Usher Morgan
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The جريمة film فضلات, starring Elyse Price, Joe Trombino, Joel Bernard, etc., directed by Usher Morgan, was released on August 3, 2018 in الولايات المتحدة. It tells the story of يعندما يحاول أحد أفراد العصابة المختطفة و عصابته من البلطجية هز حانة في الحي ، سرعان ما يواجهون غضب مالكها - أم جنوبية غامضة مع ماض خطير. This is a جريمة, إثارة, غربي film with a runtime of 103 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.8/10 from 1,146 viewers.
Usher Morgan
بدور Director
Elyse Price
بدور Jo Lee-Haywood
Joe Trombino
بدور Jimmy Marcone
Joel Bernard
بدور Boone Pickens
Yaron Urbas
بدور Sam 'Hollywood' Barone
James Allen Bruccoleri
بدور Slick Mick
Jase Egan
بدور Random Henchman
Michael Tyler
بدور Tommy O'Connor
Megan Corry
بدور Linda Mars
Jane Wirth
بدور Jennifer Mars
Katie Vincent
بدور Scarlet Lee-Haywood
Samantha Zaino
بدور Emma Lee-Haywood
Christopher Liam Gentry
بدور Dawson Lee-Haywood
Reese Grande
بدور Lily Lee-Haywood
Taso Mikroulis
بدور Marvin Lee-Haywood
Mars the Kitten
بدور Sparkles Lee-Haywood
Mike Mazzilli
بدور The Mop
Taso Zouroudis
بدور Frenchie
Taso Zouroudis
بدور POV Kidnapper #1
David Carlone
بدور Bobby Boy
Usher Morgan
بدور Writer
Katie Vincent
بدور Writer
Karleah J. Morgan
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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فيلم جيد!
source: Pickings
After the first 40 minutes of art breaks, vauge plot revelations and gratuitous semi violence I was ready to pack this heap in. The acting if it can be called that, was trite and ham handed at best and willfully stupid at worst. The villan filmed in Black and white cameo was the most thinly scripted ghoul yet. Please don't waste your time on this dreck you may want to kill yourself before the end - much like the cast and producers should have done early on.
At first I didn't really warm to the movie, the first few minutes proved to be coming from a jagged, low budget perspective... Yet somewhere lurking was a Tarantinoesc bombshell that went from lukewarm to boiling hot and easily could have been far darker than it actually was. What could have been a horrific ending up being dark poetry. The direction, continuity and acting sometimes felt a little lacking, but it's easy to forgive as everyone seemed very genuine and all those involved are likely to mature into making a higher production value despite the low budget. All in all, it felt more authentic than many big budget movies that wow us with CGI and global actors that earn millions. Personally I will keep my eyes open for more from Usher Morgan...
The intro scene was captivating with it's mood and colours. But after that, it became a mess. The director has painted the villains black and white like Sin City but the pacing is off, a bit too slow and never really gets your attention. I get that this is low budget but with skill, it should engage the audience and sadly it failed to do this. Other scenes they used soundtrack Eric throws the mood continuity of the movie and it now felt like a mish mash of music videos that makes you wonder what is this movie trying to show??? After 20 minutes, I still couldn't figure it out and the acting has just become worse and amateur that I decided to turn this off. So here I am writing a review to warn you that you can waste your time on something better.
As someone who considers himself a fan of independent films, and genre films in particular, I found a lot to enjoy in this movie. It's a mixture of film noir, spaghetti westerns and comic book genre films like Sin City and 300, all that made behind the mask of a super-stylized independent film. The visuals, editing and acting was all top-notch. The story was gripping, and the main character of Jo was bad-ass! Fans of niche genre films would love this movie.
This was front loaded with fake stars but it is a completely clumsy snooze in reality. This isn't even a B movie but someone seems to have thought that they were making a hip masterpiece the way it focuses on being artistic and full of technique. Someone should have pointed out that they were supposed to be making a movie with a plot and that made some sense in someway, being interesting would have helped.
When I went to see this movie, I did so because it had a 7/10 rating. I had expected it to be a good movie, but what I was met with was a trope and cliché filled attempt at a revenge film by a director/writer who is trying way too hard to be Quentin Tarantino. Imagine Tommy Wiseau directing "Kill Bill" and you would get something in the vicinity of this movie. It's been a while since a movies dialogue made me cringe this badly. I feel it is my civic duty to warn others away from seeing this, so I made an IMDb account with the sole purpose of writing this review. That is how disappointed I am with this film.
It's an OK film at best. Could be good, if it weren't a huge Tarantino ripoff, especially of Kill Bill. I mean even in small details like the coma of the main character. That's beyond reference for me, it's just lazy writing. Also the whole vibe is "tarantinesque", like same camera angles, old western-like soundtrack, titles for characters on screen and overall style. New filmmakers should be original, or at least try to. Otherwise what's the point? To do something that someone already did? ... Although I usually like some, there are waaay to much musical bits, to the point it gets annoying. Like watching a sequence of music videos, while you just want the story to flow. Beside all that, there are one or two cool things in it. Not enough to really recommend it. Many great films were made with shoelace budgets, that is not an excuse. And this is not one of them.
Refreshing off the beaten Hollywood path kind of movie with interesting characters and lots of action. Good acting and good music. It's like meeting your cousins from the country for a weekend of beating the crap out of the neighborhood bullies. Recommended.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.