Olivier Megaton
بدور Director
The TV series Monsters Inside: The 24 Faces of Billy Milligan, created by Brice Lambert and produced by an unlisted studio, first premiered on September 22, 2021 in الولايات المتحدة. The series spans 1 season with 4 episodes, featuring the voices of Billy Milligan, Bobby Lacer, Gary Schweickart, and Cornelia Wilbur. It follows the story of In the late 1970s, an accused serial rapist claims multiple personalities control his behavior, setting off a legal odyssey that captivates America. This is a فيلم وثائقي, جريمة series and has received a rating of 6.3/10 from 5,327 viewers.
Olivier Megaton
بدور Director
Billy Milligan
بدور Self
Bobby Lacer
بدور Police Archive Man
Gary Schweickart
بدور Self - Billy's Public Defender
Cornelia Wilbur
بدور Self - Psychiatrist
Jacob Spicer
بدور Billy Milligan
Christian Schmook
بدور Billy Milligan
Kathy Preston
بدور Self - Billy's Sister
Bob Ruth
بدور Self - Journalist at the Columbus Dispatch
Sheila Porter
بدور Self - Psychologist
Frank W. Putnam
بدور Self - Professor of Psychiatry
Allen J. Frances
بدور Self - Professor of Psychiatry
Dorothy Moore
بدور Self - Billy's Mother
Jay C. Flowers
بدور Self - Judge
Jim Morrison
بدور Self - Billy's Brother
George Harding
بدور Self - Psychiatrist
Bernard Yavitch
بدور Self - Prosecutor
Tom Brokaw
بدور Self - Host, NBC Nightly News
Judy Stevenson
بدور Self - Billy's Public Defender
Brice Lambert
بدور Writer
Olivier Megaton
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
فيلم جيد!
فيلم جيد!
فيلم جيد!
فيلم جيد!
You know 20 min in that they unnecessarily dragged this out for length. The method of story telling is not done well and they honestly make this story uninteresting. I agree with all the reviews stating the editing is terrible and has no flow whatsoever.
It was long drawn and it got boring going nowhere. It seems like a story that could be told much faster. But I won't even read about it on Wikipedia.
What's most pathetic is the constant disregard for Billy's countless victims- from his siblings, to 'friends', to doctors, etc., absolutely no one outside of law enforcement bring themselves to mention the victims who suffered mightily due to their collaborative and gross ignorance. Multiple personalities or not, due to the ineptitude of countless doctors, this absolute abomination brutally murdered and raped people and his sister cannot even be bothered to recognize whether or not one of his innumerable victim had ever been found. His 'friend' who drove him to Colorado should have faced charges and this nonsense of multiple personality disorder was used by this horrific person to escape countless counts of serious crimes and face actual punishment. Along with ridiculous and scattered editing and this was almost impossible to watch without nausea medication.
I could only stand watching this for ten minutes or so. Perhaps there's an interesting story in this documentary, I will never know. Then again, judging from the first ten minutes alone, this documentary seems fragmented and poorly structured, jumping all over the place. The annoying cinematography (ooh Dutch angles and going crazy with Lumetri Color is so rad, man!) of the reconstructions was only surpassed by the idiocy of the editing, which must have been done by an intern after a long night bumping rails. I don't know why I'm so surprised considering that this flaming pile of garbage is made by a hack director with the ridiculous name "Megaton" who, unbelievably, has made a career out of churning out garbage.
What a mess. As my boyfriend and I were watching we kept thinking (especially regarding the interviews): "What's up with these old, awful-looking buildings set up as backdrops?!", "What's up with these French psychologists that seem to have NOTHING to do with this specific case (and are speaking French no less while everyone else is speaking English?!) and lastly... "If Netflix is going to make another docu-series that could have been an hour and a half long documentary... they could have more background on the victims (and the victims families) and THEIR stories." (Perhaps the victims/families wanted no part in this documentary... which I would understand.) I would also like to mention my boyfriend fell asleep before the end of the first episode, which says something considering he's the type that LOVES true crime stories. I do too... so I kept watching... but tbh I had a hard time staying awake as well. While the story itself is very interesting... the HORRIBLE editing and bad direction lost me... SO MANY REPETITIVE SCENES. Like, we get it!!! One of the worst editing with regards to a documentary on Netflix to date (IMHO). HOWEVER... To the family members involved in this... for giving their time and testimony... I thank you so much... because you provided a lot of insight.
I've only seen the first episode and would have turned it off but it was so bad I had to continue. The interviews are over lit, overexposed and the skin tones are unflattering. The director is at least consistent in the style of making his subjects head blend into the background or placing them in front of a window that the sun is shining through. The woman in the bank vault was top lit making her look like her eyes were removed from her face. I bet she is pumped about this. Also, what are these locations and the framing? I have a great idea, let's put a journalist in a tight hallway of a jail for no reason! There is one interview with a guy in what appears to be a restaurant where I saw them use 4 different colors of light: green, blue, yellow and magenta. It's like they found a grip truck that had been robbed and stripped for parts and just used what they had leftover. But seriously every shot is overexposed and over saturated to the point where people either look dead or like they have jaundice. As for the editing, I had to look away as I was getting nauseous from all of the cuts, zooms, shakes, focus pulls and flares. We get it. You have a few tricks and you like to use them all at once. I couldn't even pay attention to the story due to the visual onslaught of disjointed effect heavy trash. All I took away from the story is that this Billy guy had a few personalities so they decided to interview a bunch of older folks in randomly chosen locations that make no sense. That's about all I got from the first episode. If you like watching train wrecks, you'll love this. Honestly couldn't find a single shot that wasn't dreadfully amateur. Even the B roll was bad. The best footage in this was from the 1970's and heavily deteriorated.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.