Lyndsey Lantz
بدور Carly Mayweather
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The رعب film By Day's End, starring Lyndsey Lantz, Andrea Nelson, Joshua Keller Katz, etc., directed by an unlisted director, was released on March 17, 2020 in الولايات المتحدة. It tells the story of Love is never an easy road. No one knows that better than Carly and Rina, whose relationship takes a turn for the worse after Carly decides to drop out of med school and Rina loses her job as an attorney. This forces them to move into a motel, a situation neither of them are happy with. To makes matters worse, Rina's battles with depression have returned and Carly has decided to use what money she has left to buy a camera so she can pursue videography as a profession. Despite the cracks that are starting to show in their relationship, Carly and Rina pledge to repair what has been broken, no matter the circumstances, no matter the odds. But are they both as adamant as they say they are? Unfortunately, time is not on their side. When a pandemic disease ravaging the world appears in their city and starts turning people into crazed flesh eating machines, Carly and Rina decide to keep documenting the occurrence with their camera. Doing so, they are forced to band together like never before in order to survive. This is a رعب, رومانسي film with a runtime of 74 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.1/10 from 194 viewers.
Lyndsey Lantz
بدور Carly Mayweather
Andrea Nelson
بدور Rina Schultz
Joshua Keller Katz
بدور Wyatt Fremont
Bill Oberst Jr.
بدور Dr. Harold Rittmeyer
Maria Olsen
بدور Ms. Tibbs
Devlin Wilder
بدور Zach Carnigan
Umberto Celisano
بدور Miguel Menéz
Diana Castrillon
بدور Gloria Menéz
Nadia Jordan
بدور Joanna
Cenk Uygur
بدور Self
Shirley Aikens
بدور Maid
Helen Audie
بدور Maid
Juan Cano
بدور Security Guard
Matthew Lee
بدور Motel Guest
Amber Nichelle
بدور Clerk's Girlfriend
Kyle Nunn
بدور Clerk
Devon Russell
بدور John
Janaki Tambe
بدور Motel Guest
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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source: By Day's End
This movie it's a waste of time ... Terrible acting .....
Literally. This film goes nowhere. It resides in its entirety within a motel room and parking lot. Considering how low budget this was, I wonder if they even had permission to film where they did? Anyway, "low budget" can be good, if done well, with a clear vision for the film, and a good script. This film obviously had none of that. The acting is amateurish to the point of distraction. Don't think "struggling actors trying to make it in the business", think instead this is "film students who should reconsider their long term goals". The plot is "okay". For something that I've seen 100 times before: Couple with pre-existing "issues" must face the end of the world together. Will they get stronger? Will they break up? Do I care? No. There are also consistency issues here by the oodles with the writing itself, for example, a tough combat vet (?) who brags about killing 7 zombies / whatever then proceeds to almost immediately get snuck up on by the most obvious zombie in film history, and bitten. Aw shucks. The ending attempts to be a "surprise" ending by being overly pessimistic, but again, this is a recycled, often replayed move in films of this genre. It's not nearly as witty as it thinks it is, and turns a chore of a film into a pointless slog. Bleh. Avoid.
Honestly, there are worse movies than this and I have watched a lot of them honestly.....it's true that the story is really simple and you can clearly see where the movie is going by the first few minutes of the film but the redeeming factor of this is the suspense and horror of the whole movie., while the acting may be sub par, the director makes up for it through the scares in the film. I would not recommend it if you're a die hard horror fan, you may be disappointed but if you're new to the genre, this may give you a start. 5/10
If you can get past the camera angles, it's an ok film.
I'm sorry but I hope this film was made by either a bunch of film school students or a low budget indie group because it failed on all spectrums. The acting was almost comical it was so dreadful and the script and story line had more holes than swiss cheese. I actually sat through the whole movie hoping for some redeeming value to it but feel like I just wasted an hour and 15 minutes of my life for a dreadful and depressing ending.
Forced into a motel together, a lesbian couple on the verge of breaking up are put to the test when a supposed viral outbreak reaches the area and infects the other residents turning them into flesh-eating zombies forcing them to put their relationship and their lives on the line to get away alive. Overall, this effort wasn't too bad. Among the best aspects here is the innocuous setup that slowly drops the exploits of the virus into their lives. Going for brief, random blurbs and news pieces while the main focus remains on the two of them as they attempt to fix their problems provides great hints of what's to come while still maintaining how to keep the relationship afloat. As the underlying theme here is that they were heading for a break-up but still manage to come together it the end by continuously helping each other while trying to fight off the creatures, there's a wholly enjoyable and sympathetic relationship at the center of this one. That early setup, in turn, brings the oncoming zombie pandemic scenes which are incredibly well-handled. The close-quarters mindset of staying in one location around the motel, and their room specifically, gives off the locale for solid, chilling sequences here from the initial contact with the woman and her infected husband, the continuous encounters as they try to poke their heads out of the room to get an update on what's going on or the escape attempts in the final half. Despite focusing on individual zombie attacks instead of swarms, this one still manages a great mix of thrilling action and brutal encounters through the found-footage technique that holds the film up. There are a few minor issues to be had here. The main problem is the usual issue affecting this genre where the entire course of their situation is caused through stupidity, from the failure to heed zombie rules by caring for an infected victim, failure to heed caution in protecting them from potential infection when they're in contact with zombies and completely ignoring the obvious to put themselves in harm's way. Most of the encounters around the motel result from general stupidity to keep checking on everything or even returning to their room after a horribly-botched escape attempt. That also applies to the usual found-footage tropes in place, but otherwise, there isn't much wrong here. Rated Unrated/R: Graphic Violence and Graphic Language.
فيلم جيد!
source: By Day's End
If you can get past the camera angles, it's an ok film.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.