James Nunn
بدور Director
English,Filipino,Français,Indonesian,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,বাংলা,ਪੰਜਾਬੀ,中文
The رعب film Shark Bait, starring Holly Earl, Jack Trueman, Catherine Hannay, etc., directed by James Nunn, was released on May 13, 2022 in المملكة المتحدة. It tells the story of مجموعة من الأصدقاء يستمتعون بعطلة نهاية الأسبوع، ويسرقون دراجتين مائيتين وينطلقون بهما في البحر، فينتهي بهم الأمر في تصادم مروع وجهاً لوجه. يكافحون للعثور على طريق للعودة إلى المنزل مع صديق مصاب بجروح بالغة، بينما تتربص بهم الحيوانات المفترسة من المياه أسفلهم. This is a رعب, إثارة film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.5/10 from 5,620 viewers.
James Nunn
بدور Director
Holly Earl
بدور Nat
Jack Trueman
بدور Tom
Catherine Hannay
بدور Milly
Malachi Pullar-Latchman
بدور Tyler
Thomas Flynn
بدور Greg
Manuel Cauchi
بدور The Mexican Beggar
Maxime Durand
بدور Street Cleaner
Daniel Casingena
بدور Beach party guy
William Erazo Fernández
بدور Barman
Ludovica Loda
بدور Beach party girl
Milo McDowell
بدور Swimmer
Mariolys Morales
بدور Beach Party Girl
Joshua Takacs
بدور Spring Breaker
Nick Saltrese
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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Castle Rock Entertainment
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College friends Nat (Holly Earl), Nat's boyfriend Tom (Jack Trueman), her best friend Milly (Catherine Hannay), and remaining friends Tyler (Malachi Pullar-Latchman) and Greg (Thomas Flynn) are vacationing in Mexico during spring break. The morning of their final day, the group steal two jet skis for a joy ride. When the group play a game of chicken injuring Greg and sinking one jet ski while damaging the other, they find themselves stranded in open water with the tide pulling them further away from shore. Things only get worse as a great white shark begins picking off the group one by one. Shark Bait comes to us from British director James Nunn, well known for his low budget action films and thrillers like Tower Block, Marine 5&6, and most recently One Shot, and writer Nick Saltrese who got his start on British TV writer for soap operas such as Eastenders before transitioning to screenwriting with co-writing credit on the biography film A Prayer Before Dawn. Shopped to international distributors during the American Film Market in 2020, Shark Bait (then known as Jetski) was one of the productions filmed during the pandemic in Malta (like Jurassic World: Dominion) thanks Malta's more relaxed Covid protocols. The movie is pretty standard for the type of low budget shark movie you've seen in the likes of Open Water, 47 Meters Down, or even previous years Great White where you strand your cast somewhere in the ocean while periodically having the shark come get them. It's well made enough, but there's very little to this movie and it does little to distinguish itself from dozens of other shark movies. The movie begins with our main characters partying and shouting on the beach with very little character development and it's almost setup like a slasher movie. With Nat being the "good girl", Milly being the "partier", Tom being the "jock d-bag" and Tyler and Greg just being "there"(they don't get anything to distinguish themselves) these are basically kill fodder you'd expect in a slasher film down to the fact the movie even has its own equivalent of the crazy old man from Friday the 13th with Manuel Cauchi's legless beggar character who tells them of how a shark ate his legs. Once we're out on the water with these characters there's really not much that happens and because the characters are so thin personality wise the writers come off with hackneyed cheating revelations to wring some semblance of something happening in the movie. The shark effects look fine in some instances, but when the movie has to do the more elaborate attack sequences you've seen in the trailer the low budget really starts to show with compositing during a chase scene in the climax looking particularly bad or the shark sometimes feeling like it's crudely pasted into a shot. Nobody in the movie is really all that engaging because the characters are so lacking in personality that you don't care when one of them dies and because you're so uninterested it's long stretches of not much happening as we wait for the next kill sequence with about 20 minute waits between the Shark appearing as the shark disappears for no real reason for long stretches (but we know the reason, it's to pad this movie to feature length). Also I know this is a predominantly British cast and crew, but as the group are established as being from Kansas, no American refers to the flashlight function on their phone as "torch". If you're going to make your cast subdue their natural accents, at least commit to it and proofread your terminology. Shark Bait is yet another bare basics shark movie that's just "there", It's not smart or engaging enough to stand out like The Shallows, nor is it campy or cheesy enough like The Meg or Bait 3D to be cheesy fun. It's a movie that takes up time, ends, and then you forget about it. Maybe if you're a die hard shark movie fan you'll find something to appreciate here, but for anyone else just stick to what you know.
Muito bem
Gffh
فيلم جيد!
فيلم جيد!
فيلم جيد!
....
How does these movies get made? Stupid people does stupid things come to mind. And I'm taking about the people who made the movie and not just the characters. I know these characters are suppose to be dumb, but how far and long can you ride a jet ski before it runs out of gas? They ended up in the middle of the ocean with no land in site? You can paddle with your hands. I guess just sitting there with no water and in the burning sun is much better than trying something? The stupid guy lets his gf look at the phone with pictures of him cheating? And lets fight over this phone, because that matters more than living. There is a shark or more in the water, but lets swim for it? I think almost everyone was rooting for the shark by the end of the movie. LOL.
The movie was great and the lead actress (Nat) really did a great job! Her performance was just above all levels. All the cast did great but the lead actress was amazing! I would rate the movie 10 out of 10 if only the creator did one last missing part .. which is Nat's revenge on the shark when it got stuck between two rockets with any weapon .. this should have been the end. Honestly, Holly Earl did make it a much better movie than it really is.
I'll always try a shark movie or an howler. But this one is irredeemable... a good 15 minutes into the movie you'll be rooting for any shark to finish all the cast.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.