Richard Driscoll
بدور Director
English,Filipino,Français,Indonesian,اَلْعَرَبِيَّةُ,اُردُو,বাংলা
The إثارة film Once Upon a Time in Hollyweird, starring Tom Sizemore, Cillian Murphy, Eric Roberts, etc., directed by Richard Driscoll, was released on March 1, 2024 in الولايات المتحدة. It tells the story of when Hollywood icon Michael Madsen goes missing presumed dead, they call Rick Blaine (Tom Sizemore) to investigate. A Tarantino-style murder mystery that is, Once Upon a Time in Hollyweird. This is a إثارة film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 1.9/10 from 165 viewers.
Richard Driscoll
بدور Director
Tom Sizemore
بدور Rick Blaine
Cillian Murphy
بدور Self
Eric Roberts
بدور James McMurray
Crispin Glover
بدور Self
Michael Madsen
بدور Self
Harvey Keitel
بدور Self
Roy Scheider
بدور Self
Kate Ashfield
بدور Self
Linnea Quigley
بدور Lyn Halsey Taylor
Rich Hall
بدور Artist
Donna Wilkes
بدور Studio Manager
Nick Bartlett
بدور TS Stand in
Fergus Rattigan
بدور Tim Flanagan
Abbe Muschallik
بدور Louise Carter
Lucien Morgan
بدور Freddie Locke
Peter Watson
بدور Police Officer Hitchins
Mark Tunstall
بدور Ted
Richard Driscoll
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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What a mess. Horrible editing, writing, pacing and production. It might have been fun for the crew to make this in a friend's basement with TikTok quality production values, but it is an insult to fans of Madsen and Sizemore, and to their legacies (in my opinion). A rambling, incoherent, fantastical, delusional homage that wildly misses its mark. Maybe years from now this will be looked back on as a cult classic but, despite comparisons to Tarantino's films, this is not worth your time, and nowhere near Tarantino, on any level. If you stick with it, just listen to the dialogue, the variations in mic gain, the self-congratulatory script, the line delivery of unknown actors, and appreciate the desperation and delusion that must have gone into making this. And wonder who decided to distribute this. And, Disney, check out the opening credit sequence and call you attorneys.
source: Once Upon a Time in Hollyweird
First off I'm going to offer full disclosure, I'm only 33 minutes into this film with 55 minutes left and I had decided to abandon it around the 30 minute mark, but I may eventually finish it. So bear in mind this review isn't a whole overview, but this Frankenfilm is so bad I may not have the energy to make it through all of it. It's very telling that even IMDB lacks this as Tom Sizemores last film and he isn't even listed as being in the film on its own page. I assume it's his last film and that he must have passed away during filming because it's obvious he's in very little of it. 90% of his dialogue so far isn't synced with his lips, or is delivered off camera by a bad imposter or some cheap AI program. They also do the Steven Seagal body double technique a lot which stands out as NOT Tom Size more from a mile away. A typical scene has looped footage of Sizemore smoking a cigarette and interviewing a lead in a diner. All of his lines are mimicked by an imposter and consist of one liners with him never being seen to speak, while the bulk of the dialogue is delivered by the other actor who was obviously alone against a greenscreen. That's cut with far higher quality stock footage of a coffee shop and really cheap after effects and you get a scene choppier than the ocean during a hurricane. The film and the lead both look awful and so far the plot seems to be throwing as many random actors and bad line deliveries at us as possible until something coherent is birthed by accident. Most of the big names are from an unreleased film and consist of archival footage. This is a sad last testament for a great actor like Tom Sizemore, who was a 90s staple until his personal life derailed his career. I wish this film hadn't been "finished at all costs" and put out there. Instead I think it would have been better served as the basis for a documentary on what could have been, like Tim Burtons Superman project with Nick Cage. I really loved Sizemore in most of his projects, but honestly, this feels more like a slap in his face than some tribute. It reminds me of the fake Bruce Lee craze. That's how much reused footage there is of him sitting and fake imposter dialogue is in it in the first 30 minutes alone! I also should say that I could find absolutely no information online about this production, other than the same synopsis across a dozen websites.
This movie reminds us why we put down animals when they're too sick to carry on.. so many acting careers should have been put down years ago when i see this movie.. it's like a fifth grader took his daddy's camera and just improvised. Film has no sense, scenario (is there one ?), movie is badly cut, acting is dead. Please no more ! Just put those old timers down, even pirating this movie would be a waste of time. Don't watch it ! Just don't, even if you can watch it for free, it's time you won't get back ! This movie reminds us every single day why people are not spending 15$ a pop to go to cinema and why the industry is slowly dying because of piracy.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.