Charlie Kaufman
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The دراما film أفكر في إنهاء الأمور, starring Jesse Plemons, Jessie Buckley, Toni Collette, etc., directed by Charlie Kaufman, was released on September 4, 2020 in الولايات المتحدة. It tells the story of في إطار من الدراما والإثارة، تسافر فتاة شابة رفقة حبيبها إلى مزرعة عائلته لتوطيد علاقتهما، وسرعان ما تبدأ في اكتشاف كل شيء حول عائلة حبيبها وعلاقتهما ونفسها. This is a دراما, إثارة film with a runtime of 134 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.5/10 from 108,389 viewers.
Charlie Kaufman
بدور Director
Jesse Plemons
بدور Jake
Jessie Buckley
بدور Young Woman
Toni Collette
بدور Mother
David Thewlis
بدور Father
Guy Boyd
بدور Janitor
Hadley Robinson
بدور Laurey
Hadley Robinson
بدور Tulsey Town Girl 1
Gus Birney
بدور Aunt Eller
Gus Birney
بدور Tulsey Town Girl 2
Abby Quinn
بدور Tulsey Town Girl 3
Colby Minifie
بدور Yvonne
Anthony Robert Grasso
بدور Diner Manager
Teddy Coluca
بدور Diner Customer
Jason Ralph
بدور Yvonne's Boyfriend
Oliver Platt
بدور The Voice
Frederick Wodin
بدور Dancing Janitor
Ryan Steele
بدور Dancing Jake
Unity Phelan
بدور Dancing Young Woman
Norman Aaronson
بدور Diner Patron
Ashlyn Alessi
بدور Audience Member
Charlie Kaufman
بدور Writer
Iain Reid
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
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فيلم جيد!
source: I'm Thinking of Ending Things
I can't even describe it. And I don't care if you need to read the book to understand you shouldn't because you're watching a movie not reading a book. It doesn't explain anything at all from start to end. It just gets more and more confuse and when you think it's something it really isn't. Just a complete waste of time.
I totally didn't get what it was I was watching and It all went straight over my head! So many things were happening and it didn't make any sense to me at all. I kept wondering what it was I was watching? So much of the movie is just them driving in the car in a snowstorm talking about random stuff.
The movie is about a "jake" and his girlfriend which is referred to as "young woman" and have many names throughout the movie. They are going to visit jake's parents for a one day trip and coming back again. First act is the journey to the "farmy" area to jake's parents and how awkward it's between them and we hear the inner thought of the girlfriend wanting to ending things while being interrupted for a random yet confusing topics. I think Jessie Buckley carried that whole first act. Second act is the arrival of them to his parents house and how they are welcoming her yet annoying Jake. And let me say that this act was bizarre and confusing and i think was the most bizarre act i have seen in a while. Third act and after that rollercoaster of thriller and confusion is the journey back home or as we think it is and it does continue the rhythm of you thinking " there is something wrong in this movie i can feel it ". Finally i think the movie is about aging and loneliness and i think that this is all a dying "lonely" man memory trying to collect memories from here and there. Trying to think that he was a quantum physics scientist, poet, "genus", painter and had a loving girlfriend, family that supported him and was there at his biggest moment in life that he would love to have rather than being a janitor and returning to an empty home with no one but himself and his thoughts about what could've been if he wasnt a janitor and worked hard and reached what he hoped he'd be in life. I really liked the cinematography, the acting, the bizarre screenwriting and the thoughts it puts in your head, but i guess it was too bizarre that you'd get lost in the middle, and maybe even lose interest? not in my case but i think it'd be common.
I have been waiting all year for this movie to come out! I am a huge fan of the novel. It was short, it was quick, but it was highly nuanced and it packed a great psychological punch to the gut. I was extreme.y excited to see the novel come to life on the screen, and to have it directed by Charlie Kaufman just makes complete sense. "Kaufman" is an adjective just as much as it is a name. You hear that a movie is "Kaufman-esque" and you know exactly what it means. Something that will require multiple viewings, something that requires your attention to be on the movie at all times, something that demands you to take in every piece of dialogue and symbol and image and interpret it on the fly as the movie comes along. This movie is no different from Kaufman's other films such as "Anomalisa", "Synecdoche, New York", "Eternal Sunshine of the Spotless Mind" and so on. Nothing is wasted, nothing is there for no reason. It is all tightly packed and all comes together. The book may require a few re-reads, just like how this movie will require a few rewatches. I don't want to say a whole lot out of fear that I spoil the movie. But it is everything that I have hoped and more: atmospheric, dream-like, unsettling, glitchy and mind-bending. I am extremely pleased with how this movie turned out.
This is a completely biased review after reading Iain Reid's novel. So the movie adaptation was pretty good. However, I think the ending could have taken a few pointers from the book. The way it ended made the movie seem incomplete. I also think Kaufman made the mistake of completely omitting the plot-twist. It wasn't apparent enough to the audience that Lucy/the Janitor was Jake the entire time; or even that fact that they were a figment of his imagination. I don't know... and the fact that Jake didn't kill himself with the coat hanger completely ruined the double meaning behind "I'm thinking of ending things"; given that throughout the story, the audience was under the impression that the girlfriend was only going to break up with Jake. Last but not least, the mysterious message from The Caller. "There's only one question we need to resolve" was used in the story as a precursor to what should have been Jake's suicide. It was later revealed that the question was: "What are you waiting for?" but that part got left out of the movie. why?? Everything about the movie was FINE, except I was hoping for the much darker ending.
The hardest part about watching this movie was trying to figure out why I was watching it. At the end, I had to look up interpretations, which I think took a lot of the magic and reflection out of what a movie should be. I wish it would've been a little less abstract, for those of us who watched it independently from the book, and aren't abstract minded enough to pull meaning out of thin air. Other than not knowing what the hell was happening, the acting was phenomenal, and so was the dialogue. Now off to the library to try to get something useful out of this story.
Don't get me wrong: I'm a moderate fan of Charlie Kauffman. And I can roll with meta, existential/nihilistic themes, surrealism and general weirdness with the best of them. But this film, good god, is pure dreck. Where do I start? Overwrought dialogue, for starters. So prolix, so studied, so BORING. Bad acting on every actor's part. I've always thought Jesse Plemons was overrated, so I can't say I was surprised to find him punching above his weight here. The actress who played the part of the girlfriend was too "actorly," and I found her difficult to watch. Even Toni Colette turned in what may be her worst performance to date. Poor Toni Colette: part of the problem was the terrible source material, but she still played it way too over-the-top. What's more, I found her recycling some of her previous film/TV personas here. Not a good look for Ms. Colette. Overall this film lacked cohesion, focus and purpose. And somehow Kaufman's (I'm projecting/opining here) sense of arrogance and self-importance coupled with absolutely contrived dialogues/monologues (kind of reminds me of David Mamet in that way), coalesce to form an ego-heavy, pretentious, pointless exercise in futile film making. TRUST ME. You can definitely give this a hard pass. I know most you will watch this anyway, given it's on Netflix during the pandemic, with few new offerings springing up. But remember, you've been warned.
The most slow and boring movie with conversations that last up to 30 minutes, MANY questions unanswered and confusing random parts for no reason at all i was so excited for this one and have never felt so let down, a complete waste of 2 and a half hours without even any reasoning or learning point as all movies have and even theorists can't understand it
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.