Ryôhei Watanabe
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The جريمة film Melancholy, starring Keito Akutsu, Aya Ayano, Coco, etc., directed by Ryôhei Watanabe, was released on February 5, 2021 in اليابان. It tells the story of Koharu holds down a public sector job and does it well. Then disaster strikes. Her family and home are stricken. She is personally affected when her man lusts after other women including a co-worker of his. A white knight appears who is willing to be with her, love her and marry her. What happens next is no Cinderella story however. This is a جريمة, دراما, أُحجِيَّة film with a runtime of 114 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 360 viewers.
Ryôhei Watanabe
بدور Director
Keito Akutsu
بدور Wataru Yokoyama
Aya Ayano
بدور Reina
Coco
بدور Hikari Izumisawa
En Ikoma
بدور Asuka Yamada
Ryo Ishibashi
بدور Masaaki Fukuura
Yuki Mamiya
بدور Mami Yamada
Bokuzô Masana
بدور Kameoka
Kenta Matsushima
بدور Seki
Atom Mizuishi
بدور Hiromu
Shiori Nozawa
بدور Kurumi Kobayashi
Saki Takamatsu
بدور Koharu Fukura (young)
Kei Tanaka
بدور Daigo Izumisawa
Tao Tsuchiya
بدور Koharu
Anna Yamada
بدور Chinatsu Fukuura
Rikako Akiyoshi
بدور Writer
Ryôhei Watanabe
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
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فيلم جيد!
I really wanna know who comes up with stories like this, who approves big-budged, big-stars movies for them, and who the target audience is supposed to be. So the movie is kinda like a two-tone movie, with the first 45 minutes being somewhat of a romantic comedy and the rest of the movie being quite different. I don't have a problem with that. The problem is that after we start getting introduced to the idea that "something is wrong", the behaviour of the characters starts to make less and less sense. I get it that a character can be revealed to not be who they seem to be during the story; but is the main character, who for most of the movie is depicted as nothing but a benevolent heroine through and through, also supposed to turn psycho and literally murder a whole classroom (or perhaps a whole school) of innocent elementary students? Like, WHAT THE FUG, really? What is the audience supposed to feel? What's the intended emotional response for the makers of the movie? Disgust? Confusion? Regret of spending two hours watching this crap? If that was the goal, congratulations to the director/screenwriter, because I feel all of those things. And beyond the shock ending, the story as a whole doesn't really make much sense. We are told that the father of the family has experienced some trauma with his mother as a kid, okay, but why or how this trauma is still somehow lingering over him and even more so his daughter, is not really delved into. And what's the deal with the ex wife? What's the deal with the weird painting, why do they put super creepy eyes on their family portrait? What the real deal with the infantile regression? What's the deal with the daughter having a sudden change of behaviour from one scene to the next? What's the deal with their left ears? Yes the father was slapped by the mother and almost became deaf from the left ear, but why would the daughter have that trauma too? We can only speculate, but I don't think a good story leaves so many plot holes. I can take a shock ending or a complete change in direction for the story, but it has to make sense. The characters in this movie didn't make much sense and their story is hardly well explained.
Not even Tsuchiya Tao could save this movie. As the other reviewers have mentioned, the first half and second half of the movie has a different tone. First half seems to portray a cheerful character who has moved on from her past. The second half seems to be a film with psychotic family squabbles and trouble. Perhaps one has to be Japanese to understand the context? (since I'm not). But if this film resonates with the Japanese, it should garner more attention, right? The storyline is not just overzealous, but utter ridiculous story writing that makes cheap, jump-scare horror movies seem like Oscar-winning material.
Dropped out after 30 minutes, fast worward a little, didnt see anything i liked .. bad acting, bad directing, bad writing.. i dont care about the rest.
I decided to watch this Movie, based solely on the Poster, and the Storyline. Although it was filed under the genre of Crime, as it unfolded before me, there were enough elements in it to pass under the genre of Horror. I enjoyed it, because I felt the impact made by the Characters, and the way the Story was told. (Warning, if you are very particular about every single small detail shared in a Movie itself, then this Movie is not for you, because you will probably feel that it tries to do too much.)
Very difficult to understand what is going on. It seems the 8 year old daughter kills a student, parents accuse school of bullying the daughter over PA, somehow girl dies (not clear how/by whom) and parents inject insulin into all the students and kills them all.
Don't let the first 45 minutes fools you. This is no romantic drama nor family drama at all. This deals with the deepest and darkest of every couple's heart: family Does your family come first? Does your spouse come first? Does your child come first? And how do you rate yourself as a spouse and a mother or father? Does your past define you as a person?
فيلم جيد!
فيلم جيد!
فيلم جيد!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.