Madonne Ashwin
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film Maaveeran, starring Sivakarthikeyan, Aditi Shankar, Mysskin, etc., directed by Madonne Ashwin, was released on July 14, 2023 in الهند. It tells the story of يبدأ رسام الكاريكاتير الجبان في "التحكم" بشخصية عمل كرتونية ، ويأخذ سياسيًا فاسدًا. This is a فعل, دراما, إثارة film with a runtime of 163 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 7.4/10 from 6,610 viewers.
Madonne Ashwin
بدور Director
Sivakarthikeyan
بدور Sathya
Aditi Shankar
بدور Nila
Mysskin
بدور M. N. Jeyakodi
Yogi Babu
بدور Patch Work Kumar
Saritha
بدور Eshwari (Sathya's Mother)
Sunil
بدور Paramu (Jeyakodi's Secretary)
Monisha Blessy
بدور Raji
K S Krishnan
بدور ENT Doctor
Dileepan
بدور Selvam
Semmalar Annam
بدور Selvi
Balaji Sakthivel
بدور Chief Minister
Suresh Chakravarthi
بدور Doctor
Sunil
بدور Paramu
Minor Yogi
بدور Thannarasu
Vainavashri
بدور Devanesan's Kid
Yogi Babu
بدور Kumar
Vijayalakshmi Veeramani
بدور Devanesan's Wife
Saritha
بدور Easwari
Madhan Kumar Dhakshinamoorthy
بدور Dhanraj
Douglas Kumaramoorthy
بدور Junior Engineer
Palani Murugan
بدور Paguthi
Dileepan
بدور Devanesan
Suresh Chakravarthi
بدور Psychiatrist
Madonne Ashwin
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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India 🇮🇳
Opening comic strip of a giant man - copied from "Attack on the titans" (Shingeki no Kyoujin), along with the action in the comic. Rajinikanth's iconic pole fight before home in Baasha is also copied, only difference is Manikkam asked his sister to go in and here, the people are asked not to go in(!) I do not know what to say... Korean films "Tower", "The Exit" and "Agent Jun" were copied a lot in the second half, particularly in the climax. Throughout, "Agent Jun" also seems to have influenced a lot. The one star is for the comedy with Yogi Babu who pulls some serious faces here. (Some YouTubers are also funny for a few minutes) The heroine is more like a waste baggage character, although the actress tries to act sometimes and fails. The entire sister's problem arc is unresolved, which is deeply disappointing and the film just keeps following random tracks behind a thin concept. This is not a super hero film, as no explanations or super powers exist. Maybe the message is to kill off the dreams of anyone who tries to make anime in India. The film is not worth the watch time and the action is awful... Particularly in the climax. All scenes are predictable and characters are one-dimensional. I do not understand why "Mandela" director made such a disaster. Maybe to pamper the actor's fans with a delusion that this is "mass". The one scene where the princess is sketched as the heroine is an utter flop, as the heroine looks worse than the previous sketch. Moreover, such "Kanni theevu" styles of sketches were dead a long time ago and at least the opening animation could have been new age for this budget. Where did the 85 crores go?!
Apart from the comedy sequences featuring Yogi Babu in the first half, there is nothing of comparable quality.(The reason of 3star goes to him) The second half, in particular, suffers from extremely poor execution and storyline. The filmmakers attempted to create a superhero film, but it ultimately turned out to be incredibly disappointing. I am at a loss for words to describe just how bad it is; it's simply a waste. I feel sorry for the lead actor for being associated with this movie, and the role of the female lead is yet another unnecessary addition. In a twisted turn of events, Sathya, a comic writer, starts hearing a voice that prompts his future. Born coward - Sathya struggles to weild this new power and does not put that into good use until the very end.
