Ethan Coen
بطور Director
The ڈرامہ film True Grit, starring Jeff Bridges, Hailee Steinfeld, Matt Damon, etc., directed by Ethan Coen, was released on December 22, 2010 in امریکہ. It tells the story of A stubborn teenager enlists the help of a tough U.S. Marshal to track down her father's murderer. This is a ڈرامہ, مغربی film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.6/10 from 371,365 viewers.
Ethan Coen
بطور Director
Joel Coen
بطور Director
Jeff Bridges
بطور Rooster Cogburn
Hailee Steinfeld
بطور Mattie Ross
Matt Damon
بطور LaBoeuf
Josh Brolin
بطور Tom Chaney
Barry Pepper
بطور Lucky Ned Pepper
Dakin Matthews
بطور Col. Stonehill
Jarlath Conroy
بطور Undertaker
Paul Rae
بطور Emmett Quincy
Domhnall Gleeson
بطور Moon (The Kid)
Elizabeth Marvel
بطور 40-Year-Old Mattie
Roy Lee Jones
بطور Yarnell
Ed Corbin
بطور Bear Man
Leon Russom
بطور Sheriff
Bruce Green
بطور Harold Parmalee
Candyce Hinkle
بطور Boarding House Landlady
Peter Leung
بطور Mr. Lee
Don Pirl
بطور Cole Younger
Joe Stevens
بطور Cross-examining Lawyer
Joel Coen
بطور Writer
Ethan Coen
بطور Writer
Charles Portis
بطور Writer
دستیابی ملک، زبان اور ریلیز ونڈو کے لحاظ سے مختلف ہو سکتی ہے۔ کچھ عنوانات پلیٹ فارم سبسکرپشنز میں شامل ہوتے ہیں، جبکہ دیگر کے لیے کرایہ، خریداری یا ایپ پر مبنی رسائی درکار ہو سکتی ہے۔ اسٹریمنگ کیٹلاگ اور لائسنسنگ معاہدے باقاعدگی سے اپ ڈیٹ ہوتے ہیں، اس لیے پلے بیک کے اختیارات وقت کے ساتھ بدل سکتے ہیں۔ دیکھنے کے سب سے درست تجربے کے لیے اپنی منتخب سروس پر تازہ ترین فہرست دیکھیں اور شروع کرنے سے پہلے علاقائی سپورٹ، سب ٹائٹل کے اختیارات اور ڈیوائس کی مطابقت کی تصدیق کریں۔
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
مجموعی طور پر 21 جیتیں اور 43 نامزدگیاں
موبائل، FM بلڈز اور TV-مطابقت پذیر APK ورژن کے لیے تازہ ترین MovieBox پیکجز ڈاؤن لوڈ کریں۔ اپنے آلے اور علاقے سے مماثل پیکج منتخب کریں، پھر بہترین مطابقت اور سیکیورٹی کے لیے سرکاری انسٹال گائیڈ پر عمل کریں۔
أكثر من رائع 🫶 يستحق المشاهدة.
اچھی فلم!
اچھی فلم!
اچھی فلم!
Epic
Let me just start out by saying I have never reviewed anything in my life...OK maybe I have (music album). I just created an account to review this awful movie! I have never seen the original, but after watching this, I wish I had. This is sooo boring I can't believe all the people praising it. and WHAT BEAUTIFUL CINEMATOGRAPHY?! there is nothing special about it!!are some people just so desperate for a good movie that they go on lying to them selves so they can like it! I understand people got different tastes, but the way positive reviews just keep on coming makes me wonder if I am the crazy one! No Country For Old Men had a beautiful cinematography, but this one was soo pale. Jeff, Matt and Josh...they are all great actors, but not here, in my opinion they didn't suit the role. Everything came out unnatural and over-acted, especially from bridges. The girl was good though. I went with my father, and he is just a western junkie and is very easy to please when it comes to movies, he just likes anything that shows on the screen, and he disliked this very much. The brothers are good, but not here, this is their most uninteresting peace of work and...very boring. I can't help to think people like this cause the Coens are in it.
