A Taxi Driver

🎬2017137h 0mكوريافعل, دراما

English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文

7.9/1037,197 شخصاً قيّموه

شاهد الفيديو

الوصف

The فعل film A Taxi Driver, starring Song Kang-ho, Thomas Kretschmann, Yoo Hae-jin, etc., directed by Hun Jang, was released on August 11, 2017 in كوريا. It tells the story of A widowed father and taxi driver who drives a German reporter from Seoul to Gwangju to cover the 1980 uprising, soon finds himself regretting his decision after being caught in the violence around him. This is a فعل, دراما, تاريخ film with a runtime of 137 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.9/10 from 37,197 viewers.

أبرز الممثلين

Hun Jang

بدور Director

Song Kang-ho

بدور Kim Man-seob

Thomas Kretschmann

بدور Jürgen Hinzpeter

Yoo Hae-jin

بدور Hwang Tae-sul

Ryu Jun-Yeol

بدور Gu Jae-sik

Hyuk-kwon Park

بدور Reporter Choi

Gwi-hwa Choi

بدور Civvies leader

Cha Soon-bae

بدور Driver Cha

Sin Dam-soo

بدور Driver Sin

Seong-hyeon Ryoo

بدور Driver Ryoo

Tae-goo Eom

بدور Illegal checkpoint Sergeant First Class Park

Min-hee Park

بدور Kwon Joong-ryeong

Jung-Eun Lee

بدور Hwang Tae-sool's wife

Eun-mi Yoo

بدور Kim Eun-jeong

Kwon Soon-Joon

بدور Kang Sang-goo

Yoon Seok-ho

بدور Hwang Tae-sool's son

Heo Jung-do

بدور Pregnant woman's husband

Lee Bong-ryun

بدور Pregnant Woman

Lee Ho-Cheol

بدور Hong Yong-pyo

Yu-na Eom

بدور Writer

أين يمكن المشاهدة

sz.repeattv.comAaron Soprano Ehumbo

قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.

موقع التصوير

127A Smithfield Road, Frederiksted, Virgin Islands

الإنتاج

Castle Rock Entertainment

الجائزة

21 فوزاً و43 ترشيحاً إجمالاً

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مراجعات المستخدمين

OUi6AM22/10/24 11:43

action

_JuKu_07/08/24 07:26

I enjoyed this movie. It was fairly tight, well-written and photographed. I would've said it was an 8 were it not for the overwhelming Korean trope of super oppressive background strings and buckets of crocodile tears. These distracting aspects weaken an otherwise strong and compelling film. I think by now I must've seen at least 10 films that stars Kong-ho Song, including the Oscar favorite "Parasite". Ne never fails to deliver, that's for sure. I just wish the dang directors wouldn't always go for the tear factor, though. It always look ridiculous, especially in this political film where the German journalist himself gets reduced to tears because it's in the script. Ridiculous.

Mustapha Ndure07/08/24 07:26

1980 Gwangju is no small matter to many Korean people. You can compare it to Kennedy assassination in its significance. I had a high expectation because of the subject matter and the actors, but I felt that the movie fell short. The direction and writing were rather poor considering the named actors and quite high production value. The acting was good, but not stellar. Should be shorter and smoother in transition. Of course, I enjoyed it 1000 more than those soul-less CG-intense transformer series.

Molham مُلهَم07/08/24 07:26

The DIALOG, man. What made us not easy to enjoy the Korean movies or the TV drama series, no matter how popular they are, is the stupid dialog. It's not the normal dialogs that we usually see in the Western movies, the dialog in Korean movies or drama series are not dialog between two characters or among several actors, but a monologue, a single person keeps talking to himself or herself, and such monologue is widely used to show those thoughts usually flow in one's brain. But Korean movies and TV dramas use such stupid monologue, a self-talking-to-himself(herself) to let the viewers, who in the eyes of the screenplay writers and the directors usually think the viewers are too stupid to understand what the characters in the movie or TV dramas are thinking. So most of the time in a Korean movie ( the Japanese movies and TV dramas also got such problem, but not as serious as the Korean's), talking non-stop to him(her)self, a monologue only mentally ill or born retarded, become the never-can-get-rid-of, must-have, even in self doubt scene so popularly used. A dialog helps the viewers to understand the on-going of the storyline, the coming-up or developing scenarios or plots, but use monologue of one person keeps talking to himself or herself is just stupid and unnatural. When people start talking to himself or herself, it's a popular sign and common sense that the person who talk or murmuring to himself(herself) is reaching a deteriorating mental condition, he or she uses the mouth to carry out the thoughts in their mind or brain. It's a common symptom of aging problem. People under age 45 usually would not have such self-murmuring problem unless a mentally deterioration is underway. But the Korean movies and TV dramas both pushing the uncontrollable talking to himself or herself a common habit to all the Koreans, no matter young or old, male or female, they all put their thoughts, their thinking in their mouths and blabbering out non-stop. If the Koreans got such talk-to-themselves problems when they are still young, even at teenage, I just could not imagine how such problem would become how serious when they become older and older. We often saw some people talking to themselves in a supermarket or in the street, and we'd automatically consider them either too old or with mental problems, but not the Koreans, especially the Koreans in a Korean movie or TV drama, because to the Korean people, the monologue is indeed the dialog. We've seen so many good Korean movies and TV drama series, almost all of them got such ridiculous talking-to-himself or herself. Dialog is a conversation, not a monologue, consciously, sub-consciously or unconsciously to show one's thoughts by mouth.

Afã da liloca240134807/08/24 07:26

In China, we had the same movement, but we failed. We still live in the control of Chinese Communist Party. Why did we fail in 4th June 1989? What should we do for our freedom?

Aaron Soprano Ehumbo22/09/23 06:55

فيلم جيد!

omaimouna213/09/23 20:06

فيلم جيد!

Njandeh12/08/23 22:25

فيلم جيد!

توصيات بأفلام مشابهة

المدونة

الأنواع الشائعة

كوميديا

صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.

أكشن ومغامرة

تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.

جريمة وغموض

تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.

خيال علمي

يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.

رعب

يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.

رسوم متحركة

تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.