Matthew Butler-Hart
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The أُحجِيَّة film ما لا نهاية: الموضوع غير معروف, starring Tori Butler-Hart, Ian McKellen, Conleth Hill, etc., directed by Matthew Butler-Hart, was released on August 6, 2021 in المملكة المتحدة. It tells the story of شريحة محيرة للعقل من الخيال العلمي البريطاني ، تضم السير إيان ماكيلين وكونليث هيل. جين (توري بتلر-هارت) محاصرة في عالم موازٍ وتُجبر على إيجاد طريقة لتغيير واقعها قبل فوات الأوان. This is a أُحجِيَّة, خيال علمي film with a runtime of 86 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.0/10 from 10,062 viewers.
Matthew Butler-Hart
بدور Director
Tori Butler-Hart
بدور Jane
Tori Butler-Hart
بدور Number 7
Tori Butler-Hart
بدور Case Watch Agent 2
Ian McKellen
بدور Dr. Charles Marland-White
Conleth Hill
بدور Professor Ostergaard
Wendy Muir Hart
بدور Wytness Scientist 1
Chris Hart
بدور Wytness Scientist 2
Holly Dale Spencer
بدور Observation Scientist 1
Ben Lee
بدور Observation Scientist 2
Graham Butler
بدور Case Watch Agent 1
Tori Butler-Hart
بدور Writer
Matthew Butler-Hart
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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فيلم جيد!
فيلم جيد!
فيلم جيد!
source: Infinitum: Subject Unknown
I thought it was very good with their budget. Gotta watch for the details closely.
If I'd read some of these reviews beforehand I might have been put off (but you quickly see they clearly haven't actually watched the film most of them, or at least not all of it), but I'd read the proper reviews so thought I'd give it a go. (I saw their last film too, so knew it'd be a slow-burn story that requires more attention that most!). I'll just reiterate what some of the others have said in that this is a low-budget movie shot on a phone - so know what you're getting. I LOVED what they'd done (just the two of them!) and I find it massively inspiring to see young filmmakers do something of this quality, with this level of intelligence (which, by the way, you'll need to watch it, they don't dumb things down and hand it all to you on a plate). You've got to put the work in when you're watching, but that's good filmmaking, they don't pander to the few people who aren't going to make the effort in figuring things out. Not everything is explained, and that's partly because this is (according to interviews with the filmmakers) part of a larger project that they've been working on for a while. So this is a taster of the bigger world, which I can't wait to see! But if that doesn't appeal, just don't watch it! Very simple.
A seriously good sci-fi indie film with one of my favorite actors, Ian McKellen. It's a win for me. Script was well written and made during the pandemic so credit to the filmmakers. Good work!
They tried to create a linear story to explain how simultaneous actions can somehow offer a best solution at the end. But ended up with mostly inane actions in a world that suddenly changes for no obvious reason. And interruptions by glimpses of other times it seems. With yes, ear splitting sound and a bit of a bait and switch with the poster. With my final nail in the coffin being no big conclusion, just one more thread in the web. Some may be fine with that, but...
Really enjoyed this. Not sure I totally got it and it definitely deserves a second viewing to untangle some of the first part of the story. But this is totally intentional by the director, to have you feeling exactly what the character is feeling and I get why it might be a little intense for some people, especially at the moment as we're all still feeling very much as the main character is. But I think this will be a film that, in the years to come, people will look back to see the kind of art that the pandemic inspired. It's a glimpse of the frustration, the feeling of helplessness that we're all living. It's beautifully shot, beautifully acted and put together and I think will be around for a long while. It's a no budget job, and that seems to offend people on this site these days, but if you can see past that you're going to enjoy it. I read that this is a companion film to other pieces in the world, and it's absolutely an intriguing beginning that leaves it massively open to a next chapter - very little is answered in this film, in fact you'll come away with more questions than anything. But I love that and can't wait to see what happens next in the story. Oh, and Ian McKellen and Conleth Hill are just cameos in this - it seems that some people think they should have been bigger parts (how in a pandemic when they weren't allowed to film anything?!) - but they've worked with the filmmakers a dozen times so this was clearly a favour to two exciting movie makers.
This is a real mixture of reviews! Looks like people either love it or hate it! But the critics are liking it and I can see why. For two people to have done this is extraordinary and you can't take that away from them. I kinda looks like the 1 star brigade have, as usual, not watched the whole film. It's twisting little film, shot in lockdown with no crew, no equipment or budget, but is better than a lot of the movies that are shoved down our throats these days. You've got to concentrate and I think that some of the angry shouting (all men) lot just don't have that in them. Definitely a film to watch more than once to fully get the nuances I think.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.