James McTeigue
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film Breaking In, starring Gabrielle Union, Billy Burke, Richard Cabral, etc., directed by James McTeigue, was released on May 11, 2018 in اليابان. It tells the story of تحارب امرأة لحماية عائلتها أثناء غزو المنزل. This is a فعل, إثارة film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 17,703 viewers.
James McTeigue
بدور Director
Gabrielle Union
بدور Shaun Russell
Billy Burke
بدور Eddie
Richard Cabral
بدور Duncan
Ajiona Alexus
بدور Jasmine Russell
Levi Meaden
بدور Sam
Seth Carr
بدور Glover Russell
Mark Furze
بدور Peter
Jason George
بدور Justin Russell
Christa Miller
بدور Maggie Harris
Damien Leake
بدور Isaac Paulson
Ryan Engle
بدور Writer
Jaime Primak Sullivan
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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mmokomm
فيلم جيد!
فيلم جيد!
فيلم جيد!
Even though this movie was predictable, because there are a million movies with the story line of a desperate mother willing to go great lengths for her children, I really liked it. It had a lot of action throughout the entire movie. So it kept my attention!
Dreary and stupid. So much of this movie makes no sense. The lead character lives a life of privilege due to her father's criminal behavior, but I guess we should overlook that. There are too many scenes where the movie would have ended if people stayed in chsracter. No reason for the robbers to not shoot Shaun. But they don't. No reason for Shaun to not shoot the robbers who are threatening to kill her and her children, But she doesn't. In one scene the younger brother fires a gun from five feet away and misses completely. What kid doesn't play enough video games to do that? The robbers are cardboard cutouts. I laughed out loud when they figured out how to open the safe. The most secure spot in a wired-for-anything house and they have an app to override it. The topper is when Shaun threatens to burn the cash which she has soaked in gasoline. She holds a lit cigarette lighter over the money, which in the real world would have ignited (gasoline fumes burn, not the liquid) and flared all over her. This all takes place in rural Wisconsin. Of course the police arrive only after Shaun heroically prevailed, I half expected to see white cops arrive and arrest her for breaking into the house because she's black. Maybe that was a post credits scene.
This movie hits to every mother's nightmare. For her children to be taken from her. Shaun Russell goes to her father's house with her children. In the course of events she is caught up in a home invasion. Things go from bad to worse as her children get trapped inside with the bad guys. It becomes a battle of wits and determination. This suspenseful movie has lots of twist and turns. A good action pack adventure that reminds you, don't mess with mama.
Imagine a suspense movie cobbled together out of other movies, only worse than any of them. Youve got this supposedly clever and resourceful woman. Her dad is whacked, and the first time she visits his house, its obvious there are WAAY too many security systems, that is, unless he's hiding some heavy stuff she doesnt know anything about. But does she call the real estate agent back and say, "Uh I think my dad may have been into some heavy stuff I dont know about (which could be why hes dead) so we'd better hold off on selling this place awhile'? No; shes still gonna list it next week. Riiiight. Robbers come. Is it not odd that the small town pizza place on the phone does not notify the cops about a customer apparently being attacked on the phone? The mom takes one of the bad guys prisoner. Why not take him out with his crow bar? Why does she not use his phone to call both her husband and the cops? Why in the hell would a crook wear dog tags to a crime? But since he does (idiot!) why does she not seize his wallet and dog tags immediately? This would ensure one robber is ID'ed even if he somehow gets away? Why does she not make SURE the knifey dude she runs over is DEAD? Take his weapon, at the very least. At the end, same mistake again. Why does she not put at least a few shots in him after stabbing him, when there is a gun just a few feet away? When she stumbles into the room with all those security monitors, and realizes theyre monitoring her moves, why does she not smash them to remove any surveillance capability from the robbers, while she maneuvers around the house to save her kids? Why are the robbers so unbelievably stupid, discussing their criminal info in front of the kids? Why is the kids' father character written so unbelievably lame? Why doesn't the director realize that holding a lighter an inch from gas soaked material would instantly light the fumes? You don't need to touch the material if fumes are present. Why would the robber not know that discharging a "firearm" in a room soaked in gas (ie, full of fumes) would likely start a huge fire or possibly even cause an explosion?
Great action. Shows what a mother will do to protect the ones she loves most. Especially her kids.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.