Ruben Fleischer
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The فعل film 30 دقيقة أو أقل, starring Jesse Eisenberg, Danny McBride, Nick Swardson, etc., directed by Ruben Fleischer, was released on August 12, 2011 in الولايات المتحدة. It tells the story of يدور الفيلم حول (دواين) و(ترافيس)، شابين جدد في عالم الإجرام بعد فشلهما في الحصول على أموال لتمويل مشروعها لافتتاح صالة للتدليك، فيخطفا رجل توصيل البيتزا، ويلبسانه سترة ملغمة بالقنابل الموقوتة، ويجبراه على سرقة مائة ألف دولار لازمة لتمويل مشروعهما خلال مهلة لا تتجاوز العشر ساعات. This is a فعل, كوميديا, جريمة film with a runtime of 83 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 109,806 viewers.
Ruben Fleischer
بدور Director
Jesse Eisenberg
بدور Nick
Danny McBride
بدور Dwayne
Nick Swardson
بدور Travis
Aziz Ansari
بدور Chet
Dilshad Vadsaria
بدور Kate
Michael Peña
بدور Chango
Bianca Kajlich
بدور Juicy
Fred Ward
بدور The Major
Sam Johnston
بدور 15 Year Old #1
Jack Foley
بدور 15 Year Old #2
Elizabeth Shapiro
بدور Chet's Date
Brett Gelman
بدور Pizza Boss
Paul Tierney
بدور Rodney
Staci Lynn Fletcher
بدور Family Dollar Cashier
Gary Brichetto
بدور Mr. Fisher
Ilyssa Fradin
بدور Mom
Grace Heemstra
بدور Daughter
Torey Adkins
بدور Big Guy
Michael Diliberti
بدور Writer
Matthew Sullivan
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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I just got home from seeing this movie. I felt compelled to come on here, or anywhere else that I can to warn people not to waste their money on it! I was in the theater with about a dozen other people, and I barely heard anyone else laugh, at all. I know I didn't. The movie doesn't suck you in, I found that it barely kept my attention. The acting is really pretty bad, and there's nobody that "likeable" that keeps you wanting to watch. I'm not sure what I was expecting, but the reviews that I heard were wrong. It's not funny. It was just a simple movie, and didn't have much comedic value to it at all. I wish I could get my money back. If you want to laugh, go see The Change Up!
The first 30 minutes are upbeat and the comic relief is par. Once the plot begins, McBride's relentless babbling just wears on the senses, dragging everything else good about this film. This movie could have been much funnier if McBride's character wasn't so annoying. If it wasn't for Jesse and Aziz this movie would have been a complete flop. About half way through the pre-screening some of the audience members walked out, I wish I would have as well. I thought the soundtrack was probably the best part of the film. Overall disappointing coming from Fleischer, the director of Zombieland. I would like to see more from Fleischer, just keep McBride at home next time.
One of these Hollywood geniuses needs to write a movie with the cast from this movie!! Don't care about scheduling just make it happen!! The story is great, because as some might remember this actually happened in real life some time ago. So to have those 2 kidnapping, bomb making buffoons cast as 2 of the funniest guys in the biz was brilliant. Not to mention JE,AA,and my favorite character the most hard core gangster in the city if not the country or world Micheal Pena!!!! Pure gold!!
The film is kind of mocking lazy, dumb and criminals. Homer-sexual jokes at the beginning. That feels like puke. The whole thing was impossible of course but kind of intriguing enough to stick with it. I had at least three lol moments in the film. Good enough for TV at least.
I think I had to give this one a star rating; so, I tried to give it one-eighth of a star and I'm not sure if it will work. So, if it shows as one star, please keep in mind my intent. I never thought I'd see a need to go negative on stars, but this one would fir the bill. I'll not go into a long dissertation . Suffice it to say that boring, tedious, juvenile, stupid all are descriptors that over inflate my opinion of this _____. I had to leave that blank, because this is not even good enough to be called a movie, let alone a film. Save you money - even excellent layered butter popcorn doesn't make seeing this worthwhile.
An improbable situation witch reminds me of "Pinneaple Express". Things that can't -in a daily basis- happen and could get even worse faster than you think. 30 minutes or less is what to need to see this movie won't make you crap out your pants laughing, but will present you with some funny crazy stupidities that leads the story in some out of the possible situation (truth to be told: you'd like to tell your grandkids 30 years from now if it did happen to you). I'm kinda tired of stupid characters doing stupid things. They're stupid, being stupid is not that funny, speak like an idiot even less, but yet, producers insist on and make them sociable morons. This is those kinds of movies made to relax your mind watching something that does not make you think. If you can watch it with mates drinking some beer when you've done a lot in that weekend and just wanna relax, the movie is made for your. If not... go watch a documentary.
30 Minutes or Less is about as good as you would expect based on the trailers. There was nothing groundbreaking here, but there was never a lull. The acting was good, but a bit shaky. I thought Jesse Eisenberg did the best, though he was probably playing a dirty mouthed version of himself. Aziz Ansari was given the best lines of the film, but his acting was the shakiest, definitely not with the confidence he has on Parks and Recreation. Danny McBride plays the same character he always plays, but at least he does it well. All in all it was a good film, had me laughing the whole time. There was definitely an excess of foul language, but it was to be expected with this film. I haven't seen another movie similar this summer, so I would recommend it.
I watched this movie because I wanted to check if I just automatically like anything Danny McBride does. Turns out he plays it kind of straightforward in this one. He doesn't say all the crazy stuff he usually throws out there. Same for the movie: it looks like it's going to be totally nuts, but takes things surprisingly serious for a lot of the time. Turned out to be enjoyable enough to pass the time, nothing in the writing or performances that bothered me. Even Nick Seward was tolerable. But I don't expect to watch it again. I do hope Dilshad Vadsaria gets some more roles out of this, because she looked amazing. I'll still watch anything with Danny, but as far as the writer, director, and all the other performers...meh.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.