Charlie Vundla
بدور Director
The فعل film How to Steal 2 Million, starring Menzi Ngubane, Terry Pheto, Rapulana Seiphemo, etc., directed by Charlie Vundla, was released on September 2, 2011 in جنوب أفريقيا. It tells the story of It's a jungle out there. That's how we meet our lead character Jack. It's been five years since he's seen his partner and best friend Twala. Jack did five years for a robbery gone bad. Twala never got caught and Jack never talked. But Twala is as treacherous as Jack is honourable. He's married Jack's former fiancée. Jack wants to go legit but after being rejected for a loan he needs a new source of capital. Twala presents him with an opportunity a job with a R2 million take. The complication is that the mark is Twala's father. Jacks partner for the job is the tough and sexy Olive. Little does he know she will prove to be more devious then his old friend. This is a فعل, دراما film with a runtime of 82 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.6/10 from 112 viewers.
Charlie Vundla
بدور Director
Menzi Ngubane
بدور Jack Ngubane
Terry Pheto
بدور Olive
Rapulana Seiphemo
بدور Julius Twala Jnr.
John Kani
بدور Julius Twala Snr.
Hlubi Mboya
بدور Kim Twala
Sello Motloung
بدور Tembe
Marcel van Heerden
بدور Lt. Du Toit
Carlo Radebe
بدور Vusi
Lucia Mthiyane
بدور Olive's mother
Tshepo Sefatsane
بدور Security guard
Alistair Moulton Black
بدور Angry driver
David Sherwood
بدور Pawnbroker
David Butler
بدور Banker
Dylan Wilson-Max
بدور Metro cop
Charlie Vundla
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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فيلم جيد!
فيلم جيد!
فيلم جيد!
i want this movie
فيلم جيد!
There were some elements of this film that were really good but it ultimately fell shot in the 3rd act
This movie had lots of potential, only some of which has been exploited. Unlike most other South African movies, this movie is not dealing with some huge, serious issue, does not deal with Mandela and is also not filled with toilet humor. This is just your normal thriller / action movie which America churns out in a nauseating volume. Now its South Africa's turn and I think a good job was done. I thought the camera work was good (and haunting with the muted colors) and the acting was acceptable. No one is going to be winning any Oscars for the movie, but I don't feel like I wasted my time watching this. I loved the gritty feel and the moments of surprising violence at unexpected times (although budget clearly didn't allow for any special effects showing the detail of the more gruesome parts). If you have the time, take out the DVD, watch and enjoy.
I watched this movie with great anticipation albeit I reserved my skepticism. The movie is intriguing due to its star-studded local cast, though unknown internationally. It circulates around a man dubbed Jack, who's just done some time in prison & is now endeavouring to launch a construction firm to rid himself off crime. However, he receives a tempting offer from his old acquintance, Twala. Twala's father, Julius, has R2 million stuck in the safe of his house. Twala entices Jack to to organise a friend to rob the R2 million from his father. Jack then approaches some woman, Olive, and they prosperously manage to get the R2 million by holding Julius & his security at gunpoint. Julius then manages to recognise Jack as one of the two robbers & gets to confront him. Cut to the chase, in the end, Jack murders Julius & then a cat fight about the money commences. Jack then goes to dig a hole where he hid the money and gets killed by Twala, who was following just behind him. Twala himself gets killed by some untrustworthy police officer (or so I believe), who had an affiliation with Julius. Olive becomes the only survivor as it turned out that Twala reserved some money for her to maintain both her & the child & the movie ends. Olive then grabs her son & the cash & departs by a bus. Simply put, this is the worst movie I've seen in the drama/mystery/crime genre.The storyline is very cheesy with no complex issues that compel viewers to intruiguingly form their own perspectives (think of Ben Affleck's State Of Play), only to be surprised by mystery revelations in the end. Everything is laid bare from start to finish. Movies of this nature are often characterised by white actors in lead roles but surprisingly here, we got black actors in the lead. And how did Julius recognise Jack as one of the robbers? Could it be because they were wearing masks that didn't fully cover their identities with no device that criminals often utilise to disguise their voices? What stupid criminal would commit such a grave mistake? The end is too cliché, I've seen so many American movies end like that. It appears to have been adopted in one of those American movies. I guess they were endeavouring to incorporate the American mafia style into this movie as it is absolutely disloyal to South Africa's criminal style. This is also a cheap budget movie anyway, playing out like a TV crime drama. Enough said, my rating is 1/10 & it's lucky to even get that from me. Seka Samuel Gaula Cape Town, South Africa
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.