doesn't seem too different (sans hysterical laugh) from the girl his son is so against him hooking up with. Oh yes, about the son, aged eight going on eighteen, going out with a fellow eight-year-old girl, quoting from Beatles' songs, having adult conversations with his dad and flying to New York on his own. As he would! Of course his toothy grin and mop of hair sweep aside any charges of embarrassing cringeworthiness, or at least that's what the director would have you think. I found the writing clichéd and gauche (a woman character cries when recounting the story of the "An Affair To Remember", Cary Grant / Deborah Kerr vehicle which informs much of the plot here; like when was the last time you cried explaining a movie plot), the thirty-something characters are cardboard-thin and irritating plus it seemed there had to be some old romantic song playing in the background of almost every scene. I couldn't get excited by the acting either, there being no chance for Hanks and Ryan to gell as they don't actually get together until their anti-climactic meeting atop the Empire State Building. Bill Paxton gets underused as Ryan's hypochondriac fiancé while Rosie O'Donnell irritates as her overly understanding boss. I have to admit I can't stand these male-female "buddy" relationships as demonstrated here by Hanks and Rob Reiner and Ryan and O'Donnell, they play out so artificially. Just about the only good for thing me about this film is that I'll probably seek out the earlier film, confident that it will eclipse this very slack and shallow 1980's production which it regrettably inspired.

like this one, a 10 is all you can do. Tom is great, Meg the woman plays the woman's role like nobody else could have.....If I get tears in a movie, the movie is a m o v i e ........touching. Thank you folks who did it, the folks who wrote this wonderful story. Am I sentimental? Yess. And it feels good. Each turn of the story makes you wish, hope, and finally no violence in a movie. What a relief. If you watch this movie around x-mas, you probable get more sentimental than in a hot summer night, I don't no. It took me 12 years to get to see this movie. Heard so much and everything I heard was an understatement. Thank you Tom and Meg and specially Ross, love you.

I won't lie to you-this movie is a CHICK FLICK! Though I never saw it with a guy, it is definitely a chick flick. That said, it's a high-end chick flick, which probably a few guys might enjoy, unless they happen to be the exploding helicopter type^^; This movie feels more like a modern day adaptation of the classic romance "An Affair To Remember," and it keeps referencing it too (In fact, the Cary Grant classic is very integral to the plot). Tom Hanks and Meg Ryan have great chemistry together, and they both do what they're good at-Tom Hanks portraying the Everyman, and Meg Ryan being cute and innocent. I have to disagree with an earlier comment that this film is unfair to guys-the way the characters are portrayed, I'd have to say that in the reverse situation, I'd still feel the same way. Meg Ryan does not have the "evil woman" syndrome that popped up in later 90's chick flicks (The most notorious of which was "My Best Friend's Wedding"). She is very believable and actually does care about the feelings of her fiance. What I particularly liked is that the fiance was not portrayed as someone who Meg would do well to leave. Most movies fall into this trap-Someone is about to marry someone who is horrible and find that someone else is better, the viewer supposedly not feeling bad because the fiance was a jerk anyway. Tom Hanks really shines here as someone who has lost the most important person in his life and is trying to rebuild again. He always has a knack for easily slipping into the roles he's given and making them really convincing. He does not fail here-you feel for him especially during the sequences where he starts remembering his late wife. The movie's plot starts to stretch plausibility at the end, but not to the point where it destroys the entire film. The ending scene in particular is handled very carefully. You could have had a big, romantic, tear-jerking moment. Instead, the movie takes a more simplistic approach, and it succeeds-it feels much more natural than the alternative. Overall, if you're in for a feel good romance, you should see this. If you happen to be female, this is DEFINITELY worth watching.

This wretched film is about Annie Reed (Meg Ryan) a Baltimore journalist who falls in love with Sam(Tom Hanks) when, at his son Jonah's(Ross Malinger)insistence he talks about his marriage to his late wife Maggie on a radio call-in talk show. Apparently she's one of many women who fell in love with Sam based on this lone qualification. Annie already had a fiancée Walter(Bill Pullman) who seems like a really nice guy. Unfortunately for Walter, he doesn't meet Annie's dream romance so he has to go. The meeting is spurred on by the adolescent Jonah, who travels cross-country with his father in pursuit. Of course Sam and Annie fall in love and of course they live happily after after. Here are my problems with the film. First of all, Annie decides to dump a perfectly nice man based on a a stranger's telephone call. That is weird and disturbing. Of course, Sam here is a perfectly nice guy, but he could just as easily been the next Jeffery Dahmer. Next is her treatment of Walter who seems devoted to her, in response to his devotion she breaks up with him, on Valentine's Day of all days, to hook up with a guy she's never met or indeed seen. There is the behavior of the son Jonah who is able to get cross-country tickets without his father's permission and have his dad meet up with Annie. It is presumed that Sam and Annie will live happily ever after, but if Annie can dump a longtime beau like Walter over a phone call on a radio show, than who knows how long her relationship with Sam will last.

I wonder if anyone else got tired of watching young kids portrayed on screen as smarter than adults? Frankly, I got sick of it watching thousands of movies in the '90s. This movie had a prime example of that idiotic thinking. Note: an obnoxious young kid who talks and acts like he knows more than his father is NOT cute. It's stupid; it's annoying and it's wrong and it's another anti-family message that Hollywood loved to promote during this era. The message: don't respect your parents. You know more than them. Stephen Spielberg was a big proponent of this kind of thinking in many of his early films. Combine that with the always-annoying Meg Ryan, who has yet to make a good movie, and you have an extremely overrated film in "Sleepless In Seattle. I was not shocked to find out Nora Ephron was a big contributor to this movie, directing it and helping to write the screenplay. This is the same ultra-liberal/secular writer who followed up this film with garbage like "Mixed Nuts," "Michael" and "You've Got Mail." The characters in this film, beginning with Ryan's "Annie Reed," are simply too unrealistic. Also, it's not recommended you fall in love with someone just by hearing their voice. It might help to get to know the person, in person, for quite some time before making a commitment. No wonder people in Hollywood over the ages can't get marriage right! Overall, a truly sappy movie filled with stupid messages and ridiculously overrated. It's junk.

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I adore this film and could watch it over and over again. One of my very favourites, heartwarming and lovely. It's... magic. Tom Hanks and Meg Ryan are just such great leading characters whi have great chemistry. A classic I will continue to watch all my life.