Ant Timpson
بدور Director
The مفامرة film مدمنة قراءة, starring Nell Fisher, Morgana O'Reilly, Millen Baird, etc., directed by Ant Timpson, was released on August 29, 2024 in New Zealand. It tells the story of يتبع العمل قصة (ملدريد) البالغة من العمر 11 عامًا والتي تعيش حياتها في عالم القراءة والتخييم والصيد، حيث تنقلب حياتها رأسًا على عقب حينما يظهر والدها في حياتها مجددًا بعد طول غياب، ويصطحبها في مغامرة كبيرة وسط أجواء الطبيعة. This is a مفامرة, كوميديا, دراما film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 2,626 viewers.
Ant Timpson
بدور Director
Nell Fisher
بدور Mildred
Morgana O'Reilly
بدور Zo
Millen Baird
بدور Doctor
Elijah Wood
بدور Strawn
Nikki Si'ulepa
بدور Dotty
Theo Shakes
بدور Reginald
Michael Smiley
بدور Arnold
Vanessa Stacey
بدور Angelina
Toby Harvard
بدور Writer
Ant Timpson
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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NZ dramedy "Bookworm" (from director Ant Timpson & writer Toby Harvard) starts strong but collapses BADLY. When nerdy, arrogant 11yr old (note to film-makers: obnoxious kids are NOT charming) Nell Fisher's mum has an accident her biological magician dad Elijah Wood jets from the US to care for her - despite not having met her before (and only knowing her mum for two hours 12yrs prior). Even less plausibly they then head off to find a mythical panther in the remote wilderness... where even LESS plausibly they 'bond' (especially after meeting Michael Smiley & Vanessa Stacey). It's not funny, it's not poignant, it is a confused & messy turd - flush it far away.
Bookworm is an interesting take on a classic adventure. Full of humor, and surprising twists and turns, Bookworm is a quest with a magical touch that kept me on the edge of my seat. Mildred (Nell Fisher) is an 11-year-old girl who has devoted her childhood to proving that the elusive Canterbury Panther exists in the mountains of New Zealand. When a household accident renders her mother (Morgana O'Rielly) incapable of going camping in search of the cat, she is pretty disappointed. However, when her illusionist father Strawn Wise (Elijah Wood) shows up for the first time in her life, she decides to head out anyway. What happens next? An expedition that not only has a classic adventure feel, but also shows that relationships can heal over time. What I like best about this film is not the scenes, characters, or music; it is how the story is told. The way the action develops is different from most movies; it is broken up into chapters with each one adding depth to the plot. And, the plot isn't the best. It starts off fine, but changes midway during their adventure. While the twists and turns kept me wondering what would happen next, they also undermine the main idea of the quest, which is to find the panther. Humor plays a crucial role in the film. With Mildred being a rather to-the-point kid who doesn't have time for nonsense, her dad, Strawn, is the exact opposite. Trying to practice his magic tricks while Mildred is working hard to set up camp is one example. This movie originated from outside of the U. S. and does some very untypically Hollywood things such as when we are observing the conversations between the characters and suddenly the camera zooms out and focuses on a mushroom. It's an odd transition but it does help in rounding out the unusual take of a jungle adventure. The film's message is that there is always a way to solve a problem. An example of this is how Mildred shows that she is always ready to put her bookworm brain to the test to achieve her goal. Be forewarned that there is some profanity in this film and a bit of blood, but nothing gruesome or gory. I give Bookworm 3.5 out of 5 stars and recommend it for ages 12 to 18. Bookworm swings into theaters on Oct 18, 2024. By Braedyn M., KIDS FIRST!
I love wilderness adventure films, but I hadn't gotten too much of an idea of the plot before I watched it. The child actor was fine but came off as annoying. I'm glad the dad character gave her some comeuppance. The strange couple and illusionist side of the story intrigued me whereas the father-daughter relationship failed to engage me. And I gotta say, whys everyone dissing on the couple? I genuinely thought they were quite funny. The directors did a good job at capturing typical married west coast-ers. Sometimes I felt like this movie was borderline copying Hunt for the Wilderpeople. Oh, and the panther, forgot about that. Yeah, that was more of a subplot in the movie. In the end, though, it was pretty heartfelt and some fine family entertainment.