Owning the original, and having looked forward to seeing the new version, I find myself wondering why the Coens rewrote the script to have LaBoeuf live, instead of following the original script and letting him die of the blow to the head administered by Chaney, after guiding his horse to pull Cogburn and Mattie from the snake pit. His death makes the outcome of the journey more bleak - the attempt to bring Chaney to justice costs yet another life - and makes Cogburn's rescue of Mattie especially urgent. It gave extra texture to what had seemed like amusing superficiality in Glenn Campbell's original performance. I wondered whether star-status made the Coens, or their money-men, think "we can't kill Damon off - his public wouldn't accept it." Result: LaBoeuf's presence becomes mere comic relief, and this version of the film is weakened. I wish Tommy Lee Jones had been given the part rather than Jeff Bridges. Anyone who's seen Lonesome Dove or In the Valley of Elah (or No Country for Old Men) knows that Jones would have made a brilliant Cogburn, free of the Dude-ish baggage which burdens Bridges. And I wish also that the Coens had used that boarding-house scene from the original in which Mattie, after all her pugnacious bravery, at the livery stable and with Cogburn, cradles her dead father's pocket watch and weeps, becoming a little girl again. Kim Darby made that moment real, and it lent extra power to her resolve when Cogburn and LaBoeuf tried later to ditch her. The Coens let Hailee Steinfeld look sad, but mere sadness isn't enough, and the opportunity was lost. Much to appreciate and think about in the look of this version, but some sense of the opportunities missed.
To be honest I was never a big fan of western movies... Somehow I made myself to watch True Grit - had big doubts about it, but after all it was Coen brothers movie and it got only positive reviews all over internet. When the movie had finished I was completely stunned by how the story got me into it, how interesting and absorbing it was from the very first minutes!!! The characters were so genuine and extraordinary in the same time. I guess each of them could have their own individual movie, but here we had 3 of them crossing their paths of faith. Acting was just PERFECT - honestly I think this is Bridges best role, not to mention fantastic Damon and brilliant Steinfeld! In addition to that scenography and photography was excellent. Everything gave the viewer almost 2 hours of an amazing story, told in the best possible manner. Thank you brothers Coen for this masterpiece!
OK, it's a pretty decent flick, but really, WHY WAS IT EVEN MADE? What is with the 8.4 rating??? Has nobody under 40 yrs old seen the Oscar winning original? They may as well remake Butch Cassidy.. Good grief. I like Jeff Bridges, but can you seriously watch this movie and not just think that there is something seriously lacking here (The Duke). All the "faithful to the book" justifications just don't cut it. The original was a Cinema Classic. The climactic shootout with Bob Duvall is iconic by itself ("fill your hands, you S.O.B"). Y'know remaking a great flick for the heck of it is just plain wrong, and it's distressing that there's some sort of slobbering admiration for this kind of redundant remake. It's the same feeling that I get when I hear sampled James Brown in rap tunes. Do yourself a favor and save the admission price and rent the original, this is like a photocopy of a Remington painting.
