Larysa Kondracki
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ
The TV series Rogue S1-S4, created by Matthew Parkhill and produced by an unlisted studio, first premiered on April 3, 2013 in الولايات المتحدة. The series spans 3 seasons with 30 episodes, featuring the voices of Cole Hauser, Thandiwe Newton, Sergio Di Zio, and Sarah Jeffery. It follows the story of تعذب جريس ، المحقق السري ، بسبب احتمال أنها قد ساهمت في وفاة ابنها الغامضة. أثناء محاولتها الكشف عن الحقيقة ، تتورط في مجرم خطير. This is a فعل, جريمة, دراما series and has received a rating of 6.9/10 from 3,586 viewers.
Larysa Kondracki
بدور Director
Jeremiah S. Chechik
بدور Director
Clement Virgo
بدور Director
Robert Lieberman
بدور Director
Jeff Renfroe
بدور Director
Nick Hamm
بدور Director
Martin Donovan
بدور Director
Paul A. Kaufman
بدور Director
John Alexander
بدور Director
Wayne Rose
بدور Director
Michael DeCarlo
بدور Director
Mike Barker
بدور Director
David Frazee
بدور Director
Peter Howitt
بدور Director
Jon Jones
بدور Director
Brian Kirk
بدور Director
Nick Murphy
بدور Director
Julian Jarrold
بدور Director
Anand Tucker
بدور Director
Shawn Piller
بدور Director
Jason Stone
بدور Director
Cole Hauser
بدور Ethan Kelly
Thandiwe Newton
بدور Grace Travis
Sergio Di Zio
بدور Patrick Finnegan
Sarah Jeffery
بدور Evie Travis
Richard Schiff
بدور Marty Stein
Sarah Carter
بدور Harper Deakins
Derek Luke
بدور Marlon Dinard
Kevin Hanchard
بدور Nate Lowry
Ashley Greene
بدور Mia
April Telek
بدور Donna
Nancy Palk
بدور Betsy
Joshua Sasse
بدور Alec Laszlo
Kavan Smith
بدور Tom Travis
Leah Gibson
بدور Cathy Laszlo
Martin Donovan
بدور Campbell
Marton Csokas
بدور Jimmy Laszlo
Meaghan Rath
بدور Clea Annou
Andrea Roth
بدور Marlene
Matthew Parkhill
بدور Writer
Allison Intrieri
بدور Writer
Jason Grote
بدور Writer
Ira Parker
بدور Writer
Rachel Borders
بدور Writer
Michael S. Chernuchin
بدور Writer
Lawrence Kaplow
بدور Writer
Daniel Goldfarb
بدور Writer
Matthew Newman
بدور Writer
Annmarie Morais
بدور Writer
Lizzie Mickery
بدور Writer
Jesse McKeown
بدور Writer
Michelle Lovretta
بدور Writer
Angus Fraser
بدور Writer
Michelle Paradise
بدور Writer
Tracey Forbes
بدور Writer
Avrum Jacobson
بدور Writer
Matt Jones
بدور Writer
David Handelman
بدور Writer
David Maples
بدور Writer
Robert Munic
بدور Writer
William Schmidt
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
نزّل أحدث حزم MovieBox للجوال وإصدارات FM ونسخ APK المتوافقة مع التلفاز. اختر الحزمة المناسبة لجهازك ومنطقتك، ثم اتبع دليل التثبيت الرسمي للحصول على أفضل توافق وأمان.
French version plz
The season 3 pls 🙏
Hi, please can you load season 3 of Rogue. Thank you
Please can I get the season 3
i found it to be gritty and entertaining. Its a slow burner that gets better with each episode. Its kinda funny that the 2 leads are played by a Brit and a kiwi. but their accents are spot on, i hope it gets a 2nd season. Jimmy's character is also quite interesting. It would give more background if we got flashbacks of his life, before he became a mobster. Writers could also add more dimension to Grace's character by showing her life before the tragedy. Its violent and has just the right amount of nudity(frontal). I like the family dynamics of jimmy and his boys and crew. I would like to see how far they can take these characters, also like to see more of Alec, and his relationships, most especially with his wife. I would love to see more information about her.
