Open 24 Hours

🎬2020102h 0mكندارعب

English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ

5.5/106,028 شخصاً قيّموه

شاهد الفيديو

الوصف

The رعب film Open 24 Hours, starring Vanessa Grasse, Brendan Fletcher, Emily Tennant, etc., directed by Padraig Reynolds, was released on November 16, 2020 in كندا. It tells the story of after setting her serial-killer boyfriend on fire, a paranoid delusional woman gets a job at an all-night gas station. This is a رعب film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.5/10 from 6,028 viewers.

أبرز الممثلين

Padraig Reynolds

بدور Director

Vanessa Grasse

بدور Mary

Brendan Fletcher

بدور Bobby

Emily Tennant

بدور Debbie

Cole Vigue

بدور James

Daniel O'Meara

بدور Tom Doogan

Selina Giles

بدور Karen Rogers

Tomi May

بدور Trucker

Glendon Hobgood

بدور Ed

Jovana Miletic

بدور Girl in the Bathroom

Muirenn Brady

بدور Teenage Girl

Connor Catchpole

بدور Teenage Boy

Padraig Reynolds

بدور Writer

أين يمكن المشاهدة

ailok.peLòrdèss Mãggìë II

قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.

موقع التصوير

127A Smithfield Road, Frederiksted, Virgin Islands

الإنتاج

Castle Rock Entertainment

الجائزة

21 فوزاً و43 ترشيحاً إجمالاً

احصل على APK الخاص بـ MovieBox / FM / TV

نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.

مراجعات المستخدمين

Fallén Bii18/07/24 09:38

فيلم جيد!

قطوسه ♥️18/07/24 09:38

فيلم جيد!

Nada bianca ❤️🧚‍♀️16/07/24 00:41

فيلم جيد!

Lòrdèss Mãggìë II16/07/24 00:41

فيلم جيد!

Ansaba♥️11/08/23 16:13

"Open 24 Hours" is a gory one-location, slasher-like, mystery-in-delusion indie horror, working decreasingly well on those levels in that order. Overall, it proved to be an all-around okay fourth horror feature from Padraig Reynolds, an indie director who seems to love the genre and his role in it. Mary (Vanessa Grasse) has been through a lot, having escaped from the life together with a serial killer, and is now trying to start anew, still fighting trauma, paranoia and delusions. She lands a well necessary job in a remote gas station as a nightshift clerk, a place where all that can go wrong, will go wrong. The story, written to twist and turn, in the end turns out rather conventional as most of theories that came to mind took a turn to nowhere. The line between Mary's delusion and reality is continuously tried to be blurred, and everything ends in as much conclusion as in ambiguity, but in either case feeling a little underwhelming. In other words, "Open 24 Hours" 'fizzles out' towards the end as the second half gradually favors simpler tropes and actionable filler. On the other hand, all is well in the horrors taking place in the gas station, for the entire cast provides rather nifty little performances, with the highlight inarguably belonging to Vanessa Grasse. Another satisfying and consistently good aspect of "Open 24 Hours" is its aesthetic coating, built from creative, handsome cinematography and a solid effort by the FX and make-up team. Though perhaps not in excessive amounts, gore hounds will find their desert served extra bloody. On the matters of sound, in my opinion the original score didn't really have an extraordinary touches, as it reminded lot of the musical palette used in a multitude of genre flicks. If musical scores can be described as cliché, this one kind of is. While the set bar of technical qualities of "Open 24 Hours" never seem to diminish, the substance, or story, on a certain level, does. All in all Padraig Reynold's newest hooray in horror is an entertaining (enough) and effortful indie piece, flaws and some lesser turns included. My rating: 5/10.

STEPHANIE BOAFO 💦🦋🥺❤️03/07/23 16:00

This was a nice surprise. I have seen so many horrors lately but they mostly didn't deliver except afew but this one, it did deliver if you do like slashers. I mean, it's main lead is a youngster and so it's made for adolescents but it goes way further than other teen horrors. It starts rather easy and slowly and the viewer is tricked by the fact is it a delusion or real. And so this flick moves further between the two and delivers suspense, creepy moments, jumpscenes and even rather gory moments. The red stuff is all over. And the acting is also way over mediocre so that's a good point too. It reminded me of the new wave of horrorsstarted in 1996 and I would file it in the style of Scream and I Know What You Did Last Summer. I liked this one a lot. Gore 2/5 Nudity 0/5 Effects 4/5 Story 3/5 Comedy 0/5

Ali 💕03/07/23 16:00

I think this deserves better than a 5. Okay, so it's not the most original movie I've ever seen, but it was still done pretty well. The acting was great (Brendan Fletcher is terribly underrated IMHO) and it kept me entertained. Also some really good gore, if that's your thing.

Muadhbm03/07/23 16:00

Seriously, why writers and directors even bother making such boring loop of clichés? Even the music and sound are, seems to be made with low cost stock, not because of the quality but because you heard every bit a million times before, where's your creativity guys??!! The theme's been done a thousand times before and here they don't even bother to be imaginative with the killer (this one was beyond pathetic in terms of originality) or the killings (seen the first one? they're all the same!! Where's the fun? Where's the meaning of this movie, did you enjoy making something so mediocre and stupid? Two stars and I'm being generous, they go towards the photography which is definitely the strongest point and some of the acting. I'd honestly be ashamed only to present a script like this to anyone. Low budget should push indie directors/writers to use their brains, not just copy-paste mediocre scripts and go film. What a waste of a production. What a lack of creativity. I'll mark this director/writer to avoid in the future.

Namcha03/07/23 16:00

Only if you love slashers you're going to find some substance watching this movie. It has several nice deaths and the setting is pretty cool. On the other hand weak script, acting and storyline. So, overall just an OK b type slasher.

Phindile Gwala03/07/23 16:00

Does well blurring the lines between what is a ptsd hallucination and what is happening in reality. Good pacing with the main character's history slowly being unravelled throughout the first half. Some surprises along the way plot wise were great. Nothing too creative with the gore and some of the fighting scenes are very nonsensical. Not a fan of open-ended endings but overall a fine production and engaging horror film.

توصيات بأفلام مشابهة

المدونة

الأنواع الشائعة

كوميديا

صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.

أكشن ومغامرة

تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.

جريمة وغموض

تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.

خيال علمي

يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.

رعب

يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.

رسوم متحركة

تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.

رومانسية

تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.