Elisabeth Röhm
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Malay,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The جريمة film Girl in the Basement, starring Judd Nelson, Stefanie Scott, Joely Fisher, etc., directed by Elisabeth Röhm, was released on February 27, 2021 in الولايات المتحدة. It tells the story of سارة هي فتاة مراهقة تتطلع إلى عيد ميلادها 18 للابتعاد عن والدها المسيطر دون. ولكن قبل أن تتمكن حتى من تفجير الشموع ، دون سجن لها في الطابق السفلي من منزلهم. This is a جريمة, إثارة film with a runtime of 88 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.3/10 from 18,407 viewers.
Elisabeth Röhm
بدور Director
Judd Nelson
بدور Don Cody
Stefanie Scott
بدور Sarah Cody
Joely Fisher
بدور Irene Cody
Emma Myers
بدور Marie Cody
Braxton Bjerken
بدور Michael Cody
Jake Nuttall
بدور Thomas
Emily Topper
بدور Amy Cody
Liam Pileggi
بدور Toddler Michael
Madison Johnson
بدور 5 year old Marie
Jake Etheridge
بدور Chris
Sydney Kowalske
بدور Toddler Marie
Michael Lawson
بدور Investigative Police Officer
Nic Starr
بدور Hospital Police Officer
Yossie Mulyadi
بدور Attending Physician
Vince Pisani
بدور Dogwalker
Carmen Alexis
بدور Nurse
Alnisa Chislom
بدور Hospital Reception
Shayla Harris
بدور Nurse Giving CPR
Barbara Marshall
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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I knew something was off the moment our main antagonist delivered his first line of dialogue. He was such an atrociously bad actor throughout the entire film that it genuinely felt like a school project at times. It wasn't until the first cut to black during a tense moment that I realized this is a Lifetime made for TV type movie. With that taken into consideration, it held my attention well enough. What trumps even the poor acting and cinematography was the method of story telling. They attempt the classic move where they show a scene from near he end of the movie and then jump back 20 years earlier, slowly building back up to that moment to continue from it. The problem is that this particular scene shows us that any attempt at escape we see throughout the first hour will be unsuccessful, killing any tension and momentum. This was based off the harrowing real story of Elisabeth Fritzl, and more justice could have been done with it in the film realm.
EDIT: *According to the woman in the informational bit at the end of the movie ( the executive director of the National Foundation to End Child Abuse and Neglect ), it is a "fictionalized account of abduction and imprisonment". Yet others are saying it's based on the true story of Elizabeth Fritzl in Austria. I had originally assumed that LMN implied it's a true story to attract more viewers, especially with the caption at the beginning - "Inspired by true events". The fact that it's based on a true story makes it absolutely beyond horrific, which is why it was important to determine whether it was or not. So I watched the 15-minute special at the end to find out, but now I'm confused.* Secondly, another reviewer here said that Judd Nelson acted badly in it in his role as the psycho father Don. That couldn't be farther from the truth. He was so good in the role that I had to keep reminding myself he was only acting. It was too easy to believe Judd Nelson, the actor, is/was as despicable as the character he was portraying. I don't think LMN actors are ever considered for Emmy awards, but if not, they should make an exception for him. Sometimes I read reviews here on imdb and wonder what is wrong with people who can't recognize and appreciate great acting, and who rave with adulation about terrible movies with bad acting and direction, etc. I was pleasantly surprised to see that Elizabeth Rohm directed this movie - she's a very good actress and did a great job with this. It was difficult to sit through at times since the entire theme was so disturbing, but it was very good as a whole except for minor plot holes and contrivances, such as Chris the boyfriend waiting for her for two decades. It would've been more believable and real if he had told her he had gotten married and had a few kids during those twenty years, and either they could be good friends or he was divorced and available. But since nothing was said in that respect, the audience is led to believe he had been waiting for her all those years, even though her dad had told him that she had run off with another guy. Side note: I wanted her to climb out of the hole she scraped bigger and go for help instead of flashing signals with the flashlight. Also, the make-up people should have done more to make her look 38 years old at the end because she still looked like a teenager - just raggedy, thin, and pale, which was realistic, but she looked much younger than the age she would've been then. Finally, I don't know if anyone else noticed the subtle implication of pure intentional evil in something Don said toward the end: when the boy Michael came at him to fight him and Don mocked and belittled his smallness in size and weight compared to Thomas who had been raised upstairs all his life - knowing all the while that Thomas was bigger and healthier than pale, thin Michael because Michael had grown up in the bomb shelter with no sunshine or fresh air and never enough to eat. Don shouldn't be hostile to a child that came from sex with his own daughter in the first place, of course. It magnified what a monster he was. Grade B- / 7 out of 10.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.