القمة الحمراء

That doctor really annoys me. He already knew but he only came there on his own. What a damn idiot.

.

فيلم جيد!

فيلم جيد!

فيلم جيد!

فيلم جيد!

فيلم جيد!

فيلم جيد!

'Crimson Peak' had a lot going for it, with a talented director and, while this reviewer is not a huge fan of Mia Wasikowska, two talented actors in Tom Hiddleston and Jessica Chastain, plus the story had great potential. Unfortunately, this great potential is not entirely lived up to. 'Crimson Peak' is not an awful film, it's just that it is frustratingly uneven considering the talent in front of and behind the camera and how with the right execution the story and the combination of supernatural horror and Gothic melodrama/romance (the latter of which the film essentially is, despite being advertised misleadingly) could have been really intriguing. The best thing about 'Crimson Peak' are the production values, which are just gorgeous (a vast majority of them anyhow). Not only are the costumes and sets lavishly colourful, sumptuously elegant and splendidly Gothic but they have a real atmosphere and depth to them. It's atmospherically and evocatively lit too, and beautifully shot. The music score is resolutely haunting, giving the right amount of chills and nuance. Guillermo Del Toro's mastery of visual style does come through, as does for the first third at least his knack of combining more than one mood all at once. The first third is entertaining and rich in atmosphere. 'Crimson Peak' benefits too from the performances of Tom Hiddleston and Jessica Chastain. While he may seem a little subdued in places, Hiddleston is superbly brooding and very believably flips from charming to chilling in a short space of time when needed, his very eloquent way of speaking makes one want to listen to him for hours. Chastain comes close to stealing the film, playing with verve, mysterious allure and quite scary intensity. Their chemistry is magnetic. However, Mia Wasikowska doesn't fare so well. In all fairness she does have a very passive and indecisively written character, but while Wasikowska has come on a lot since 'Alice in Wonderland' (for example she is good in 'Jane Eyre') her performance here is devoid of emotion. Her chemistry with Hiddleston is rather dull and cold too. Charlie Hunnam, while not as annoying as in 'Pacific Rim', is similarly very bland. The ghost characters, as well as looking very fake (the one sore spot visually was the crude-looking effects), were not needed (likewise with the supernatural horror elements, which were executed to very predictable and lazy effect generally here, the film would have been far better just as a Gothic romance), don't inject much personality let alone thrills or scares and they felt like they were shoe-horned into the story. Where 'Crimson Peak' particularly disappoints is in the script and story. The script is quite threadbare and often sounds very awkward. The story started off with so much promise, had some good moments in the middle act atmospherically despite starting to meander pace-wise (parts quite badly drag in fact) and tire narratively before falling apart completely in the last act, which was implausible, lost momentum and became silly and anti-climactic. A good case of Del Toro taking on more than he could chew. In conclusion, looks gorgeous but is frustratingly uneven. Starts strongly before finishing with a thud. 5/10 Bethany Cox

It would be TRULY WONDERFUL if Del Toro only knew what he was going to write about when he sat down to do so. But the story in this opus appears to be glued together from bits and pieces of other stories and images seen in past classic film. The over-the-top, gaudy, improbable costumes, the pretentious art direction, and the lame direction (who cleaned the house and took care of the fires, food, and cleaning of the mansion, bedding and clothing?)along with acting that is so wooden, you could have repairs the gaping holes in the crumbling ceiling with all the clapboard verbiage being mumbled by the actors who, most of the time, look as though they have wandered in from another film set accidentally. There are more holes in the tale than decades old Swiss cheese and just as stale and unappealing. Rent THE SPIRAL STAIRCASE if you want shivers up and down your spine. All you'll find here is a lot of yawns as you look at your watch wondering when this mishmash will end!

This was highly anticipated film. The director didn't succeeded in fulfilling the expectations of audience and not at all film-critics. Still this picture does not belong to the category of completely useless pictures that you wouldn't enjoy. The art design including costumes, scenery, stylization, camera operating and everything made to satisfy the eye is perfectly done with detail. The topic for it's self must be the house of the Sharp family. The building has its own spirit, which the characters itself unfortunately lack. And characters is the next important thing to talk about. There is quite a top actors basis. Mia Wasikowska representing a young Victorian woman absolutely fits. Tom Hiddleston as the wanted perfect man with dark secrets is a natural choice. And finally the amazing Jessica Chastain showed a perfect performance as the evil sister. She nearly stole the whole spectacle for herself. But still it does not work very well. The main problem is that the relationship between Edith and Thomas is not believable. They lack ''chemistry''. Some converging and strongly intimate scenes are missing. The other problem is Edith Cushing herself. When arriving at the house, she suddenly changes from an intelligent emancipated woman to classic scared horror virgin type who needs a protection and loses a good deal of sympathy. The story itself is predictable, and so does not need to be focused on. Maybe the reason is that Guillermo del Torro planned to shoot this picture a long time ago and he simply lost the connection with the topic and focused on technical stuff. On the other hand, this is an opportunity to see a pure cliché, not meant in a bad way, horror- drama movie with all its attributes and great visual quality. The treatment with sounds for increasing the tension is comparable to The Woman in Black (2012). It does not deserve to be strongly criticized nor praised, but since I'm fan of all three actors and Guillermo del Toro, I must say I enjoyed it quite a lot.