Theo Anthony
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فيلم وثائقي film All Light, Everywhere, starring Theo Anthony, Keaver Brenai, Robert Cunniff, etc., directed by Theo Anthony, was released on June 4, 2021 in الولايات المتحدة. It tells the story of A far-ranging look at the biases in how we see things, focusing on the use of police body cameras. This is a فيلم وثائقي film with a runtime of 105 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.8/10 from 966 viewers.
Theo Anthony
بدور Director
Theo Anthony
بدور Self
Keaver Brenai
بدور Self - Narration
Robert Cunniff
بدور Self - Focus Group New York City NY
Ross McNutt
بدور Self - Persistent Surveillance Systems
Steve Tuttle
بدور Self - Axon Enterprise
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
source: All Light, Everywhere
Boring. Audio hurt my ears at certain points. Overall I'm annoyed that I wasted my time watching this. Read some other of the low star reviews for more details about any this was a stinker.
Using big words, quotes, and philosophical takes does not even remotely mean you understand it. It's like it's 2 attempted movies, smushed together; 1 is a walking tour of Axon with actual footage - ok, it's fine, and the second one is a grad school project for liberal arts trying to sound way smarter than it is. Fails miserably on both parts. This film shot for the moon and tripped on its shoe laces while getting dressed instead. Put some actual time and research into a tactile subject. People will like it more than this attempted philosophical jargon that comes off as a movie made by someone who read the title of a book about the subject. Skip this.
From the very beginning, All Light, Everywhere lets you know that it will demand your undivided attention for its entire run time. It's informative, philosophical, and aesthetically pleasing. The story is about cameras, scientific measurement, human sense, and their limitations to discern reality. The story is primarily told through the lens of the modern surveillance state and its application in law enforcement. All Light, Everywhere is unlike a traditional documentary. Approach it as a Sundance award-winning film.
Very messy documentary!!! The subject is all over the place, terrible editing, immature camera work and sound. It looks like a graduate school assignment. Was this a experimental work???
For such a fascinating topic, this "documentary" manages to create 110 minutes of the most uninspired, dull, and pretentious content imaginable. Except for the fascinating excerpts of parts of the history of photography, it tries so hard to be profound, to weave broad narratives, to write an erudite documentary essay, that it just comes across as pompous and dull. There is almost no intelligent commentary or narrative here, or insights. A total and utter waste of time!
Adages such as 'the Observer Changes the Experiment' sum up this insightful reflection on the limitations of perspective. As a camera operator and documentary filmmaker myself, I can say that it is easy to confuse what is captured in the lens with the reality. But the map is not the territory, and the image is not the object in question. Instead, as Theo Anthony's film explains, it is something of a parallax problem -- the position of the observer -- and indeed one's position in authority, as with law enforcement in this film, alters or at least CAN alter what is "seen" in the image. It's just about accountability and openness, but about understanding the position of observation -- making an apt (but admittedly obscure) metaphor with the Transit of Venus -- a textbook case of parallax perspective-shift. Parallax (noun) 2. An apparent displacement of an object observed, due to real displacement of the observer, so that the direction of the former with reference to the latter is changed. Seeing and being seen in an increasingly surveillance- and sousveillance-oriented society cannot account for all the human factors. Bias is built in and hard to strip away. We have a tendency to take things for granted - i.e. "what you see is what you get" -- but the human eye does not take in the real world, and the brain and its functions remain completely isolated from that real world. And thus, symbols are substituted in mental calculations, assumptions driving thinking and decision making.. and the questions of morality, justice, fairness and more are mired in the complex questions surrounding the meta-field of Cybernetics dating back to the 50s. My film "The Minds of Men" (2018) covers similar topics from a totally different perspective. But my interest in the material I have research primed me for the appreciation of Theo Anthony's' fine film. It requires time to digest and think it over, and some audiences don't have energy for that, but a thoughtful viewer will have a lot to walk away with from this rich film.
source: All Light, Everywhere
From the very beginning, All Light, Everywhere lets you know that it will demand your undivided attention for its entire run time. It's informative, philosophical, and aesthetically pleasing. The story is about cameras, scientific measurement, human sense, and their limitations to discern reality. The story is primarily told through the lens of the modern surveillance state and its application in law enforcement. All Light, Everywhere is unlike a traditional documentary. Approach it as a Sundance award-winning film.
Boring. Audio hurt my ears at certain points. Overall I'm annoyed that I wasted my time watching this. Read some other of the low star reviews for more details about any this was a stinker.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.