It is VERY artsy-fartsy...but it has a great story line, well developed characters. It's not for the NCIS, Hawaii Five-0 crowd. It has great action, both cars and pyro. It twists in all directions. It is believable. The Oakland area is filmed very artistically. Martin Csokas is even more brilliant than in his role in Falcón. Thandy Newton shows RAW emotions, either as Jackie or Grace. Grace doesn't know who she is any longer, she has been Jackie too long. I look forward to seeing how or who is going to *F* things up each week. And remember this is all about Who killed Grace's son and why!!! It feels a little like the show "The Killing" more Canadian,less Scandinavian.
Rogue is a cop drama with a female lead that would have been an acceptable low budget foreign film. The stilted dialogue and overplayed stereotypes would be understandable, if English was a second language and knowledge of United States culture was learned second hand. Sadly, Rogue was produced in the United States and the cost of shooting in L.A, combined with the cinematography, suggest large amounts of money abundantly misspent. The acting is stiff, at times, most noticeably from the lead (Jackie/Grace) but, offenders are plenty. The story has one or two compelling threads but, is rife with cliché and poorly crafted nonsense. Some examples: All male police officers are lazy, stupid and/or corrupt; all "passionate" sex scenes are rough, quick and angry; the "house husband" is without spine; for the first two episodes, the emotions of Jackie/Grace are irritation and contempt---for everyone. Jackie/Grace lacks a likable, humanizing, redeeming quality. She places her wants and needs before everything and everyone. She lies to manipulate those she is trying to arrest; she breaks and manipulates the laws she swore to uphold and protect; she lies to manipulate her fellow officers; she lies to manipulate her family. Rogue is the story of Jackie/Grace, a selfish criminal, a liar and a bitch. Don't waste your time with her.
If you can just grin and bear the first season, it's worth it. Forget Thandie Newton's charachter, she's duller than dishwater and stupid with it, so just focus on Marty and Ethan and you'll enjoy it.
It took two attempts to get to the end of the first episode - the over-acting and sweary dialogue left me exhausted and not in a good way. When most of the scenes involve shoulder rolling swagger and shouting, it's rarely a good sign in my book. It had real potential re the concept, but like Red Widow hasn't got it right. I preferred RW but its been cancelled. I'm not sure how Rogue can survive as its going up a blind alley very quickly re the characters/plot. It may be burning itself out deliberately as the writers know something we don't. Great opening credits and music though.
Just binge watched the first season, I was impressed, though not perfect this thinking action cop series excels where many bigger, bigger budget shows failed. First they trust that the audience is sharp enough to get the non-tropes storyline despite very sharp shot dialogue. It's sort of the anti-"Breaking Bad" in that way. While Breaking Bad had great stories and wonderful natural feeling dialog, Rogue has clippy stylized (not overtly though) dialogue,that would be suitable for graphic-novel based characters - but it doesn't feel graphic-novel-ish as dialogue goes on, it just feels sharp, and you can look at as many layers of meaning or implication as you do, or do not want. Whether you're a high school drop-out, or have university degrees up and down your sleeves, you can get a rise out of viewing the show. The characters -some particularly good ones in the main and supporting cast, the strong characterizations (all the leads) are very good, and the few less strong ones (the Police Lieutenant is an uneven portrait)don't drag it down that much. Between great casting strong writing Big kudos to the Show-runner! (For the Brits, that's Yankee for "Executive Producer") - for those interested, in the movies "Executive Producer" is a relatively lame title demanded by everyone of the sister of the person who held coffee for someone who helped bring a bit of money, or was in the chain of people who helped secure a big star feels a self important need for an "Executive Producer" credit. Well, 3 out of 4 of them don't deserve it. In television (in North America anyhow)it is the opposite, the "Executive Producer" heads the writing room, is often the "creator" of the series and the title normally signals real creative and writer-ly responsibility.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.