Alain Desrochers
بدور Director
The TV series Bad Blood, created by Michael Konyves and produced by an unlisted studio, first premiered on December 7, 2018 in كندا. The series spans 1 season with 8 episodes, featuring the voices of Kim Coates, Louis Ferreira, Sharon Taylor, and Melanie Scrofano. It follows the story of A dramatization of the life and death of Montreal mob boss Vito Rizzuto. This is a جريمة, دراما series and has received a rating of 7.5/10 from 10,983 viewers.
Alain Desrochers
بدور Director
Jeff Renfroe
بدور Director
Molly McGlynn
بدور Director
Kim Coates
بدور Declan Gardiner
Louis Ferreira
بدور Domenic Cosoleto
Sharon Taylor
بدور Rose Sunwind
Melanie Scrofano
بدور Valentina Cosoleto
Dylan Taylor
بدور Ignazio 'Nats' Cosoleto
Anna Hopkins
بدور Teresa Langana
Daniel Kash
بدور Enzo Cosoleto
Lisa Berry
بدور Nellie Bullock
Ryan McDonald
بدور Reggie Ross
Franco Lo Presti
بدور Luca Cosoleto
Eric Hicks
بدور Ken Tucker
Wole Daramola
بدور Siro
Johnny Falcone
بدور Christian Langana
Anthony LaPaglia
بدور Vito Rizzuto
Enrico Colantoni
بدور Bruno Bonsignori
Paul Sorvino
بدور Nicolo Rizzuto Sr.
Maxim Roy
بدور Michelle
Tony Nappo
بدور Gio
Michael Konyves
بدور Writer
Patrick Moss
بدور Writer
Simon Barry
بدور Writer
Alison Lea Bingeman
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
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Ok so loads of Goodfellas parallel, based on actual characters, first person narration etc. This is solid TV. Some reviews say it's mediocre or typical, but every episode ends with you feeling it ended too soon. Kim Coates is one of my favorite working actors, he's awesome. There's something about the way this is shot though, it's kind of dark and a little overly noir in its look. It loses a little something. Still for all its faults it's compelling t.v. that ends far too fast.
I just want to review season 2. Good effort but guys you need to work on a lot of areas. The biggest problem I had was with credibility. How can Declan with no foot soldiers possibly maintain the image that he does? Other than a truck driver we really do not see who Declan has on his side. No way one person could orchestrate what he does. After he loses his Mexican connection where is he getting these drugs from? That was his biggest trump card and it really needed to be explained better. His Italian mob adversaries Cosoleto's were nothing more than 2 brothers and their 2 sons..thats it...not what I would call a powerful mob family. We never see what they do to earn money, never see any of their soldiers or associates. The bikers were for me the most credible. The twins were just not believable. Why would a mob father from Italy who never sees them send them on any mission let alone this one? The script was ok but weak in many areas. It just felt like lines were inserted for effect but not to lead the story along. Also people in the real criminal world react much differently...they simply do not attend birthday parties of informants. Season two needed at least one more A list actor in it. These actors were good but I found some were miscast for sure. Some other observation...Good cinematography and direction, music was so so, editing was predictable. If there is a season 3 bring in a couple of more seasoned writers, another big name to match Kim Coates on the screen and get back to basing the script on the real Canadian mob/biker undeworld.
The writing is pretty poor but the acting (for more than a few) is just pathetic. It is chock full of cliche that you can see coming a mile away. They mixed so many things from the "great" mob shows/movies and threw them into three episodes. The Son ruins the show. Come on folks write something original and can the idiot son and maybe the show can succeed.
Quite a few twists and turns in the story. Look forward to watching Bad Blood. Some things seem unbelievable in real life but who knows what that works is really like. Kim Coats does a great job acting. He is a talented actor that doesn't get the recognition he deserves (as long as he isn't trying to cry... sometimes looks forced but aside from that he is a talented actor) Cannot wait for season 3. OMG season 2 finale really left me hanging on a cliff.
I've never been able to take Kim Coates seriously. I can't blame him for this silliness. Every stock character you can think of, ridiculous dialogue, derivative plotline. Season two is even worse. I don't know how many more bad accents I can take.
And "bad" is certainly an understatement too. The actors seem like they are 'wingin' it. They all make my skin crawl. I just don't think that I can stomach much more after only a half hour into the series - certainly not worth wasting another four hours of my life. It's terribly misogynistic and degrading to women... again only a half hour in and the only three scenes with women were strippers, a mistress and another side "piece" way too young... definitely not into him for anything other than his "gifts," money and influence. Someone could have had a really good story here but so far... it is just D list actors and a bad script. Do yourself a favor and watch something else instead.
What a load of guff, the boy cant act, story is pathetic,plot is pants
A crime family series which starts quite well,but it has pacing issues,too many plot holes,not a complete story arc, some characters are not properly explained,so you don't feel anything when they die or do something. Overall you will feel no satisfaction completing this,quite a waste of time in my opinion.
Lazy writing. Lazy acting. Lazy directing. Cliche after cringing cliche. The embarrassing title sequence is so try-hard it made me wince. How the hell this fugazi got funding is beyond me.
Netflix has had a pretty solid run producing shows of stellar quality. And just when you think they are going to raise the bar even higher with a foray into the gangster genre, they make this. Everything about this is absolutely bad, but not soo bad it's good, it's just well, plain bad. Somewhere between a made for TV movie and a day time soap, this show languishes in entertainment purgatory, which is unfortunate considering the great source material. This awkwardness permeates every scene as the dialogue bounces from one mob movie cliche to the next. Bizarre cut scenes tailor made for commercial breaks and unevenly paced urban shots reminiscent of a poor mans NYPD blue only compound the shows problems. LaPaglia and Coates, whose performances in the Client were both equally disturbing and memorable, do their best to carry the burden but even Sorvino, the grizzled vet isnt enough to pull this one out of the toilet. Definitely a disappointment after the likes of Stranger Things, Ozark and The Last Kingdom. Honestly watching this made me feel kinda stupid like I just polished off a can of dust off. Maybe next time Netflix.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.