Nathan Crooker
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The رعب film راديو الكابوس: المطارد الليلي, starring Paula Brasca, Agustin Olcese, Valeria San Martin, etc., directed by Nathan Crooker, was released on April 18, 2023 in Argentina Republic. It tells the story of كاندي هو دي جي راديو يعمل في وقت متأخر من الليل مع برنامج حيث يتصل به الناس لإخبار قصص الرعب الحقيقية لها. يبدأ أحد مستمعيها في الاتصال بها بإلحاح. يكتشف كاندي بسرعة أن هناك علاقة غريبة بينهما. سرعان ما ستكتشف إلى أي مدى يرغب معجب مهووس في الذهاب إليه. This is a رعب film with a runtime of 79 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 3.6/10 from 378 viewers.
Nathan Crooker
بدور Director
Lorcan Finnegan
بدور Director
David M. Night Maire
بدور Director
Adam O'Brien
بدور Director
Mia Kate Russell
بدور Director
Ryan J. Thompson
بدور Director
Paula Brasca
بدور Candy
Agustin Olcese
بدور Jack
Valeria San Martin
بدور Mary
Michael Lorz
بدور Nicolas
Sean Weil
بدور Patrick
Nancy Nagrant
بدور Katherine
Pooya Mohseni
بدور Eartha
Andrew Fleming
بدور Chad Winchester
Shannon Lahaie
بدور Sarah Davis
Meghan McNicol
بدور Mary Weaver
Sophia Davey
بدور Liz
Cassandra Magrath
بدور Ellie
Christopher Kirby
بدور Marcus
Amy Bradney-George
بدور Samantha
Taz Pereyra
بدور Writer
Camilo Zaffora
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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source: Nightmare Radio: The Night Stalker
I have a soft spot for horror anthology films. Even though I saw this had a terrible rating going in. I expected it to at least somewhat be above what is claimed. After all, many of the films I've liked had not so good ratings. Not to many as low as this one though. This movie takes place from the perspective of a radio station host having callers tell scary stories. I've even watched movies before with the exact same concept and they were okay. This one? Horrible. The stories are laughable and hardly make any sense. They come across more like concept playing or brainstorming than something that was intended for an actual movie. The acting is so bad too. Just wow. I've been watching nearly a movie a night in 2023 and here in September this title has without question been the worst film yet.
Nightmare Radio: The Night Stalker (2023) is a movie that I recently watched on Prime. The storyline follows a horror radio-show host that has callers dial-in and tells her true horror stories they have experienced. When one of the stories involve her, she's sucked into the tale whether she wants to be or not... This movie is codirected by six different directors who create different segments and stars Agustin Olcese (What the Water Left Behind: Scars), Paula Brasca (Focus), Pooya Mohseni (Remote), Michael Lorz (Gotham) and Nancy Nagrant (Delivery Man). This was actually a pretty good concept for a horror anthology and the premise is set up pretty well. Like most horror anthologies some episodes are better than others. There's good background music to create intensity. The first and last segments were the best to me. I enjoyed the fox storyline and the ultimate radio show host plot. Unfortunately, the hospital CGI used in that segment was disappointing and "The Shining" moment with the ax was a bit cliche. There's some thing in here to like and some sequences that fall flat. Overall, this is an uneven horror anthology with some worthwhile elements and its fair share of misses. I would score this a 5/10 and only recommend it to diehard horror fans.
Nightmare Radio: The Night Stalker is an anthology film, with an overarching narrative about a female dj, who hosts a late night radio program about real life horror stories. Each installation of the anthology is presented as a recreation of a story put forward by one of her listeners. With the running narrative revolving around a repeated caller...who has been overcome by obsession- in stalker like fashion- because she ditched him at a bar once, after he had boughten her a drink. The first short is about a woman who turns into a kitsune, while living in a loveless marriage, in an abandoned subdivision. The second short is about a director getting a tour of a haunted sanitarium in West Virginia. The third short is about a woman who chases down a man she thinks has kidnapped her sister. While the last short is about a family of murderous vintners. The best part about this film is definitely the shorts. With the last short being the most interesting. The main bit is honestly kind of stupid. And almost unnecessary. I think I would have liked it more if she was fashioned more like a cryptkeeper type narrator. But, with it's short runtime around 80 minutes, it's not a bad little film. Despite the mediocre CGI it entails. While certainly watchable...I definitely wouldn't go out of my way to see it if I were you. 3 out of 10.
Horrible. Quite simply, horrible. Whomever directed this trash should be run out of the studio, never to return and never work again. The movie is interminably slow. Think molasses in the projector slowing the action down to a crawl. The "director" is clueless on how to direct a movie. And I mean clueless. It's almost as if they gave a monkey a camera and turned him loose with the actors -- who by the way are pretty bad themselves. Then there's the writing. What writing? There is no story. Even the title makes no real sense. This movie should be set aside and every copy destroyed. It's THAT bad. Trust me.
These compilation type movies are nothing new. Think of the Twilight Zone movie that has an overarching story with little episodes dotted inside. The individual stories vary in quality but are generally well put together and will hold your attention. The main story isn't particularly original but it's the quality of everyone involved that make it a decent attempt at the genre. I will admit that the production does show its limitations on occasion but these are mainly due to budget. This is not a polished Hollywood blockbuster but does maintain a creepy and eerie feel throughout its runtime. Definitely worth a look.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.