No pun intended - what an amazing movie! And what a great script - acted from actors who are as good as it gets too! Which with Elijah you may have know already - but the kid actress? Not easy to find someone who feels and acts so naturally ... in nature (does that count as a pun?). Elijah has worked with the director before (check that out too while you're at it) - this seems grounded in reality of sorts, with all the sorrow, heartache and joy that one can feel. With family bonding, but also old and young clashing ... with an adult mostly being the child (in having no to little clue) and the kid seemingly giving the best advice ... also with some "bad guys" who seem nice at first ... but are quite awful. Suspension of disbelief is necessary ... so the magic can work (again no pun intended) ... you can call it a callback though!
source: Bookworm
Elijah Wood was pretty good with the script he was given. The premise was good, a father/ daughter getting to know each other. The girls script was superficial and lacked depth. Not relatable at all. The sub plot with the was odd at best with the couple. What I mostly couldn't get over was the multi-day hiking was the tent, the gear, the food, the size of the packs etc. There is no way they could carry that stuff with the bags they had. I know I should've got over it. But they were wearing denim? In the outdoors? Shocking. The music and sound choices were very budget and lacked imagination. I'm guessing the director went online and downloaded all the free ones.
When a little domestic incident with the toaster sees her mum in hospital, the young "Mildred" (Nell Fisher) finds she is to be looked after by her dad. Thing is, she hasn't seen him before - ever, and so the arrival of the enigmatically clad "Strawn Wise" (Elijah Wood) who makes his living as an illusionist, proves distinctly underwhelming to this rather cynical young girl. He is keen to please, though, so when she suggests they go camping to try and spot a legendary black panther that's been marauding the countryside he readily agrees. Backpacks and camera at the ready, off they go on a trek that sees their relationship rather predictably, but entertainingly, evolve. Along the way, there's some scoring that's distinctly Morricone, they encounter the menacingly leprechaun-esque "Arnold" (Michael Smiley) and his sidekick "Zo" (Morgana O'Reilly) and there's plenty of adventure as they seek evidence of this big black cat (and earn the $50,000 reward that proof of it's existence brings). There's a jolly chemistry here between Fisher and Wood, the writing gives her plenty of opportunity for some sardonic wit and there is also an enjoyably mischievous joy emanating from a Wood who's clearly enjoying himself back in a NZ devoid or "Orcs". The cinematography shows off the countryside well and the whole story has something of the Children's Film Foundation to it. It's nice too see the emphasis of a film focus more on the script and the characters for a change, and with precisely no CGI and loads of mushrooms, this is quite good fun. Just how, though, did her legs get under that great big tree in the first place?
I was really looking forward to this one. When i saw the trailer i thought it would be a really fun and funny movie to watch. They had advance screenings playing at Hoyts cinemas so iwent along. Unfortunately in terms of humour, most of the funny spots were in the trailer which meant the movie paced along like a humourless adventure movie with a lack of adventure. The actors did a good enough job with what they had to work with. The biggest problem was the movie didnt know what it wanted to be. The sub plot with the random couple tramping was stupid n took the movie way off track. And the behaviour of the couple in the tent (with one really dodgy line) followed by the video of them, i thought totally derailed the movie. This had the potential to be a fun movie along the lines of The Hunt for the Wilderpeople but instead falls way flat. It definitely needed a Taika Waititi touch to it.
Hear me out, but this might be a perfect movie?? So dang funny, yet still so heartfelt at the same time. Love how it plays like a family-friendly adventure movie straight out of the 70s/80s but additionally, and more importantly, becomes a really endearing and nuanced character study of a father and daughter struggling to connect. Ant timpson is straight up flexing on us with the visuals here too. The sprawling nz landscapes, the campfire constantly separating the two leads, the insane aspect ratio change as the film kicks into gear... all in all, i'm super blown away by bookworm. Elijah wood and nell fisher are outstanding, it's fun and charming, and just so incredibly fresh. I would've been obsessed with this as a kid, and i'm super impressed that i'm so obsessed with it now.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.