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To save everyone time let me start out and tell you that this is in no way a revenge or vigilante movie. There is no violence, there is not much in the way of plot, there is no excitement or action. There is a little bit of boobies for like 60 seconds if that's your thing. This is an art house film, so be warned. This was an odd movie to get all the way through for me, not because it's necessarily bad, but it's not "good" either because it really doesn't have a story or plot line. It is shot in a very gritty way that showcases both the beauty and griminess of New York. I've only been to NY state once and went through the various boroughs and they really do have a beauty to them, older architecture, mom and pop shops everywhere, it's alive and crawling with people. And rats. And pigeons. Because there's also the ugly side, trash everywhere, it stinks, it's noisy, the people are jerks...I hated NY city. But that doesn't mean I can't appreciate it. And that's really a large part of this movie, the pros and the cons of life there. It's about how class warfare affects those at the bottom, about what happens to them when their neighborhood is bulldozed so an expensive high-rise complex can move in, displacing all the previous inhabitants. It's about immigrants moving into the middle of this and feeling out of place, trying to figure out where they fit in. This is not told through any sort of story, it's 90% atmosphere with a speech sort of explaining the heart of the issue near the end of the film. This is all told through the experiences of essentially 3 people, the displaced, the immigrant, and the wealthy real-estate mogul. So if you like movies based entirely around atmosphere, long sweeping shots of city life, long silences and moments of brooding, give it a shot. The main performances were above average in general (couple poorly delivered lines here and there), the direction and cinematography is excellent...but it's a bit boring and feels aimless. I wouldn't recommend it to the average individual.

The entire movie is built around seemingly interesting characters with very abstract personalities. The movie seemed really promising but the plot was not revealed for 70 mins of the film. The actors were not clear about their personalities and often lost the character they were playing. Would not recommend

This movie had it's moments, but in the end, I was left with nothing. This film was pretty much pointless. Or if there was a point, it went right over my head. Cosmo Jarvis was great in this, but the movie itself goes nowhere. It felt like they were building up to something great but nothing happens. It had some good cinematography and acting but no concrete plot. Not a film I'd recommend. 5 stars.

The movie itself is poor, kinda went nowhere, but the acting from Cosmo, is nothing short of breathless. As a sufferer of anxiety/depression I identified with him immediately. The meltdown in the car, I cried.

Good acting with a dark, brooding, bizarre protagonist. Kept my interest but slow going at times. Some will say this is a story about nothing. For me it felt like a 21st century Dickensian social commentary about the haves and have nots. Would have rated higher if not for lackluster ending.

So the description looked interesting so we decided to watch this movie at our dinner party. It was a great dinner so we poured the wine and started this movie. Started out slow and we thought things would pick up after 30 minutes or so. An hour into the film we were getting pissed off and decided to watch a rerun of Friends. Absolutely nothing happens for an hour and that is a complete waste of money. I think we should have a little more wine and drive out to this directors house and launch a couple hundred aggs at the house! You owe me $6.99 and an hour of my life!

Two strangers who are dealing with their own form of grief, bound over the course of 48 hours. This could have concluded in 30 minutes or less. The run time is stretched out because of long shots of walking, or other activities the characters take part in. I wouldn't have minded this if the story was strong. We have a guy dealing with his family home getting demolished, and woman dealing with death. These characters don't have personality. The female lead was kinda pointless, she didn't add anything to the story. They don't do anything, but mope around. Maybe that was the point, cause in real life people deal with trauma internally, not everyone is going to react like joker. But I think it could have been more engaging. It's advertised as a thriller or horror, but is nothing like that at all. There was one scene where a shoplifting is taking place, and this was very well done. It put me in the perspective of the shoplifter and what it would be like to get caught. I got excited cause I thought the rest of the movie would have stuff like this, but this was short lived.

The film was shot so beautifully and the visuals did an excellent job of creating an emotional atmosphere that felt real, intimate, and emotional. Definitely worth watching!

Honestly, I spent a great deal of this movie wondering what happened to the beautiful, sexy whiskey voice Cosmo had on "Shogun"; about the same amount of time I spent waiting for the plot to show up. The balance of the run-time (and a short time thereafter) included a failed search for the end of the film; not that there was much of a plot from the beginning. After the incredible success of "Shogun", and Cosmo's performance in it, I was soooo looking forward to watching this movie to see more of his work. I started an attempt to excuse the sub-par performance on youth and inexperience; unfortunately this film is only dated 4 years ago. Well, sadly, something went very wrong here. Even sadder, the story/plot didn't even show up for work. Can't wait to see you again... in a GOOD movie, Cosmo. I believe in you. One last thing, the beautiful young woman in the hijab, (I think her name is Dela Meskienyar) she had a number of really great moments and clearly has talent. Keep up the good work. 😁👍

I definitely see why *some* reviewers were turned off or annoyed by this film's slow pacing and lack of an in-your-face plot. The plot is there, but it's definitely not something like a John Wick or Joker where you feel as though every moment of the film is building on it and toward a specific outcome. The story centers on two disaffected youths from different social backgrounds but who both live in and appreciate Brooklyn and NYC. I haven't seen New York presented as well as in this film in a long time, with long quiet (save for some background music in parts) scenes that capture the city as almost a character. The dialog is slow and disjointed at times, but that's part of the deal when your protagonists are both somewhat introverted and still feeling out where they fit in their own skin and society at large. The villain was a little over the top, and the strange (non) sex scene in which nothing actually happens but three semi-* women writhing around all over each other in front of him was IMO totally unnecessary and, while filmed rather competently, amateurly conceived and included in the first place. That was good for a 2 star reduction right there. The score was awesome and original. I loved most of the background music. Look, this is the very definition of "art house" cinema. It reminded me of Uncut Gems but without the frenetic pacing, super uncomfortable situations and borderline psycho characters, not to mention the clear plot. I give this one 6.8 stars rounded up to 7 as it was mostly a very engaging watch and sucked me in despite the no-frills production and sparse plot development (which, again, was intentional - leaving the viewer to read between the lines). If you're turned off by the negative reviews, then this one probably isn't for you and you can safely skip it. If you're in the mood for something different, relaxing even, give it a try.