Opening comic strip of a giant man - copied from "Attack on the titans" (Shingeki no Kyoujin), along with the action in the comic. Rajinikanth's iconic pole fight before home in Baasha is also copied, only difference is Manikkam asked his sister to go in and here, the people are asked not to go in(!) I do not know what to say... Korean film "Tower" was copied a lot in the second half, particularly in the climax. Throughout, "Agent Jun" also seems to have influenced a lot. The one star is for the comedy with Yogi Babu who pulls some serious faces here. (Some YouTubers are also funny for a few minutes) The heroine is more like a waste baggage character, although the actress tries to act sometimes and fails. The entire sister's problem arc is unresolved, which is deeply disappointing and the film just keeps following random tracks behind a thin concept. This is not a super hero film, as no explanations or super powers exist. Maybe the message is to kill off the dreams of anyone who tries to make anime in India. The film is not worth the watch time and the action is awful... Particularly in the climax. All scenes are predictable and characters are one-dimensional. I do not understand why "Mandela" director made such a disaster. Maybe to pamper the actor's fans with a delusion that this is "mass". The one scene where the princess is sketched as the heroine is an utter flop, as the heroine looks worse than the previous sketch. Moreover, such "Kanni theevu" styles of sketches were dead a long time ago and at least the opening animation could have been new age for this budget. Where did the 85 crores go?!
Opening comic strip of a giant man - copied from "Attack on the titans" (Shingeki no Kyoujin), along with the action in the comic. Rajinikanth's iconic pole fight before home in Baasha is also copied, only difference is Manikkam asked his sister to go in and here, the people are asked not to go in(!) I do not know what to say... Korean film "Tower" was copied a lot in the second half, particularly in the climax. Throughout, "Agent Jun" also seems to have influenced a lot. The one star is for the comedy with Yogi Babu who pulls some serious faces here. (Some YouTubers are also funny for a few minutes) The heroine is more like a waste baggage character, although the actress tries to act sometimes and fails. The entire sister's problem arc is unresolved, which is deeply disappointing and the film just keeps following random tracks behind a thin concept. This is not a super hero film, as no explanations or super powers exist. Maybe the message is to kill off the dreams of anyone who tries to make anime in India. The film is not worth the watch time and the action is awful... Particularly in the climax. All scenes are predictable and characters are one-dimensional. I do not understand why "Mandela" director made such a disaster. Maybe to pamper the actor's fans with a delusion that this is "mass". The one scene where the princess is sketched as the heroine is an utter flop, as the heroine looks worse than the previous sketch. Moreover, such "Kanni theevu" style of sketches were dead a long time ago and at least the opening animation could have been new age for this budget. Where did the 85 crores go?!
Worst music, no proper story. Waste of money n time spoiling the mood. People please don't waste your time by watching this worthless movie. First half is managed, second half is worthless.zero role for heroine that could help the story though she is a sub-editor. Viewers awaiting for any twist or turn till the end goes a waste as it's a plain story with no much content. Music adds up to the worst part. Villan role is also very pale. Comedian Yogi has done his part well when compared to the rest. Over all a worthless creation. Public pls be aware and spend you time money etc for something good.thanks.
Sathya is a cartoon artist, son of a social fighter. He uses all the bravery in the cartoon stories, but in reality he is a coward. The first half narrates his character, how they are moved to a new multi-story building built for slum people. They experience poor building quality with complaints piling up. Sathya uses this as content for his cartoon. Nila, sub-editor of a leading newspaper, gave the job of cartoonist to Sathya. When she realised the poor built quality of the building, she was not able to publish on the same due to political pressure. Once, the building engineer misbehaved with Sathya's sister, and with anger he would go for a fight, but in turn he would be teased and get a beating. His mother Saritha would scold him for his incapability. Not able to accept his cowardice, he decides to commit suicide. Thinking of his family, he decides not to die but, an accident will happen and he'll get a head injury. He will revive from death suddenly post accident with the voice in his ear. He'll experience auditory hallucinations with instructions about what to do. With this, how he saves the people from the building collapse, how he fights the politicians and rowdies, what happens to him in the end is the rest of the story. Overall, the storyline is a new concept. The first half was fast and engaging, the second half was a bit slow and dragging. Yogi Babu and Sivakarthikeyan managed to crack comedies throughout the film. Saritha and Myskin played well. The role of Aditi Shankar is less. Overall, this is a family comedy entertainer worth watching in the theatre.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.