عمار اكبر انطوني

🎬2018153h 0mالهندفعل, كوميديا

English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ

4.1/101,231 شخصاً قيّموه

شاهد الفيديو

الوصف

The فعل film عمار اكبر انطوني, starring Ravi Teja, Ileana D'Cruz, Sheetal Deo, etc., directed by Sreenu Vaitla, was released on November 16, 2018 in الهند. It tells the story of رجل يقرر الانتقام ممن خانوه في الماضي، وذلك عن طريق التنكر في ثلاث شخصيات لكي يثير حيرتهم: عمر وأكبر وانتوني. This is a فعل, كوميديا, جريمة film with a runtime of 153 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.1/10 from 1,231 viewers.

أبرز الممثلين

Sreenu Vaitla

بدور Director

Ravi Teja

بدور Amar

Ravi Teja

بدور Akbar

Ravi Teja

بدور Anthony

Ileana D'Cruz

بدور Aishwarya

Ileana D'Cruz

بدور Pooja

Ileana D'Cruz

بدور Teresa

Sheetal Deo

بدور Ileana D'Cruz Friend in America

Sunil

بدور Bobby

Jayaprakash Reddy

بدور Pullareddy

Subhalekha Sudhakar

بدور Dr. Marc Anthony

Sayaji Shinde

بدور Jalal Akbar

Abhirami

بدور Amar's mother

Vennela Kishore

بدور Miriyala

Laya

بدور Young Aishwarya's mother

Abhimanyu Singh

بدور Balwant Kharge

Tarun Arora

بدور Karan Arora

Raghu Babu

بدور Gandikota

Adithya Menon

بدور Saboo Menon

Srinivasa Reddy

بدور Kandulu

Vikramjeet Virk

بدور Vikram Talwar

Rajveer Ankur Singh

بدور Rajveer

Bharath Reddy

بدور Mareddy, Pullareddy's assistant

Rishabh Purohit

بدور Writer

Vamsi Rajesh Kondaveeti

بدور Writer

Sreenu Vaitla

بدور Writer

أين يمكن المشاهدة

movies.waploaded.comAlice

قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.

موقع التصوير

127A Smithfield Road, Frederiksted, Virgin Islands

الإنتاج

Castle Rock Entertainment

الجائزة

21 فوزاً و43 ترشيحاً إجمالاً

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مراجعات المستخدمين

clrmnc09/03/24 15:14

ravi tejaaa km trbaikkk

Luce Oleg’s29/03/23 10:38

Now i don;t remember why i saw this movie in the first place. :-D

papi29/03/23 10:38

Mr.SV has "come back" at the audience for trusting him to make an entertaining film. Screenplay is stale, dialogues are stale, characters are stale. There is no plot anyway. Only thing that worked fine is the cinematography.

abdillah.eloufir29/03/23 10:38

One of the worstest telugu movie with very big star casts. Story/Screenplay were totally crap and the villains were just awful. Total waste of more than 2 hours of my life.

Punjanprama 29/03/23 10:38

Bad i mean this is as bad as possible. director just don't know where to start and where to join the connections....

Sweety Sirina29/03/23 10:38

In my point of view it is good but some of characters have less importance. I felt heroine importance should have little more because it is a revenge drama.

Freakyg29/03/23 10:38

Director Srinu Vaitla has gone bonkers, he needs a rehab. Short films on YouTube can provide more entertainment than this peace of $h!t

mariama rella Njie 229/03/23 10:38

The movie is good, but not good enough. the plot is quite stupid, however acting is on point. filled woth comedy, and because of that filled with TOO MANY comedy actors In simple words: SO BAD ITS GOOD

HCR🌝💛29/03/23 10:38

Is this srinu vaitla?? 🙂 suspense crime drama... Not bad.....One time watch

Chisomo Nkhoma29/03/23 10:38

Amar (Ravi Teja) is a troubled man with revenge in his veins due to a childhood marred by people his family trusted. Pooja, aka Aishwarya (Ileana) is his childhood friend who's equally damaged and waits for his return with Jalal (Sayaji Shinde), a family friend. But Amar and Aishwarya both seems to have a peculiar problem that mars their life even further. Will they find a way to overcome it? Tollywood seems to be extremely fascinated with taking scientific discoveries or medical ailments that are very much real and twisting them into something else by actively providing false information. In the case of Amar Akbar Anthony, it is dissociative identity disorder that's the victim, along with the audience. Amar (Ravi Teja) is released from prison after serving his 14 year sentence and the second he's out, he's baying for blood. Pooja (Ileana) is an event manager constantly harassed by Miriyala (Vennela Kishore) who can't seem to take no for an answer. Both the individuals have triggers that turn them into a whole different person, much to the chagrin of those around them. Pursuing Amar and his trail of dead bodies is FBI officer Balwanth (Abhimanyu Singh); put on his tail by the very people he's hunting down. While this makes for a fascinating story by itself, there's also the cliché accented Telugu speaking Akbar and suspiciously calm Dr Anthony to deal with. But because that's also not enough, we have a motley of NRI characters who make up the WATA (World Andhra Telangana Association), a black magic practitioner Jr Paul (Satya) and a serial gambler Bobby (Sunil) thrown into the fold, apart from the four antagonists who are shareholders of a pharma group. Phew! While it is good that the film attempts to maintain a serious tone by leaving the character of Amar constantly grumbling and Pooja ever pensive, given the subject, AAA strays majorly off the path when it also tries to be a typical commercial masala potboiler by injecting the good ol' song and dance and forced comedy at regular intervals. The story is so predictable that despite the flashback being revealed in bits and pieces, one can gauge exactly how it's all going to turn out. Predictability aside, Sreenu Vaitla seems to be trying so hard to reinvent himself that the film seems to have a tone that's majorly confused. It's a relief to see a film that immediately jumps to the point without meandering around and equally relieving to not see unnecessary romantic moments forced into a narrative about revenge. But unfortunately, the way the whole film is stitched together does not seem to work, and not just due to the choppy editing in parts. The sad part is that by the end, one can even understand what the director tried to pull off and failed at. Ravi Teja delivers a good performance as the focused Amar who has nothing left to live for except revenge, disoriented at times due to his ailment, and as the calm Dr Anthony. It is his performance as Akbar that seems forced, mostly due to the way it's written. Ileana too makes her presence felt in limited screen-time, looking gorgeous as Aishwarya, even while kicking some major butt. While Vennela Kishore, Sunil and Satya are a delight to watch on-screen, especially when Sunil decides to shake a leg, the way they're inserted into the story seems pointless and inorganic. Sayaji Shinde and Abhimanyu Singh are wasted in roles where they have nothing much to do, so are the rest of the cast. They all deserved a better screenplay. Thaman did a good enough job with the BGM even if the songs don't leave a mark. The cinematography by Venkat C Dileep is good too. Unfortunately, by the end, the film just turns out to be old wine in a new bottle made worse by ignorance. But watch this one if you're a Ravi Teja or Ileana fan, just don't expect too much.

توصيات بأفلام مشابهة

المدونة

الأنواع الشائعة

كوميديا

صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.

أكشن ومغامرة

تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.

جريمة وغموض

تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.

خيال علمي

يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.

رعب

يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.

رسوم متحركة

تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.