I haven't reviewed anything in a long time. I've seen some notably good and bad movies but this one has a lot to be said about it. I went to this movie with my boyfriend who is a big fan of western's. I'm not as much a fan but I enjoy a good old western shoot 'em up flick every once in a while. It did look interesting and it was a remake of a John Wayne film- How could it not be good? So I bit the bullet and tagged along not expecting much but hoping to be entertained. Let me just start with this- Its boring! Plain as that. It has long, lengthy, tedious, monotonous, redundant conversations about mundane and uninspired normal everyday things. (Such as haggling over a horse... Come on that conversation did NOT need to last 5-10 minutes). The lead Mattie was pretentious. She was a deeply annoying kid trying to play big girl and it was frankly quite irritating. I didn't find her to be "Tough as nails" like a few people are describing her especially since when things didn't go her way she threw out the "I have a good lawyer" threat to help her out. Her performance was wooden to say the least. For a girl who's father had just died she didn't seem that upset. I'm not asking she cry her eyes out every minute but her frigid demeanor could have been broken at least once to humanize the character, who can really care about or sympathize for someone who just acts like a puppet for the director? None of the performances are anything spectacular. Jeff Bridges plays a drunk and Matt Damon plays an overcompensating jerk. There was no real action. It was a lot talking, horse riding, arguing... The most shooting done was a ridicules scene where the drunk tries to prove he isn't wasted and tries to shoot a bottle and cornbread. The movie didn't flow well. There were long boring drawn out scenes of nothing important. And then the important scenes were rushed. There was no time to savor the victory because it was so fast and sudden. The plot was just too thin. The very ending was a last attempt to add spice to this terrible film but nothing could save it. The plot needed to be thicker and more interesting, the characters needed more character, development and be less one dimensional, The script needed to be completely rewritten I don't even know where to begin on how bad it was and this movie just to be completely honest and blunt SUCKED.
حالیہ قیمتوں میں تبدیلیوں، صارفین اپنے دیکھنے کے سیٹ اپ پر دوبارہ غور کیوں کر رہے ہیں، اور اپنی دریافت کی عادات کھوئے بغیر متبادل طریقہ کار کا جائزہ لینے کا تفصیلی تجزیہ۔
Movie Box APK انسٹال کرنے کا صحیح طریقہ جانیں: پہلے ورژن کی بنیادی باتیں، پھر صاف انسٹالیشن کے مراحل، اور آخر میں TV، iOS، ویب اور ایپ کے استعمال کے راستوں میں سے انتخاب کیسے کریں۔
ایک تفصیلی جائزہ جو بتاتا ہے کہ 2026 میں Project Hail Mary کیوں نمایاں ہے: موافقت کا معیار، سائنسی کہانی، جذباتی گہرائی اور سامعین کے ردعمل۔
کامیڈی کہانیاں مزاح کے ذریعے تفریح فراہم کرنے کے لیے بنائی جاتی ہیں۔ مقبول فارمیٹس میں حالات پر مبنی کامیڈی، خاکہ نما مزاح، دفتری کامیڈی اور رومانوی کامیڈی شامل ہیں۔
ایکشن فلمیں جوش، جسمانی کشمکش، بہادر کرداروں اور تیز رفتار کہانی پر زور دیتی ہیں۔ ایڈونچر فلموں میں اکثر تلاش، بقا یا عظیم سفر دکھائے جاتے ہیں۔
کرائم ڈرامے تفتیش کاروں، جاسوسوں، وکلا یا صحافیوں کی پیروی کرتے ہیں جب وہ مجرمانہ مقدمات حل کرتے ہیں۔ اسرار کہانیاں ناظرین کو کرداروں کے ساتھ سراغ دریافت کرنے کی ترغیب دیتی ہیں۔
سائنس فکشن مستقبل کی ٹیکنالوجی، خلائی سفر، مصنوعی ذہانت، متبادل حقیقتوں اور سائنسی قیاس آرائیوں کی کھوج کرتا ہے۔
ہارر کہانی نفسیاتی تناؤ، مافوق الفطرت واقعات، راکشسوں یا بقا کے منظرناموں کے ذریعے سسپنس پیدا کرتی ہے۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔
اینیمیشن میں بچوں، خاندانوں اور بالغوں کے لیے تعلیمی مواد سے لے کر پیچیدہ ڈرامائی کہانی تک کے کام شامل ہوتے ہیں۔
رومانوی کہانیاں بنیادی طور پر کرداروں کے درمیان تعلقات، محبت کی کہانی اور جذباتی نشوونما پر مرکوز ہوتی ہیں۔