دريد

🎬201295h 0mالمملكة المتحدةفعل, جريمة

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7.1/10310,189 شخصاً قيّموه

شاهد الفيديو

الوصف

The فعل film دريد, starring Karl Urban, Olivia Thirlby, Lena Headey, etc., directed by Pete Travis, was released on September 21, 2012 in المملكة المتحدة. It tells the story of تدور أحداث الفيلم في إطار خيال علمي في المستقبل البعيد، حول مدينة يسيطر عليها جهاز الشرطة الذي أصبح في ذات الوقت قاضي وجلاد وهيئة محلفين، محتكرًا كل السلطات في يده، فيتولى أحد الضباط برفقة زميلته القضاء على العنف والفساد بالمدينة، وضبط عصابة تتاجر في مخدر خطير محرف للواقع. This is a فعل, جريمة, خيال علمي film with a runtime of 95 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.1/10 from 310,189 viewers.

أبرز الممثلين

Pete Travis

بدور Director

Karl Urban

بدور Judge Dredd

Olivia Thirlby

بدور Anderson

Lena Headey

بدور Ma-Ma

Rachel Wood

بدور Control Operator 1

Andile Mngadi

بدور Passenger

Porteus Xandau

بدور Driver

Jason Cope

بدور Zwirner

Emma Breschi

بدور Hostage

Rakie Ayola

بدور Chief Judge

Tamer Burjaq

بدور Ma-Ma Bodyguard

Warrick Grier

بدور Caleb

Wood Harris

بدور Kay

Shoki Mokgapa

بدور Woman with Child

Yohan Chun

بدور Girl in Window

Eden Knowles

بدور Girl in Window

Desmond Lai Lan

بدور Homeless Man

Deobia Oparei

بدور Paramedic TJ

Patrick Lyster

بدور Control Operator 2

John Wagner

بدور Writer

Carlos Ezquerra

بدور Writer

Alex Garland

بدور Writer

أين يمكن المشاهدة

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قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.

موقع التصوير

127A Smithfield Road, Frederiksted, Virgin Islands

الإنتاج

Castle Rock Entertainment

الجائزة

21 فوزاً و43 ترشيحاً إجمالاً

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latest 2023/202515/02/25 01:42

Incredible

khelly 07/02/25 05:49

فيلم جيد!

GE4FAj21/08/24 23:42

cool

KOH-SAM24/07/24 16:05

This movie is so cheap and shallow that it's not even funny. I found out the reason why this movie bombed so badly. It wasn't entertaining or even well made. It's main character is a horrible killing machine with no distinct character traits even. Cheap South African,(And I don't mean disrespect to South African made movies, District 9 is pretty good and well budgeted, as is Chappie) Cannon Like production of an Action movie reminded me of Superman IV nearly. Or one of those other 21st Century Comic Book movies like Captain America from 1990. Obviously the budget was only limited to a few sfx shots of the city that might as well be stolen from Blade Runner. Our hero is no hero, he's a thug and a killer with no sympathy or humanity. It's version of Dredd is Robocop without any of the humanity or background. We are forced to have to sympathize with his partner Anderson who is merely there for titillation and half hearted attempts at humanity. Other wise you get Lena Headey's bored acting, she learned nothing from being equally terrible on Game of Thrones. She reads lines with no energy and with no real characterization but hey evil. The script was written by an Academy Award Winning writer, could have fooled me. It seems written by a teenager in puberty who just learned the art of cussing and who maybe has anger management issues. Our bad guys are even more faceless than the ones in Assault on Precinct 13 and that movie is a freaking masterpiece. It's just so mind boggling how this movie gets praise. It seems more just a movie to rub people's faces in unpleasant violence and shallow, wannabe-cool dialogue. Maybe Garland thinks himself Tarantino. I know The Raid had violence in it, but even it wasn't as laughably bad as this movie. And it's characters didn't need to say shallow, wannabe cool dialogue. They didn't feel the need to dress like cos players taking a break from comic-con. People may think that Evans stole from the script of Dredd. Quite frankly I don't believe this. Evans took an old story device and used it as his own. Same as Dredd did, but The Raid actually made use of it and wasn't really reaching for all this grand, wannabe epic, cool BS. And our main characters in that weren't psychotic killers or thugs with Nazi regalia on. And please, Stallone did more with this material in 96 minutes than this movie could even dream of doing. The writers of the comics just need to get over the precious changes he made. So what about the Helmet. What was that helmet? Important? Not really, it's not like it wasn't featured in the movie. And to further the Robocop allusions, Robocop took off his mask during the last part of his movie to symbolize his humanity the same way Stallone does. Clearly this movie seems not to care about this symbolism. It's hero is a guy who has lost his humanity and shows few hints that we care not to know about in a sequel. In short, this movie is terrible, cheap looking, boring with long scenes of slowmo and drug inhaling. Violence and death is glorified even worse than most movies and I can usually stand some glorification of violence. Not Recommended. PS. Slowmo is one of the lamest drug excuses for doing fancy slow motion shots in your movie I have ever seen. It's stupid, why the heck did you need a drug in the movie to explain why scenes were in slow motion, writer? Just have slow motion in your movie, it doesn't need a drug to explain it being there, it just seems like a excuse for you to have it. And a lame plot device. You couldn't have come up with some special future drug that was like a mixture of heroin,ectasy crack, cocaine, weed or something? No, you had to create something that I'm surprised the actors and actresses could say with a straight face!

توصيات بأفلام مشابهة

المدونة

الأنواع الشائعة

كوميديا

صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.

أكشن ومغامرة

تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.

جريمة وغموض

تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.

خيال علمي

يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.

رعب

يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.

رسوم متحركة

تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.