Alex Gibney
بدور Director
The فيلم وثائقي film Crazy, Not Insane, starring Dorothy Otnow Lewis, Catherine Yeager, Richard Burr, etc., directed by Alex Gibney, was released on November 18, 2020 in الولايات المتحدة. It tells the story of An examination of the research by forensic psychiatrist Dorothy Otnow Lewis who investigated the psychology of murderers. This is a فيلم وثائقي, سيرة ذاتية, جريمة film with a runtime of 119 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.9/10 from 2,882 viewers.
Alex Gibney
بدور Director
Dorothy Otnow Lewis
بدور Self - Clinical Psychiatrist
Catherine Yeager
بدور Self - Clinical Psychologist
Richard Burr
بدور Self - Defense Attorney
Park Dietz
بدور Self - Forensic Psychiatrist
Tom Brokaw
بدور Self - Host, NBC Nightly News with Tom Brokaw
Bill Clinton
بدور Self - Governor of Arkansas
Thomas Coccuzzi
بدور Self - Defense Attorney for Arthur Shawcross
Laura Dern
بدور Self - Literary Voice of Dorothy Lewis
Walt Disney
بدور Self - Animator
Walt Disney
بدور Self - Entrepreneur
William Elledge
بدور Self - Convicted Murderer
Henry Ford
بدور Self - Industrialist & Antisemite
Joseph Paul Franklin
بدور Self - Convicted Murderer & Neo-Nazi Terrorist
Alex Gibney
بدور Self - Filmmaker
Charles Gibson
بدور Self - ABC News Anchor
Joseph Goebbels
بدور Self - Reich Minister of Propaganda, 1933 - 1945
Hermann Göring
بدور Self - President of the Reichstag, 1932 - 1945
Adolf Hitler
بدور Self - Führer and Chancellor of Germany
Joseph P. Kennedy
بدور Self - Kennedy Family Patriarch & Antisemite
Alex Gibney
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: Crazy, Not Insane
I really enjoy Alex Gibney's works and came into this with high hopes. He's really good and does have a commanding voice and his usage of stock is inspiring to aspiring filmmakers such as I. The subject of much of the film is interesting and it is good to see Dorothy's work as that alone is objective... in the sense of assessing determining factors that results in the downward spiral of many of her subjects. The film touches (touches) on opposing opinions and fleshes out the criminal justice system of the United States and how it deals with areas as complex as this. The matter is well-formed and uses all of the usual norms one would expect to see in a film of this ilk. But it only serves it's own purposes and there are times you will (as I did), mentally say "AAaaalright, yeah!" with a tilt of the head... It's interesting that last week I watched the awful, but entertaining film 'Copycat' with Sigourney Weaver. I can't help but feel as though Copycat was somehow inspired by the core subject of this film. But forget left or right wing politics for a second and try to ignore the personalities in this film and what you're left with is a series of monologues from murderers who are more like characters in a fictional film, a film that is a pastiche of others that came before it. On a personal note, these "men" may well be the product of shattered nurturing... But if they have all been manipulated by the parental/love figures in their lives, they're going to use that manipulation, especially if they're given a stage and somewhat given a lifeline. As black and white as that seems, it's important to remember that Psychology is a business like any other, and required a self-sustaining income like any other business. There were a number of statements within this film that are just plain subjective - things like "The Death Penalty isn't a deterrent", how can you quantify such a statement from such a narrow, narrow sample of people? This is a bit of a miss for me and if you're reading this review in order to quantify whether this is worth your time... Well, yes, it may well be, but never forget that whatever situation many of the characters are in, at the end of the day, they still have to pay their bills and buy MORE PIES, MORE PIES, MORE PIES... (If you do watch it, 'More PIES' is the crux of the film and by far the most entertaining trifle in this film) BUT! I've seen enough bad acting (and done some) in my time to know when someone is performing. I suspect in her heart of hearts, she may have suspected as much from moon fringe - but what the hell, it'll make good TV some day. That is not to mock her work, but if you look closely, I swear you can see Dorothy's head tilt to one side in what I can only imagine to be projected embarrassment on behalf of the subject. There's a phenomenon called 100/1000 monkey syndrome. And we as humans are made to imitate and copy. There was a statement that made me think which went something like 'Serial Killers or murders are not made'. And this statement goes against a notion I've had clinking around in my brain for a good while now. But for me, this statement is not a far cry from the 'talent delusion' - there's no such thing as 'talent', it's all about practice, time and will to do what the next person won't. I just wonder if Dorothy ever asked her subjects if they thought they were talented or not, and if so, what in. Because I could point her in any direction of 'talented' actors who could play the role of a man who thinks he can get away with murder. Only, some can do it with their eyes open and finite direction, whilst others will close their eyes and go with the flow and thrive on the 'cop in the head'. Watch for insight - but you might not get the insight you first assumed or hoped for. Plus, Dorothy, with respect, is batty a psychic aunt and this film does make you want to explore her world from her own point of view. Good luck.
This so called doctor is gullable beyond belief. How anybody took her seriously for so long is a wonder. Not worth making a documentary about unless you have an agenda. Don't waste your time.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.