Drake Doremus
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The دراما film متساوون, starring Nicholas Hoult, Kristen Stewart, Vernetta Lopez, etc., directed by Drake Doremus, was released on May 26, 2016 in الولايات المتحدة. It tells the story of يظهر مجتمع مستقبلي متطور تغيب عنه كافة المشاعر الإنسانية ويسوده السلام والهدوء إلى أن ينتشر مرض غريب بين الناس، يتعرض (سيلاس) للمرض وكذلك مساعدته (نيا) ويساعدهما المرض على استعادة المشاعر العاطفية المستلبة، ولكنهما يخفيان إصابتهما عن المحيطين بها، وعليهما الهروب من أجل النجاة. This is a دراما, رومانسي, خيال علمي film with a runtime of 101 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 34,295 viewers.
Drake Doremus
بدور Director
Nicholas Hoult
بدور Silas
Kristen Stewart
بدور Nia
Vernetta Lopez
بدور Woman at Turnstile
Scott Lawrence
بدور Mark
Kate Lyn Sheil
بدور Kate
Rebecca Hazlewood
بدور Zoe
Yu Hwan Park
بدور Seth
Bel Powley
بدور Rachel
David Selby
بدور Leonard
Aurora Perrineau
بدور Iris
Nathan Parker
بدور David
Jessica Lois
بدور Coupler Woman
Seth Adams
بدور Health and Safety Guard
Dennis Shin
بدور Health and Safety Guard
Guy Pearce
بدور Jonas
Ananda Jacobs
بدور Receptionist
Hershel Peppers
بدور Doctor
Claudia Kim
بدور The Collective
Nathan Parker
بدور Writer
Drake Doremus
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Does this movie have a Part 2? I don't understand why they chose to end this movie like this.
The entire movie is terrible. It's like the writer thought "hey, nobody from this generation has ever seen THX 1138...I'll just steal a bunch of stuff from that!" or "hey most people have forgotten about Equilibrium, so I'll just seal a little from that and change a few things and sell it to the highest bidder!" The actors were bad. I figured that they chose emotionless actors for a reason but you could have painted a sad face on a rock and it would have been more entertaining. There is no soul to this movie. There is no intelligence to this movie. There is no originality to this movie. What was the point in making a movie that has nothing to offer?! Garbage.
I had the unfortunate opportunity of viewing 'Equals' at the Toronto International Film Festival this past weekend--and boy was it a huge let down. At a quick glance the film and its premise seemed promising, a futuristic sci-fi love story undoubtedly drawing inspiration from dystopian classics such as 1984 and The Giver. And likely, this is what tricked hundreds of film enthusiasts (admittedly, myself included) into cramming into an auditorium on a beautiful Saturday afternoon. 101 minutes that no one will ever get back. The painfully slow story development coupled with terrible acting (Kristen Stewart is truly a disaster) killed all chances of 'Equals' becoming any semblance of a decent film. Incredibly melodramatic, boring, predictable, and just flat out bad. Save both your time and money, this one's not worth it.
Equals is set in a futuristic world where, inexplicably, people have decided to "do away with emotions." Of course this phrase never has any real meaning, since any kind of inclination to do anything can be counted as an emotion. So really it's a sci-fi setting to explore the practice of the suppression of emotions. A problem which has never existed. OK, before I trash the movie too much: the acting is fine, the set design and look are very good, and the world-building is excellent. But what is the story here? Two people who aren't supposed to fall in love do so anyway. Call me a cynic but I need more than that. Compare and contrast Equals with The Lobster, another sci- fi/dystopian movie about suppressing emotions. Rather, The Lobster compares the societal demand that people form couples, regardless of how dysfunctional they are, against an underground movement of people who insist that being single should not be cause for rejection by society (though the rebels go too far the other way, adopting the "no emotional connections" attitude that fits with Equals). Somehow The Lobster manages to fit an interesting and funny story into the world. Equals? It gives us practically nothing. Perhaps this is just a distillation of the concept of Forbidden Love. I really expected more.
فيلم جيد!
فيلم جيد!
This movie is boring - despite having 2 famous young stars not enough happens. The vaguely familiar plot is about an emotionless world. Hence the emotionless acting and bland faces. At first it's interesting to see the futuristic settings. Later as the 2 infected leads discover sex there seems to be little emotion or romance or passion. Just as cold with emotion as without. What happens is predictable - an attempted cure and escape. This movie lacks the inventiveness and creativity of the older sci fi movies like Soylent Green, Planet of the Apes, Logan's Run - the list goes on. Give this one a miss even if you are a fan of K Stew of Nicholas Hoult.
The intensity of build up emotions in this movie, wow. I mean, kristen had a long line of bad reviews on being emotionless, yet in this movie with the restrictions of having emotions, she showed so much that it sometimes choked me. Nicolas and kristen had crazy mad chemistry. I don't speak for all, but as a person who enjoys movies like "Les Miserables" or "The Danish Girl" which speaks the language of emotions intensely, this film speaks that same type of appreciation of emotions. So if you find highly emotional films as boring, then this movie isn't for you. If you are looking for sci-fi, this isn't it. It rests in a sci-fi environment but it feeds on passion. Regardless the similarity with other films, that don't matter to me - i have watched whatever films said to be similar to, yet it doesn't ring-a-bell to me because the focus plot of this compared to those are totally different (at least to me). Highly recommended for the love of art!
Now look, there really is no excuse for this kind of dull and unrewarding kind of movie making. As is so often the case the production values are excellent (they've really got that stuff down to a fine art these days) But there in lies the problem - it's all style over content. And that makes it all the worse for it offers some promise in the early stages. - Purely because of the production values one can be forgiven for expecting more from the story. - There was certainly plenty of opportunity for expansion. The ideas in the film have all been done before and far better. The ending felt like a cop-out and an empty gesture at best.
This is SUCH a tired theme... sterile emotionless future society, yet two people are different, fall in love, and fight the system... When George Orwell did it in "1984" it was still reasonably fresh, but that was almost 70 years ago. "Equals" stars Nicholas Hoult (the creepy kid from "About a Boy" grown up, and even creepier) and Kristen Stewart (known catatonic) really have no chemistry and the movie gives them no reason to be together except they're both "different." Watching on DVD, I saw a lot of visual "banding" issues, and the audio was largely, well, inaudible. And this universe is all touchscreens and barcode scanners that constantly ping and whoo, which becomes really grating even 10 minutes in... ick. Instead of this, I'd suggest "Gattaca" -- http://www.imdb.com/title/tt0119177/ -- That was 20 years ago, and the premise was already getting threadbare by then, but at least there are some interesting stakes and twists and performances from Jude Law, Alan Arkin, Uma Thurman and Ethan Hawke. Or maybe "The Island" -- http://www.imdb.com/title/tt0399201/ -- yes, Michael Bay, so plenty o' 'splosions, but at least it's a decent premise and has lots of good twists. Even good old "Logan's Run" -- http://www.imdb.com/title/tt0074812/ -- handles this material in a more interesting manner -- it's pretty cheesy in terms of effects and costumes (it was 40 years ago so cut it some slack), but much more fun. The commentary on the disc tries to position the film as some great love story that just happens to be set in this cliché future, but there's almost nothing there. Skip it, or at least lower your expectations.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.