Martin Koolhoven
بدور Director
English,Filipino,Français,Indonesian,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The دراما film Brimstone, starring Guy Pearce, Dakota Fanning, Emilia Jones, etc., directed by Martin Koolhoven, was released on January 12, 2017 in the Netherlands. It tells the story of From the moment the new Reverend climbs the pulpit, Liz knows that she and her family are in great danger. This is a دراما, إثارة, غربي film with a runtime of 148 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.0/10 from 48,750 viewers.
Martin Koolhoven
بدور Director
Guy Pearce
بدور The Reverend
Dakota Fanning
بدور Liz
Emilia Jones
بدور Joanna
Carice van Houten
بدور Anna
Kit Harington
بدور Samuel
Paul Anderson
بدور Frank
William Houston
بدور Eli
Charlotte Croft
بدور Abigail
Ivy George
بدور Sam
Bill Tangradi
بدور Nathan
Jack Roth
بدور Wolf
Jack Hollington
بدور Matthew
Carla Juri
بدور Elizabeth Brundy
Vera Vitali
بدور Sally
Naomi Battrick
بدور Narrator
Naomi Battrick
بدور Older Sam
Amelie Ha
بدور Chinese Girl
Ian Xu
بدور Chinese Boy
Hon Ping Tang
بدور Meng
Martin Koolhoven
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
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فيلم جيد!
must watch ♥️♥️♥️♥️♥️
The film has a story based on sexual violence to children, pedophilia and incest. Acting is terrible almost amateurish, while its low budget nature is obvious. Dakota Fanning is pathetic, she must be really desperate, to land a role in such a horrific sick flick. Someone give her a role in a C movie to save her career. The Director has done a really awful job, it was apparent that in order to hide his incompetence, he resorted on the good old trick of gruesome, horror style violence against women, teenagers and children as young as 5-6 years old who are raped, tortured, and killed. I am sure that my 15 year old nephew could have done a much better job in building this story without the necessity of nauseating the audience. If you are a sadist or a misogynist or a pedophile maybe you will enjoy the film, all others stay away and watch a TV shopping channel, for sure it will be far more entertaining...
This movie was a good movie in my opinion. The story was well- constructed, the themes were relevant and compelling and the acting was extraordinary, especially the reverent and Dakota Fanning (saw her in American pastoral too the other day, she is a force to be reckoned with in the acting world). So yes, this is a good movie. But would I recommend watching it to any of my friends or family? No, probably not, because although it was a good movie it made me feel horrible afterwards (as in crying in the bathroom horrible), and this is coming from someone who has seen her fair share of horrors and thrillers throughout the years. I don't know why, but there was something so incredibly heart-wrenching about this movie for me that i have barely slept last night. It was not because of the graphic violence per se, although it didn't help of course, but just because of the atmosphere created throughout the movie. So if you are planning on watching keep in mind that it is not for the faint-hearted (I feel like Albus Dumbledore warning about the Triwizard tournament lol)
فيلم جيد!
فيلم جيد!
فيلم جيد!
source: Brimstone
what's the point of making such rubbish? if it was titled as a horror flic - i could understand, people who are into horror movies would go and watch it. So, why create such a useless film? to disgust us? to show us to what level of stupidity the writer can get? You learn nothing from this rubbish, you dirty your soul with idiotism beyond belief, Martin Koolhoven managed to show us that HE is as sick as can be. The whole film you will just sit and wonder why it was made, and who was stupid enough to write this puke.
I have never seen a film like this, one split into two very distinct dichotomous halves. Acts one and two are good, bordering on excellent. The plot is thoroughly intriguing, suspenseful and well paced, neither painfully slow nor hurriedly fast. I really liked the foundation being laid out both in terms of what and how. Fanning's character comes across as genuinely vulnerable in a refreshingly original way and it is clear Joanna is a woman with a difficult past. Pearce's character, the reverend, is the polar opposite, giving his character a real sense of menace with a skillfully understated performance. At the mid-point, I thought 'Wow! This is like "The Crucible" meets "The Good, the Bad and the Ugly." I was thoroughly gripped. And then... In the second half, all the good work is undone. The story verges on the ridiculous at points as the film tries to explain how the characters had ended up at this point and thrusts us towards a pantomime resolution. There is a sense of overkill about all of this and I began to feel disorientated because of expedient plot and role twists. I am not exaggerating when I say I was speechless as the credits rolled. I wish I liked this film more, for the sake of all those involved in its making. If anything, the story of the making of this film seems far more dramatic and interesting than the film itself. It's such a shame.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.