Kwabena Gyansah
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The دراما film Azali, starring Asana Alhassan, Akofa Edjeani Asiedu, Adjetey Anang, etc., directed by Kwabena Gyansah, was released on February 6, 2020 in Ghana. It tells the story of في أكرا حسب الظروف ، يجب على فتاة تبلغ من العمر 14 عامًا من شمال غانا تحمل الحياة في الأحياء الفقيرة في أكرا ، وإيجاد طريقة للعودة إلى المنزل. This is a دراما film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.7/10 from 300 viewers.
Kwabena Gyansah
بدور Director
Asana Alhassan
بدور Amina
Akofa Edjeani Asiedu
بدور Rukaya
Adjetey Anang
بدور Akatok
Peter Ritchie
بدور Razak
Ama K. Abebrese
بدور Joan
Mohammed Hafiz
بدور Seidu
Emmanuel Nii Adom Quaye
بدور Kortey
Ramatu Mohammed
بدور Fatima
Abdul Malek
بدور Boy
Alhassan Tahiru Niindoo
بدور Yussif
Ismaila Mashod
بدور Baba Abdulai
Yakubu Inusah
بدور Fuseini
Ibraham Alhassan
بدور Baba Dauda
Mohammed Awal Mahama
بدور Man 1
Bela Afua Sarhene
بدور Orphanage Woman
Wumpini
بدور C.I.D.
Sagan
بدور Muscular Man
Adam Rahimatu
بدور Social Welfare Woman
Kwabena Gyansah
بدور Writer
Gwandelen Quartey
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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I felt empty watching this, in the sense that there seemed to be no connectivity. I had subtitles but they didn't generate with some of the non-English probably because the languages were mixed together. I understand countries do that; that's not a problem but going from one scene to the next just seemed disconnected and that seemed to be one of the reasons why. Also, I've seen a lot of movies etc., but I don't know if I would call any of this 'acting'. It seemed as if everyone was just speaking AT each other rather than TO each other. Maybe it's a cultural thing, I don't know. There's a lot of quietness in this. Like you're just looking at people, scenery etc., like it was dispersing art house type moments (I don't think it was, intentionally at least.) It's a story about a 14 year old girl surviving and trying to get back home. Everything moves so slowly. I was interested in the film but it just was teetering on boring me to death. It's too quiet. Even what supposedly is supposed to be exciting was subtle and quiet; such as the main girl finding out that she's going to be sold into slavery (sex trafficking, most likely) and the slaver comes up from behind her--and this other guy that the girl knows from elsewhere--and reaches for a gun in her purse and was so ominous but became so monotonous. It begins only to get interesting until the last 35 minutes of the film but then it twists into just the unbelievable. Amina was able to escape a life of slavery and perhaps sex trafficking only to end up surviving in Accra as a prostitute. That's irony for you. Of a city of over 2 million people she runs into a guy who sort of becomes her protector (who's also new to the city) oh, and after Amina finds her Uncle we find that her protector is her biological father who she's pregnant by! Oh, the twists this movie has and how pathetically entwined. I think they knew it was a boring movie so they added that taboo! I will say the showing of the vast landscape was quite lovely to look at but other than that, I didn't really care for this film.
Very interesting movie about the difficult life of a 14-year old girl in Ghana. The storyline might be a little foreseeable and the plot twist at the end is a little too much, but that's not what it's really about. This movie gives you an insight on hard living conditions in Ghana and the reality of a lot of people, especially women, without dramatizing too much. Instead, it puts an emphasis on the day-to-day life and willingness/necessity to fight for survival, which is very well played by the main actress. A immersion in another world which makes you reflect about inequalities as well as violence against women and children. I definitely recommend this movie.
فيلم جيد!
My compound
nice movie
u
Following dis movie 🎬
source: Azali
I felt empty watching this, in the sense that there seemed to be no connectivity. I had subtitles but they didn't generate with some of the non-English probably because the languages were mixed together. I understand countries do that; that's not a problem but going from one scene to the next just seemed disconnected and that seemed to be one of the reasons why. Also, I've seen a lot of movies etc., but I don't know if I would call any of this 'acting'. It seemed as if everyone was just speaking AT each other rather than TO each other. Maybe it's a cultural thing, I don't know. There's a lot of quietness in this. Like you're just looking at people, scenery etc., like it was dispersing art house type moments (I don't think it was, intentionally at least.) It's a story about a 14 year old girl surviving and trying to get back home. Everything moves so slowly. I was interested in the film but it just was teetering on boring me to death. It's too quiet. Even what supposedly is supposed to be exciting was subtle and quiet; such as the main girl finding out that she's going to be sold into slavery (sex trafficking, most likely) and the slaver comes up from behind her--and this other guy that the girl knows from elsewhere--and reaches for a gun in her purse and was so ominous but became so monotonous. It begins only to get interesting until the last 35 minutes of the film but then it twists into just the unbelievable. Amina was able to escape a life of slavery and perhaps sex trafficking only to end up surviving in Accra as a prostitute. That's irony for you. Of a city of over 2 million people she runs into a guy who sort of becomes her protector (who's also new to the city) oh, and after Amina finds her Uncle we find that her protector is her biological father who she's pregnant by! Oh, the twists this movie has and how pathetically entwined. I think they knew it was a boring movie so they added that taboo! I will say the showing of the vast landscape was quite lovely to look at but other than that, I didn't really care for this film.
The beginning 20-30 minutes got me very interested in the story, but then it lags so badly and for so long that I no longer cared what was going to happen. There are stretches up to 10 minutes where there is little or absolutely no dialogue AND nothing happening. It is just panning the area they are in and while it is beautiful scenery and people are going about their daily lives in the market, I don't understand the point of how lengthy these segments were. I think the film could have benefited from a better editor. With all that said, the lead actress did a pretty good job working with a bad script. The message is lost in the confusing mess that is the final film.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.