David Barker
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ
The جريمة film قوّاد, starring Ella Scott Lynch, Benedict Samuel, Heather Mitchell, etc., directed by David Barker, was released on February 5, 2019 in أستراليا. It tells the story of تدور احداث قصه فيلم الاثاره Pimped 2018 "" حول اثنين من رفاق ملتوية جذب امرأة غير متوازنة في فخ الجنسي ، مع نتائج قاتلة. This is a جريمة, دراما, إثارة film with a runtime of 90 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.6/10 from 958 viewers.
David Barker
بدور Director
Ella Scott Lynch
بدور Sarah Montrose
Ella Scott Lynch
بدور Rachael Montrose
Benedict Samuel
بدور Lewis Blake
Heather Mitchell
بدور Sophia Hanson
Lewis Fitz-Gerald
بدور Michael Hanson
Robin Goldsworthy
بدور Kenneth Hanson
Skye Saulton
بدور Mia Hanson
Sean Barker
بدور Paul Hanson
Lauren Orrell
بدور Melanie
Emma Potts
بدور Lieka
Camilo Coronil
بدور Day of the Dead Man
Carma Sharon
بدور Day of the Dead Woman
Edward Nell
بدور Bartender
Daniel Wilson
بدور Business Man
John Burke
بدور Bar Drinker
Davo Hardy
بدور Extra
Danielle Jackson
بدور Self - Dancer
Melanie Gail Stirling
بدور Bar Patron
David Barker
بدور Writer
Lou Mentor
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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2018 Australian made mediocre thriller. A schizophrenic woman and a man who would kill for wealth meet at a bar. The man is actually pimping a rich man. He seduces the woman himself and offers it to the man. After that, things don't go as planned. Cheap acting, simple script. Everything is clear from the beginning. There is a love scene. --- spoilers --- Kenneth's parents can't ask, what are you doing in this house? --- spoilers ---
Fair writing. Grisly, with some mild humor. Lots of muscles on the heroine; who is the typical 21st century "strong" female etc. I suppose we should believe that rapists deserve death. At least we're supposed to.
Two housemates, Lewis and Kenneth, befriend a young woman, Sarah. Their motives are selfish and malevolent but seemingly-fragile Sarah might just have a surprise or two in store for them. I had low expectations before watching this but was impressed initially and with the plot development. Some interesting, unexpected turns of events, gritty violence, a tight plot and dark atmosphere made for reasonably compelling watching. Unfortunately, however, writer-director David Barker could not sustain the quality throughout (despite the short running time) and things fizzle out towards the end. A great pity as it promised so much at one stage. Ultimately it is quite disappointing.
Henry Lewis Blake (Benedict Samuel) picks up women for his less attractive roommate (Robin Goldsworthy). He picks up a Sarah (Ella Scott Lynch) who has mental issues and an imaginary alter-ego who eggs her on to be more daring. The evening did not go as planned for either one as it develops into a dark comedy where two people who distrust each other are forced to come together to cover up their misdeeds. It was a short film that was well done, although it lacked the one or two over-the-top scenes to carry the film to cult status. It does have a "Lynch" in it. Guide: F-word. sex. nudity (Ella Scott Lynch).
This movie is garbage. Completely predictible and boring beyond belief. Poorly written and even more poorly directed. Who actually gave this guy money to make this? You should have just sent a was of cash to the refuse bin.
Is is a fantastic movie, where one minute you gasp in shock and wonder what will happen next. Then you laugh out loud because of the subtle and dark humour well distributed throughout. The movie will play on your mind for days, and you will be asking yourself many questions and ponder about who is the psychopath. Just brilliant!
Pimped is tightly scripted thriller, surprising me with it's themes. I wasn't expecting a genre film that dealt with issues of identity, while also building to a climatic end based around the abuse of a woman. Ella Scott Lynch is remarkable in her roles, so too Benedict Samuel. I saw this in the cinema in Sydney and it has stayed with me since. Beautifully shot with a soundtrack that was intense and minimal at the same time. This really moved me on a number of levels.
"A stylish subversive treat, a bon-bon spiked with ground glass..." - FilmInk "Utterly, creepily convincing" - The Australian "Slick ripper...thriller" - Jim Schembri 3AW This film is not for everyone. It's a highly stylised genre piece, which asks the audience to think more ... to consider what if? Who can you really trust, who do you really know? Fans of "You" will enjoy the psycho thriller aspect, fans of "Gotham" will enjoy seeing Benedict Samuel (Mad Hatter) wrecking havoc. Read the critic reviews - they get the themes and discuss in an intriguing manner.
A lot of the negative reviews here just completely miss the mark; they're either unable to interpret what is happening in this film or just incapable of recognizing a solid movie. Pimped isn't flawless but it's a solid film that delivers an intriguing plot, two nicely twisted main characters, and fairly realistic circumstances. Why it's called Pimped I'll never know. It has nothing to do with pimping or prostitution. Others have summed up the storyline pretty well and you can see it's a dramatic thriller about a woman getting revenge for a rape...and much more. I will agree that it doesn't have the truly fantastic scenes that put you on the edge of your seat, but as a low-wattage drama it has plenty of interesting turns, peaks and valleys. The acting, direction and production values were all top notch. And unlike some others--even some who still liked the movie--I really liked the ending!
How different and challenging life can be, for women and for men , in sickness and in health. this is a psychological horror thriller, that starts off very slow burning, so you sit there flipping coins, shall i leave it or not.... because it is in the second half it really takes off to become mental and quite nasty. there are psychopathia, quite a few actually, but can you guess who??? it is a film with few location, quite spartanic equipted apartments and houses, the story must have been written on a paper napkin, and the sound product is a mess. there are a few murders,and they come fast an abrupt prescice and very bloody. there are also a very strong alter ego,that really plays an important part in the plot. so when the pimp gets pimped by the pimp who is then the pimp. its a bit slow, but it is watchable and fine for those who likes it a bit burlesque, a small recommendation from the grumpy old man
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.