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It kept the hyperbolic stereotype story telling at bay and captured the nuanced complexity of each experience. The whole cast was incredible. Considering that this was such a departure from her other projects, Aisha was phenomenal. It was funny to see the commonalities between Phoebe and Kat (The Bold Type) lol both being in comms. Was riveted the whole way through, kept on edge with the adroit flash forwards, leading towards an unexpected ending. Brilliant work to hold such a difficult, complicated and sensitive subject matter that even if it involves so many perspectives, didn't feel clumsy or over the top.

I admit I had to steel myself to watch Safe Home, and initially did so mainly because I thought it was such a 'worthy' project. However, while saying Safe Home is 'enjoyable' sounds too flippant, this show is definitely not an 'eat your greens' viewing experience. Of course, it deals with a very confronting topic, but does so sensitively, and delivers its message(s) via well-constructed-thriller and engrossing-workplace-drama plots. In short, Safe Home is absolutely gripping, and really well acted and well written. All the cast are great, and Aisha Dee is superb in the lead. Congratulations to all involved!

My god this was a good mini series. I'm desperate for this to be made into a full series, there are just so many stories that could be told. This show was heartbreaking. It shows you that everyone is in danger of family violence, not matter your age, social class, gender, race...please pay attention to friends and colleagues and when someone asks for help give it to them. In regards to the show, the premise is new and fresh. It's extremely realistic. The acting is very well done, especially by the main actress. It had my attention from the beginning, the mystery had me guessing up until the end. A couple of coincidences but otherwise a great show.

As a male viewer, I was initially hesitant and almost switched off during the first 15 minutes of the opening episode due to the subject matter. However, the exceptional production values, brilliant script, skilled direction, and compelling acting kept me on board, and I'm grateful that they did. This series masterfully builds the drama through its clever use of time cuts. It keeps the audience guessing throughout. The impressive production values and overall quality of the show are a testament to the talent involved. Kudos to series creator Anna Barnes. I'm looking forward to her next endeavour. Highly recommended.

There is nothing new in this show. ALL of these scenarios have already happened, in our communities, around Australia. Be warned, it is confronting. Within the early scenes. If you have experienced violence, be prepared. It is very spare in its depictions of physical violence, and is not gratuitous, but it does not need to be. The threat of violence is just as terrifying. And the trauma and psychological impacts are evident in many of the characters I can't speak to whether the Community Legal Service is realistically represented. But for the different versions of family violence, this is, to my experience, authentic. The situations (plot) and character representations (acting) are entirely convincing. The boiling frog metaphor, whilst only alluded to in this show, is an accurate one. It creeps up on you, whilst at the same time, you rationalise the situation, and the perpetrator's behaviour. I suspect, the more 'clever' you are, the more convincing your rationalisations, to yourself as much as others. The underlying plotline of the 'murder' alluded to in the 1st episode, attempts to depict to the viewer, how we can ALL be taken in. "It can be anyone". I think it is also a challenging thought project, to question yourself, about any assumptions you may have made, before the denouement in the final episode. Yes this is a representation of, predominantly, women as victims. But that is factually accurate. Family violence towards women and consequently, children, is an epidemic in Australia. The institutions we have; Courts/Police/Services, have been identified as part of the problem - as is depicted in this show. For those of you who question its veracity, who propose it 'needs more irony', who think it is 'biased against men', consider your own internalised biases and your capacity for compassion. My hope is that at some point in my lifetime, we have moved on from; desperately needing to represent these stories. To; actually seeing solutions and change within our culture. A time when shows like this become painfully outdated.