Autumn de Wilde
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The كوميديا film Emma., starring Anya Taylor-Joy, Johnny Flynn, Mia Goth, etc., directed by Autumn de Wilde, was released on March 6, 2020 in المملكة المتحدة. It tells the story of In 1800s England, a well-meaning but selfish young woman meddles in her friends' love lives. This is a كوميديا, دراما, رومانسي film with a runtime of 124 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.7/10 from 70,442 viewers.
Autumn de Wilde
بدور Director
Anya Taylor-Joy
بدور Emma Woodhouse
Johnny Flynn
بدور Mr. Knightley
Mia Goth
بدور Harriet Smith
Josh O'Connor
بدور Mr. Elton
Callum Turner
بدور Frank Churchhill
Miranda Hart
بدور Miss Bates
Bill Nighy
بدور Mr. Woodhouse
Rupert Graves
بدور Mr. Weston
Gemma Whelan
بدور Miss Taylor
Gemma Whelan
بدور Mrs. Weston
Amber Anderson
بدور Jane Fairfax
Angus Imrie
بدور Bartholomew
Letty Thomas
بدور Biddy
Aidan White
بدور Hartfield Butler
Edward Davis
بدور Charles
Chris White
بدور James, Hartfield Coachman
Myra McFadyen
بدور Mrs. Bates
Esther Coles
بدور Mrs. Cox
Suzy Bloom
بدور Miss Gilbert
Eleanor Catton
بدور Writer
Jane Austen
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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فيلم جيد!
XXX
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فيلم جيد!
فيلم جيد!
فيلم جيد!
فيلم جيد!
source: Emma.
As a Jane Austen enthusiast, an avid reader and an obsessive film watcher, I was anxious to watch it as soon as it came out in cinemas. After watching the trailer, I was a little bit off put, with the sickly overdose of pastels coming from all directions, but the presence of the wonderful Miranda Hart amongst the cast made it seem a bit brighter. Nevertheless, I walked into the cinema excited. The glowing reviews on the sides of buses were enough to convince me it would be a great film. That is 2 hours and 12 minutes of my fleeting life I will never get back. To start with the positives, the costumes were historically accurate, which seemed to justify the film for some folks, but apart from that, it was downright unenjoyable. To start, I did not like the scene of Mr Knightley at the beginning where we all experienced the misfortune at looking upon the actors bare butt. For me, it felt very out of character for Mr Knightley, and certainly not something I would associate with an Austen novel. Perhaps it was supposed to showcase vulnerability? But surely there are more clearer ways of doing that than putting his rear on show. I found the character of Emma to be someone completely different from the book. Instead of a girl who has good intentions, but has her flaws, she is portrayed as nothing less of a sulky brat. I wasn't fond of Mr Knightley or Frank Churchill, the both seemed shallow and deprived of any liveliness, or any signs of life. The film is slow paced, and I like long films, I've happily sat through films over three hours long, but this one had me wishing it would end. Its pointless shots of scenery, and the immaculate detail of shops and homes were pretty, but I felt like I was watching the same thing over and over, and over again. I was not fond of the dialogue, it was drawn out, I assume we were supposed to take note of the characters facial expressions, but I ended up daydreaming and forgetting I was in a cinema and supposed to be watching a film. And the comedy. If you can even call it that, was something else. It seemed to be veering towards almost a slapstick, with the running "joke" of Mr Woodhouse's "do you feel a breeze" boring and unfunny. Not to mention the questionable facial expressions that were intended for our "entertainment"???? My heart completely sunk to the floor when they decided to have Emma's nose begin to bleed throughout one of the most important scenes. Some have interpreted this as presenting her as imperfect, or a sign of vulnerability or whatever, but to me this ruined the charm and beauty of the scene. What really caused me to roll my eyes was the passionate kiss between the protagonist and Mr Knightley. What I love about Austen, and many of the adaptions (not this one) is the way that social standards are clear for us to see, and the central couple do not rely on physicality to show us their affections (as in the book it is not talked of) but we see their affections in the way they speak, the way they look at each other, they way they interact. In this adaption however, there is no chemistry between Emma and Knightley. In my opinion, it is overrated. If you want to watch an enchanting adaption of Emma with all the charm of the book, I would suggest the 2009 version.
This movie is beautiful to look at. The shots of the English countryside, the beautiful homes, the costumes. Some of the actors are even even easy on the eyes, especially Anya Taylor-Joy, the Emma, who is also a fine actress, and really creates a character. And then there is the plot, such as it is, and the dialogue, which may come directly from Austin's novel. I don't know. Nor do I care. It's supposed to be clever. To me, it was just flat. Perhaps it was the dialogue itself, perhaps it was the way it was delivered. Go back and watch the Pride and Prejudice from 1940, with Greer Garson et al., directed by Robert Z. Leonard, with a script by Aldous Huxley. That's brilliant. I've watched it I don't know how many times, and it still holds me. This movie, on the other hand, had me begging for it to be over. I just did not care about any of the characters. Except the husband of the other daughter, Emma's brother-in-law. He suffered mightily, so I understood him.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.