Eric Karson
بطور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The عمل film The Octagon, starring Chuck Norris, Karen Carlson, Lee Van Cleef, etc., directed by Eric Karson, was released on August 15, 1980 in امریکہ. It tells the story of A martial artist must defeat a plan by ninjas to create a worldwide training camp for terrorists. This is a عمل, ڈرامہ, رومانی film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.1/10 from 6,732 viewers.
Eric Karson
بطور Director
Chuck Norris
بطور Scott James
Karen Carlson
بطور Justine
Lee Van Cleef
بطور McCarn
Art Hindle
بطور A. J.
Carol Bagdasarian
بطور Aura
Tadashi Yamashita
بطور Seikura
Kim Lankford
بطور Nancy
Larry D. Mann
بطور Tibor
Kurt Grayson
بطور Doggo
Richard Norton
بطور Kyo - Seikura's Enforcer
Richard Norton
بطور Longlegs
Yuki Shimoda
بطور Katsumo - Seikura's Aide
Redmond Gleeson
بطور Duffy
Alan Chappuis
بطور Pierre
Brian Libby
بطور Deadwyler
Ken Gibbel
بطور Meat
Cheyenne Rivera
بطور Greek
Ted Duncan
بطور Truckdriver
Alan Marcus
بطور Truckdriver
Leigh Chapman
بطور Writer
Paul Aaron
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
source: The Octagon
اچھی فلم!
The Octagon
Chuck Norris fans and martial art film fans in general will love The Octagon. He seems to be going for a record number of casualties in dispensing bad guys in this one. As seems to be usual for occidental actors in these films Norris was adopted by a ninja master who raised him as his own and after his blood kin disgraced him in competition with young Norris kicked him out. Now the ninja school is being used to train mercenaries and terrorists and the rules there are mighty strict. Counter terrorism honcho Lee Van Cleef wants to put them out of business. But Norris has to have and gets a personal reason for getting the job done. A little bit of Eugene O'Neill's self analysis and introspection dialog is done by Norris in voice overs. Believe me it worked a lot better in Strange Interlude. Enough action for any martial arts fan here.
Personally, I wouldn't say that this is an action movie. It's more of a thriller. The movie is in fact really slow and a bit boring most of the time. The decent action doesn't kick in until just before the end. If it hadn't been for that scene, this movie wouldn't have got more than 3 stars from me. But since the last scene was pretty good, I give it a 6. Just remember that this is an Chuck Norris-movie. Norris isn't exactly the best martial arts actor, he hasn't got any spectacular moves and I get a little tired watching him wear the same type of jeans in almost every movie. There are a bunch of ninjas in the movie. The movie tried to establish them as skilled and feared fighters, but it didn't succeed with that.
The fight scene inside the Octagon between Scott James (Norris) and Kyo the Enforcer (Norton) is one of the most impressive and best choreographed fight scenes I have ever seen in any martial arts flick. No wire works, nor special camera shots...just one fluid scene of swift exchanges of blows combining Katana sword play and hand to hand combat between two badasses. This scene is perhaps the next most memorable Chuck Norris fight scene, besides him duking it out with Bruce Lee in 'Return of the Dragon'. I'm not a big Chuck Norris fan, but I consider 'The Octagon' Norris at his best.
What works for me here is the atmosphere and the mystery they put into the Ninja aspects of the story. I've always had a romantic soft spot for Ninjas (sounds weird I know) but I still feel that they are a character that has yet to be captured successfully. The Octagon does a good job of building the mystique although some of the action is a little stilted, which was the style of the time. Chuck is still a little wooden (probably still recovering from the Bruce Lee beat down) but I'm not watching this to make comparisons to Pacino! Its a great late night movie!
The plot in The Octagon hardly matters. Trying to follow the nuances of the story is enough to give you a headache. The plot deals with a lost brother, ninja training, a woman who has something to do with a group of terrorists, and some other hokum. It makes little sense. But that's not why people watch movies like The Octagon. The main purpose of the movie is to see Chuck Norris fight a bunch of ninjas. I recently revisited Norris' A Force of One. Chuck's acting improved dramatically between the time he made that movie and the time he made The Octagon. He still had that unnatural style of delivery, but there was improvement there nonetheless. The big problem with The Octagon, though, isn't the acting it's the complete lack of anything interesting. The first hour or so is, in a word, boring. Nothing much happens. Chuck spends most of the time, like the audience, just trying to figure out what's going on. I don't think he was any more successful than I was.
i rather enjoyed this Chuck Norris vehicle.the fight scenes are pretty well done,and the y are a quite few of them.the acting is is good enough for the genre.the story isn't anything special,but it works for the genre.the one thing that did irk me,though was the stupid echoing voice over whenever we were subjected to Norris's character's inner thoughts.the effect came across as stupid and cheesy in my opinion.it would just take me out of the movie. i wouldn't say it was bad enough to to lower my rating on the film.but it was distracting,and wasn't necessary.other than that though,it wasn't that bad.if you can get around that one annoying factor,then i'd recommend the movie.for me,The Octagon is a 6/10
The Octagon on the surface is just another in a long line of not-so-great Chuck Norris karate pictures. But wait; there are differences. Admittedly the quality of production is poor, but the addition of ninja assassins as chief antagonists was interesting. It should have intrigued us, but the film was just not meant to be great. The most entertaining aspect of the film is Chuck Norris' voice over narration of his thoughts. His voice echoes in whisper whenever he thinks of anything. This element may have been meant to be mysterious, but obviously it was just another part of the movie that may have swayed the viewer into thinking this was a comedy. This movie is at best described as a guilty pleasure, or something to watch on a night when you can't get to sleep. But for sarcastically humored people, or just undemanding viewers, The Octagon is fun to watch.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