Marcel Walz
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The رعب film وليمة الدم, starring Robert Rusler, Caroline Williams, Sophie Monk, etc., directed by Marcel Walz, was released on April 13, 2018 in ألمانيا. It tells the story of ينتقل (فؤاد رمسيس) وعائلته من (الولايات المتحدة) إلى (فرنسا)، ومنذ أن اضطرب حال العمل ولم يسرِ على ما يرام، يعمل فؤاد بنوبات ليلية في متحف للثقافة المصرية القديمة. وخلال لياليه الطويلة هناك، ينجذب بشكل متكرر إلى الآلهة القديمة من خلال تحدثهم إليه في الرؤى؛ فيؤسَر تمامًا لتمثال الإله (عشتار). This is a رعب film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.8/10 from 1,202 viewers.
Marcel Walz
بدور Director
Robert Rusler
بدور Fuad Ramses
Caroline Williams
بدور Louise Ramses
Sophie Monk
بدور Penny Ramses
Sadie Katz
بدور The Goddess Ishtar
Roland Freitag
بدور Officer Fatih
Wilfried Capet
بدور Clement
Max Evans
بدور Mathis
Annika Strauss
بدور Lilou
Liliana Nova
بدور Matilda
Metisha Schaefer
بدور Inés
Gioele Viola
بدور Homeless Boy
Herschell Gordon Lewis
بدور Professor Lou Hershell
Enya Maria Tames
بدور Hooker Girl
Sophie Vollmar
بدور Young Penny Ramses
Marc Rohnstock
بدور Waiter Restaurant
Manuel Urbaneck
بدور Trucker Diner
Julia Diesner
بدور Guest Library
Julia Diesner
بدور Female Victim
Christian Weiser
بدور Guest Library
Christian Weiser
بدور Male Victim
Philip Lilienschwarz
بدور Writer
Marcel Walz
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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source: Blood Feast
فيلم جيد!
The H.G.L original is pretty much sacred turf and as an original film, is nigh impossible to recreate (in any shape or form). Saying that the modern 'Hardgore' scenes add practically nothing to the story, or does the hack style of acting. This is a pretty poor show and apart from the leading actor (who shows some promise), the rest of the cast are just all wrong.
This movie is a remake of a classic Herschell Gordon Lewis film. Lewis, known as the Godfather of Gore, did extreme and extremely silly high concept horror films like The Gore Gore Girls and 2000 Maniacs (remade as a Robert Englund flick about a decade ago). I'm not a huge fan of his and my interest in this movie had more to do with its marketing, which swore it was a hardcore, over-the-top gore film. Honestly, though, this movie seems almost apologetic for its intense content. It tells the story of an unstable, American restaurant own that moves to Paris with his wife (Caroline Williams of Texas Chainsaw Massacre 2 and Hatchet 3) and college aged daughter (Sophie Monk of The Hills Run Red). He is going broke and goes off his meds then promptly begins hallucinating, believing he has been ordered by an Egyptian goddess to perform a blood sacrifice in her name. He begins murdering and cooking young people while his suspicious wife noses around and his oblivious daughter is romanced by a local cop. Blood is spilled but it's often slightly off camera, which is disappointing. The opening is pretty awesome and the finale is great but the entire middle is a snooze. A lot of this has to do with a dull supporting cast and a stilted leading man. Caroline Williams and Sophie Monk, the only two actors I had heard of beforehand, are great but they're kind of peripheral to the movie for the most part. I can't really recommend this movie. The trailer is stronger than the actual film and I found it kind of boring overall. There's certainly worse out there right now so I guess, if you're desperate, give it a look. Just don't expect too much.
I rarely write reviews, but I must save the viewing audience. I waited 2 years for this disappointment! Poor script and pointless Gore.. Oh and the worst part, it ends abruptly as if they ran out of film or money... Don't waste your time or you'll be sorry. I can promise you that..
I didn't connect this film with the original until I heard the crazy mans name. Not exactly sure why this is set in Paris or why they changed the focus to the chef. The chef in the original while still being a crazy man was really more of a side character. The casting was OK except for the 30 year old not so fresh faced daughter, who is a horrible actress at least in this but some of that falls on who ever cast this movie because she is clearly 10 + years to old for the character she plays. In a pleasant surprise the mother who I recognized but couldn't place her for awhile in fact it was past the midpoint of the movie until I put it together, I let you figure it out. If your a big horror movie fan you should know who she is. If you read this before you watch the film watch the original at least part of it because I most likely would not have watched the whole movie if I didn't make the connection to the original. Its public domain so it's on YouTube as well as most of the old horror movie channels on Roku or whatever service have like that. It's not horrible but it's not great if you have a problem finding something to watch the 1963 version first the stories are different enough so it won't feel like you've watched twice.
I was really let down by this remake. You'd think in today's time with movies like Saw and Hostel, this would be gorier because it's based on one of the original classic splatter films, but no. The gore was kinda 'meh' The movie is a slow burner with generic characters like Penny Ramses and her boring friends. The original was great for its time; it was so cheesy and corny that it's pretty epic. The gore was bright and colorful and showed the classic look of the 1960's, but this movie's color is off. It looks like it was made by a low budget independent company, and honestly I couldn't even see how it ended. The lighting was too off. There was a flashlight and some screaming and next thing I know, it's over. The movie is about Fuad Ramses, an American living in Paris with his wife and daughter. Fuad owns an American Diner and is a security guard at a museum. For some reason, he starts seeing hallucinations of the goddess, Ishtar, who tells him to offer her a 'blood feast' so he goes around killing people. Just do yourself a favor and skip this movie and re-watch Hershell Gordon Lewis's original classic. I would not recommend the remake of BLOOD FEAST!!!
I've seen some terrible movies in my lifetime, and this one is no different. Talent-less actors, weak special effects, the movie takes forever to get going and when it does it looks like a bad * film. Really, this movie is just terrible and everyone involved should be embarrassed. Tragic film making at its worst.
One thing this got right is the amount of blood it has. And without having seen the original this is based on (I can only assume that it wasn't a masterpiece either, but still way better than this, it has to be), I can say, that this is really bad. Now I do see the rating this received from others (though none wanted to comment on their rating?) and I can only assume that they were enjoying how bad this is. Like having a blast watching a bad movie with mates/friends. Kind of like "Tulpa" where I had a really good time, despite (or because) the movie was awful. Now this is more or less aware of how bad it is, it actually tries to play into that fact. But just by acknowledging that you are doing something intentionally, doesn't make it fun. There is also a craft in being bad by purpose. This just is infantile (in more than one way). One example is a sign at the diner, that has a joke, but is being shown for way too long. It's in your face, waving with both hands jumping up and down, right in front of your nose. Again, this may be able to entertain in times (for all the wrong reasons), but it's not good - no pun intended
Such big disapointning, pathetic acting, not bad idea of story but such poor way this story was told. Didn't even had pation to watch it till end, canceled at midle of the movie.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.