السقوط المميت

🎬201391h 0mالمكسيكفعل, جريمة

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3.6/10943 شخصاً قيّموه

شاهد الفيديو

الوصف

The فعل film السقوط المميت, starring Luke Goss, Nestor Carbonell, Cole Hauser, etc., directed by R. Ellis Frazier, was released on January 1, 2013 in المكسيك. It tells the story of بعد نجاته من السقوط من طائرة على ارتفاع ثلاثة الآف قدم، يترك عميل المخابرات الأمريكية عمله، ويقرر التخفي، والعمل بمفرده، والتنسلل داخل إحدى أخطر عصابات الاتجار في المخدرات المكسيكية، من أجل معرفة من المسئول عن عملية محاولة قتله. يتحول في أثناء ذلك إلى شخص عديم الرحمة لا يهتم إلا بمعرفة الحقيقة. يبدأ في الشك أن يكون شريكه من قام بذلك وأنه عميل مزدوج للعصابة. This is a فعل, جريمة, إثارة film with a runtime of 91 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 943 viewers.

أبرز الممثلين

R. Ellis Frazier

بدور Director

Luke Goss

بدور Michael Shaughnessy

Nestor Carbonell

بدور Santiago

Cole Hauser

بدور Dwight

David Del Rio

بدور Ozzy

Carolina Castro

بدور Rosita

Daniel Faraldo

بدور Horacio

Jill Remez

بدور Nadine

Geoffrey Ross

بدور Ricardo

David Fernandez Jr.

بدور Fernando

David Fernandez Jr.

بدور Cousin

Oscar Lopez

بدور Matteo

Jack Carlisle

بدور Lito Diaz

Denitza García

بدور Fernando's Wife

Ivanna Barragan

بدور Alicia

Fabián López

بدور Santiago's Guard

Fabián López

بدور Beto

Hector Hernandez

بدور Chase Henchman #1

Christian Ruiz

بدور Security Guard #1

Víctor Ortíz

بدور Young Thug

Fernando Fausto Armendariz

بدور Dentist

Fernando Fausto Armendariz

بدور Manny Ortiz

Benjamin Budd

بدور Writer

أين يمكن المشاهدة

fzmovies.netNaiss mh

قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.

موقع التصوير

127A Smithfield Road, Frederiksted, Virgin Islands

الإنتاج

Castle Rock Entertainment

الجائزة

21 فوزاً و43 ترشيحاً إجمالاً

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مراجعات المستخدمين

Valina vertue15/06/25 10:45

...in what has to be the most moronic script from a film I can ever remember. Despite endless part flashbacks, all we know is that Moron 1 got shot and fell or maybe was pushed, from a plane, or, as the last flashback suggests, neither Moron 1 nor Moron 2 realised that Moron 1 was starting to stand up next to an open plane door. After surviving a fall without a parachute from a plane after being shot, Moron 1 then goes to kill Moron 2. However, Moron 2 captures his love interest, and kills the only other person in his life Moron 1 says he cares about. Further motivated to kill Moron 2, Moron 1 then goes round killing everyone associated with Moron 2. However, when Moron 1 finally has Moron 2 in his sights, whilst Moron 2 is holding his love interest, Moron 1 lets Moron 2 get away. Still with his love interest, who dutifully runs away with him . He then explained to one of Moron 2's drivers who Moron 1 kept in his car boot, that Moron 2 was his best friend so couldn't shoot him, despite killing endless of Moron 2's men who wouldn't or couldn't tell him where to find Moron 2 whom he had told the love interest early in the film that he had to kill. After standing there, just watching Moron 2 get away with his love interest, Moron 1 then goes and kills more people associated with Moron 2. To add a bit of a change, we have a CIA killer shooting at Moron 1 whenever the film makers couldn't think of what to do next in the film. Apparently, Moron 1 was a CIA contractor and whilst the CIA would love Moron 2 dead, the CIA was miffed because Moron 1 went after Moron 2 without their blessing, so they kept trying to kill him. Moron 1 also seemed to have supernatural powers to deflect bullets when walking towards gunmen shooting at him at close quarters, allowing him to shoot any number of gunmen shooting at him. Moron 1's supernatural powers enabled him to know where Moron 2 was hiding, Moron 2 moving around constantly. It seems whilst everyone connected with Moron 2 never knew where he was, Moron 1 always seemed to. Oh, the CIA gunmen ends up shooting the love interest, being a trained sniper with the latest rifle. Luckily, the Moron 2's driver who Moron 1 kept in the car boot, was a surgeon who with his dad saved the girl. After killing lots more of Moron 2's men, Moron 1 finally has Moron 2 cornered. Instead of shooing him, Moron 1 puts his guns down and they start fighting. Moron 1 wins and takes Moron 2 to a vineyard, telling him to get down on his knees. He tells Moron 2 to walk away., meaning to have a truce where both stop trying to kill the other. Instead of accepting this offer to allow him to live, Moron 2 then says he can't. So Moron 1 then finally shoots him. The uninspiring beards both Morons sported, added to the absurdity of the film. Still, all films have a target audience, and perhaps this was made to target morons - and I have to include myself as one, as despite realising after the first five minutes the film was going to be moronic, I, um, still watched it.

Zeytun Aziz23/07/24 11:11

Dead Drop

الخال مويلا💚💚🦌🦌🦌30/03/23 06:48

Luke Goss is a good almost Jason Statham most of the time. This time it is almost Statham in one of his lesser roles. Suspend all reality if you wish to enjoy this one. It has the action, and the tense musical score, but it falls on it's face every time it tries to be a complete story. This almost unreal CIA "partner" could be left out of the story altogether if he wasn't needed to stop things from being too easy for Goss' character. oh well. it's new, and it's there so what are you gonna do? The shame of it is the effort that you can see went into making this, and it really would have been more Enjoyable with more work on the story, the people in front of, and behind the camera seemed to be trying hard to make it work anyhow. I do not really recommend this movie, I just think it should be a maybe for someone who just likes action, and cares nothing for plot.

Ton Ton MarcOs30/03/23 06:48

One of the worst movies I have viewed this year. An unbelievable script and poor acting means wasted money. Don't waste yours money on this one because it is not worth it. Lack of continuity and things that just "happen" without any follow up. It is very hard to follow this movie and get any sense out of it. I rate this absolutely awful!! Don't waste your money. It is not worth the money or the effort. Terrible Terrible The plot changes so frequently that it is not possible to come up with it. There is no real plot and people pop in and out.

Mofe Duncan30/03/23 06:48

Starring Luke Goss, he plays CIA Michael Shaughnessy who survived a gun shot as well as a fall from an ongoing plane. He sought for some payback to the cartel, Santiago (Nestor Carbonell) for shooting him because Santiago felt he was being double crossed. Michael disobeying his superiors orders, he goes back to Mexico and during which he meets an old flame Rosita (Carolina Castro). And upon Michael leaving her, she's then gets kidnapped creating more reasons to settle his score with Santiago. Because it's low budget, the action here is nothing to get excited about that consists of a few shoot outs and some fisticuffs. In other words its a hit and miss.

توصيات بأفلام مشابهة

المدونة

الأنواع الشائعة

كوميديا

صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.

أكشن ومغامرة

تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.

جريمة وغموض

تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.

خيال علمي

يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.

رعب

يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.

رسوم متحركة

تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.