Scott Jeffrey
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film HellKat, starring Adrian Bouchet, Sarah T. Cohen, Richard D. Myers, etc., directed by Scott Jeffrey, was released on February 1, 2021 in الولايات المتحدة. It tells the story of A fallen MMA fighter must win a netherworld no-holds-barred death tournament against man, beast and demon to save her soul. This is a فعل, رعب film with a runtime of 78 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 2.8/10 from 226 viewers.
Scott Jeffrey
بدور Director
Rebecca Matthews
بدور Director
Adrian Bouchet
بدور The Bar Keep
Sarah T. Cohen
بدور Katrina 'HellKat' Bash
Richard D. Myers
بدور Drunk
Marshall Hawkes
بدور Matteo
Abi Casson Thompson
بدور Salt
Ricardo Freitas
بدور Freddy 'Fish' Bones
Serhat Metin
بدور Grizz
Ryan Davies
بدور Jimmy Scott
Michael Hoad
بدور Furbluh
Vaani K Sharma
بدور Mrs Grizz
Lewis Sycamore
بدور Radio Host
Lewis Sycamore
بدور Luke
Frances Katz
بدور Zombee
Arthur Boan
بدور Dagger
AJ Blackwell
بدور Viper
AJ Blackwell
بدور Mordhund
Harvey McDonald
بدور Jan Divine
Clive Coen
بدور The Doctor
Ricardo Freitas
بدور Freddy Fishbones
Michele Pacitto
بدور Writer
Jordan Rockwell
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
فيلم جيد!
فيلم جيد!
فيلم جيد!
فيلم جيد!
source: HellKat
I was especially surprised at how good this movie was for its budget. The choreography and monster make-up were meh, but everything else I really quite enjoyed. The head bad guy played by Ryan Davies was amazing in his role. The cinematography and color choices were excellent. I'm glad we stumbled on this film. It kept us interested from start to finish.
I've been waiting for this flick for a while now, HELLKAT is finally here!
Katrina "Hellkat" Bash loses a title match and is depressed. Her car stalls in the middle on nowhere and is given a ride to town. Things are odd and we soon realize at about 30 minutes (PLOT SPOILER) Katrina is in the afterlife . She agrees to a last man standing, one on one fights as a chance for redemption. The film consists of various bouts and a few sacrilegious comments. The film just wasn't done well. The characters attempted to be interesting, but failed. Direction seemed to be lacking. I just never cared about Katrina. Guide: F-word. No sex or nudity.
I like martial arts/tournaments movies and i enjoy strange horror theme movies. So when i saw this movie on the store, i was intrigued. I originally wanted to watch it on Halloween season as its when i prefer to watch horror movies, but seeing it on sale on Xbox for like 2$ rental, i couldn't help myself and decided ill watch it right away. So i knew the budget was gonna be very small, this is an indy flick. I think overall they did fine with that they had. The makeup for the monsters is alright,the martial arts itself is decent, not amazing but definately not sluggish, the electronic music is typical of these low budget "psychadelic bad trip" movies where things get stranger and stranger. The camera work does feel very indy but its alright and lastly, the acting is a mix bag. The "host" was really the highlight, he got energy, he is goofy but not too goofy, make you feel a bit uncomfortable while being entertaining. Don't get me wrong, he is rather by the book for this type of character but the actor had fun with it and reminded me a bit of Azazael in Supernatural. Sadly i can't say the same for the lead actress. Altough her action scenes were decent, her acting was uninspired, boring, and wooden. She never seem to react to anything, whatever its strange, scary or whatever. She always has that stoic boring face. I don't know if thats how the director wanted the character to be played or simply a lack of acting talent, but i didn't felt compell by her at all. The rest of he actors are alright but their role are rather small. When i say the movie is strange, its because i feel its the kind of movie you should watch while being drunk or stone very late at night, to kinda immerse yourself in the delirium that is happening. Its hard to explain with words but its a flick i wouldn't watch in the afternoon sobber. Since there is only a few reviews, i want to keep mine spoiler free so i won't talk too much on the plot, but overall i taught it was alright and you get the point of it. I was just a little disapointed that the monsters per say are not really explored much. I mean, i supose they are there to fit the hellish theme while giving foes that are menacing and seem like an hard to cross over obstacle, but the opponents could had simply been big demon dudes and it would had kinda fit the same purpose. That said it does not really matter that much ultimately as i feel the movie serve its purpose and tell its story fine. So overall i had a decent time to finish my night, glad i saw it. But really just a rental for a one time watch. Be aware tough that you gotta enjoy low budget horror movies to make the best out of it, and as Jeremy Jahns would say, its a better time, if you're drunk :-)
This has to have been done before, right? I claim no perfect knowledge in any regard, but the concept sounds so much like a videogame, a more extreme rendition of 'Mortal Kombat,' that I find it hard to believe 'Hellkat' is truly the first piece of media to explore the notion of a fighting tournament in the underworld. With that said, even though I had low expectations to begin with, the idea sufficiently caught my attention to warrant a view. Yet the warning signs were clear, and I should have known better: This is most distinctly not a good movie. In a runtime of only 78 minutes we're treated to basically 20 minutes of exposition - arguably more - before any especially noteworthy narrative elements begin to manifest. We're subjected to absolutely far more character background than is necessary, tawdry dialogue (mind the pointless, casual homophobic slurs), sparing but highly questionable special effects (even smoke rising from a car engine is obvious CGI), and a wealth of passing scenes that are totally superfluous. This is all well before the promised "death tournament" is even mentioned - just under halfway through the movie. And the centerpiece of the film is a "tournament" in name only: There are no spectators in an unadorned basement with bare walls. The roster of spotlighted fighters is a mere handful, each entering the same ring one by one to face their opponents. Some of the choreography looks great, but at other points it's difficult to assess since the sequences are sometimes shot so haphazardly as to minimize what we actually get to see. Makeup looks fine so long as it's employed simply as part of a character's appearance, or visualizing wounds, but when embellished and used more elaborately in conjunction with prosthetics and masks, the result is appallingly unconvincing. And the music, accordingly credited to "20Six Hundred," is so dull, middling, and lacking that the composer should be ashamed of themselves for such a halfhearted, dispassionate contribution. Sadly, those latter words rather describe 'Hellkat' as a whole. The cast's roles are underwritten, and their performances are characterized by stilted, disinterested, or otherwise dubious delivery; uninspired expression; and otherwise uncaring acting that makes it seem like being in this movie was nothing more than a job, and not something they believed in. Lighting, used to add atmosphere, is so overdone as to negative the intended effect. Without even considering its value, the sheer abundance of material inserted into the movie before and between the fighting begins makes me question just how much anyone was really invested in the production. It's as though the filmmakers actively disregarded their own concept to deemphasize the hand-to-hand combat. The movie alternately feels like an effort to realize a promising, enticing notion, a passion project, without any resources to meaningfully do so; an action-horror flick in which every worst impulse has been indulged to an extreme; and or a film that only some of those involved wanted to succeed, while others were actively working to sabotage the endeavor. The root premise is outstanding, one I would love to see brought to life, and there are lots of swell ideas in the screenplay. But the execution is in so many ways simply a mess, and fails to excite or engage us in any way. This is another instance in which the poster crafted to market the feature drastically oversells the content. I wanted to like this. I had low expectations but high hopes. That hope has been my undoing. No matter what prospectively draws a viewer into this feature, there is no aspect of it that is brought to fruition to any degree of satisfaction. I'm not surprised, but disappointed nonetheless, and I can't imagine any situation in which I could I recommend 'Hellkat.'
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.