Jon Dabach
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The كوميديا film I'd Like to Be Alone Now, starring Vanessa Lengies, David Fynn, Mindy Sterling, etc., directed by Jon Dabach, was released on January 8, 2019 in الولايات المتحدة. It tells the story of after losing his wife and three kids, all Kyle wants is to mourn in peace, but he must deal with his overbearing family, who insists on helping him. This is a كوميديا, دراما film with a runtime of 110 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 355 viewers.
Jon Dabach
بدور Director
Vanessa Lengies
بدور Lisa
David Fynn
بدور Sam
Mindy Sterling
بدور Suzie
Jack McGee
بدور Hank
Samm Levine
بدور Kyle
Spencer Grammer
بدور Anna
Christopher Masterson
بدور Eddie
Maria Conchita Alonso
بدور Matti
Michael Piper-Younie
بدور Glenn
Carl McDowell
بدور Tony
Stephanie Andrea Barron
بدور Esperanza
Judy Toma
بدور Marcy
Cassandra Seidenfeld
بدور Tammy
Stuart G Murphy
بدور Gary
Gloria Laino
بدور Hortensia
Patrick Greene
بدور Brady
Melanie Booth
بدور Shea
Jon Dabach
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: I'd Like to Be Alone Now
Most people would be able to relate to this family satire, and probably enjoy it more than I did. Family issues surface after a funeral. There's a lot of bickering, and not much grief. Every member of the family, including the maid, is selfishly dealing with their own issues, rather than support the grieving member. One couple complains about having to "live out of their suitcase" while contractors are building their closet, the parents are in the midst of separation because the mother is loud and overbearing, another couple has commitment issues, and so on - you get the picture. They all seem incapable to consider others, although in the end they care for each other, at least a little bit. There are a few "hehe" moments of humor, but not enough to make this movie worth watching. When the member of the family who lost both his wife and baby in an accident comes out of his room, where he retreated for some quiet from his bickering family, he seems right as rain. Apparently, he needed only a couple of weeks to get over the death of his loved ones, and talks about them very matter-of-factly. Then all the problems abruptly disappear for everyone, and they proceed to celebrate an engagement. The mourning for the wife and baby is glossed over, and too soon forgotten by the "caring" husband and his family. I was put off by the tip given in the movie for illegal immigrants to lie to the immigration officials if they are caught. As someone who went through immigration LEGALLY, I have little sympathy for those who cross the border illegally (and thus jumping the line), and then act as victims, WHINING about how difficult it is to break the law.
I understand that the contrast between the grieving husband and father and the family and friends superficiality is part of what makes the movie compelling. I do feel that some of the dialogue was flat and the dark comedy might have been better if the extent of the loss was not so huge. Perhaps if only the wife had died? So in the end it felt as if the supporting family and friends were way too self centred given the heaviness of the grief that should have been there.
فيلم جيد!
source: I'd Like to Be Alone Now
Most people would be able to relate to this family satire, and probably enjoy it more than I did. Family issues surface after a funeral. There's a lot of bickering, and not much grief. Every member of the family, including the maid, is selfishly dealing with their own issues, rather than support the grieving member. One couple complains about having to "live out of their suitcase" while contractors are building their closet, the parents are in the midst of separation because the mother is loud and overbearing, another couple has commitment issues, and so on - you get the picture. They all seem incapable to consider others, although in the end they care for each other, at least a little bit. There are a few "hehe" moments of humor, but not enough to make this movie worth watching. When the member of the family who lost both his wife and baby in an accident comes out of his room, where he retreated for some quiet from his bickering family, he seems right as rain. Apparently, he needed only a couple of weeks to get over the death of his loved ones, and talks about them very matter-of-factly. Then all the problems abruptly disappear for everyone, and they proceed to celebrate an engagement. The mourning for the wife and baby is glossed over, and too soon forgotten by the "caring" husband and his family. I was put off by the tip given in the movie for illegal immigrants to lie to the immigration officials if they are caught. As someone who went through immigration LEGALLY, I have little sympathy for those who cross the border illegally (and thus jumping the line), and then act as victims, WHINING about how difficult it is to break the law.
I understand that the contrast between the grieving husband and father and the family and friends superficiality is part of what makes the movie compelling. I do feel that some of the dialogue was flat and the dark comedy might have been better if the extent of the loss was not so huge. Perhaps if only the wife had died? So in the end it felt as if the supporting family and friends were way too self centred given the heaviness of the grief that should have been there.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.