Rajath Ravishankar
بدور Director
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The فعل film Dev, starring Karthi, Rakul Preet Singh, Karthik, etc., directed by Rajath Ravishankar, was released on February 14, 2019 in الهند. It tells the story of ديف ، شاب من عائلة جيدة ، هو باحث عن المغامرة. عندما يحاول صديقه بشكل هزلي إعداده مع ميغنا ، وهي سيدة أعمال ليس لديها وقت للحب ، يجب على ديف الشروع في مغامرة من نوع آخر. This is a فعل, مفامرة, رومانسي film with a runtime of 157 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.9/10 from 1,472 viewers.
Rajath Ravishankar
بدور Director
Karthi
بدور Dev
Rakul Preet Singh
بدور Meghana
Karthik
بدور Ashok (Cameo Appearance)
Prakash Raj
بدور Ramalingam (Dev's Father)
Ramya Krishnan
بدور Padmavati (Meghana's Mother)
Rj Vigneshkanth
بدور Vicky
Amrutha Srinivasan
بدور Nisha
Nikki Galrani
بدور Cameo appearance
Rob Peck
بدور Extra
Charu Gupta
بدور Writer
Rajath Ravishankar
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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فيلم جيد!
Is it a story of an young man or his love episode or his persuals or conquests? Only the movie maker knows it if at all he knows it...
Just very dull and tiring I praise karthi performance and the director only
Dev, a youngster from a well-to-do family, is an adventure seeker. When his friend playfully tries to set him up with Meghna, a businesswoman who has no time for love, Dev has to embark on an adventure of another kind. The word adventure gets bandied about a lot in Rajath Ravishankar's Dev. The protagonist, Dev (Karthi), we are told, is an adventure seeker. In fact, he does nothing but that. Not even the things that a 28-year-old might worry about. Like mundane things like career, you know. But then, he can afford to be one, for his father Ramalingam (Prakash Raj) seems to be a wealthy man. At least from whatever little that we get to see of him in the film's over two-and-a-half-hour run time. So, is Dev an adventure film? Not really. There are a couple of trips and an Everest-climbing scene, though. Is it a romantic film? No. Even though much of it revolves around the romance between Dev and (Meghna), who he decides to fall in love with after seeing her pic on Facebook. A relationship drama? Nope, despite there being a family. Does that mean it is an action film? Well, not at all, even though the trailer had some stunts. If you want to describe the film somehow, you could very well go ahead and call it a misadventure. For that is what it is, from start to finish. It is a film where nothing much happens even if the scenes give you an impression of something happening all the time. It is a film where there are a handful of characters, but doesn't give them any purpose whatsoever. It is a film with actors like Prakash Raj and Ramya Krishnan, but it treats them like props. It is a film with quite a few songs (by Harris Jayaraj), but none that register. It is a film with picturesque locations, but with not one visually exciting shot. It's a film that lets its characters sport trendy costumes and good makeup, but doesn't give them any personality. It is a film with a lot of dialogues, but doesn't give us one memorable line. It is a feel-good film, but it resorts to hurting - and killing - little girls just for the sake of some manufactured drama. It is a film that has Rakul Preet Singh as its heroine, but makes you want to not mention this fact at all. It is a film starring Karthi, but gives RJ Vignesh much more screen time. It is a film that wants you to come to the theatre, but makes you wish you could run towards the exit even before it is intermission.
The most colorful, modern, stylish movie that i've seen in the recent times as tamil cinema has been mostly going to the gully's to make crappy movies to attract those gully audiences as they're the ones who comes to theatres to watch such craps. This movie portrays Kathi in a travelling freak which was very well shown up and the heroine character was just anew to tamil cinema as it breaks the norms of a man earning the bread for the whole family and lady looking after the family and having very little decision making power, that's another powerful factor for the movie standing out. Harris's music was just fabulous with all song rocking and have been in my listening loop for a very long time, so peppy & happy song and amazing treat to the soul. Although screenplay and the plot could've been much better and much engaging.
Had a good expectations about the story before the show started. But, it has never took the flight. It's the same regular concept of love and breakup. Want to admire the songs and good cinematography.
No Script, Bad direction, Bad cast as well. Waste of 2 hours 30 minutes.
If I am saying personally it's a love adventure movie...its is quite natural that ego prob with relationship It's is clearly shown in this movie. It is a pure love story. Thanks a lots to Karthi sir and rakul preet singh mamm make this movie a wonderful, lovely and aa best movie for the viewers.. Once again I love this movie alote... ❤😘😘😍
"No specific story. "Poor graphics. "Unnecessary fights. "Below par acting.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.