Florian Toncar
بدور Self - Member of German Parliament, FDP
The فيلم وثائقي film Skandal! Bringing Down Wirecard, starring Florian Toncar, Lena Kampf, Martin Osterloh, etc., directed by an unlisted director, was released on September 16, 2022 in المملكة المتحدة. It tells the story of Upstart payment firm Wirecard wowed the financial industry with its runaway success — until a tenacious team of journalists exposed massive fraud. This is a فيلم وثائقي, جريمة film with a runtime of 92 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.0/10 from 2,333 viewers.
Florian Toncar
بدور Self - Member of German Parliament, FDP
Lena Kampf
بدور Self - Journalist, Süddeutsche Zeitung Newspaper & WDR
Martin Osterloh
بدور Self - Wirecard Employee
Cansel Kiziltepe
بدور Self - Member of German Parliament, SDP
Dan McCrum
بدور Self - Investigative Journalist, Financial Times Newspaper
Paul Murphy
بدور Self - Head of Investigations, Financial Times Newspaper
Tobias Bosler
بدور Self - Short Seller, Munich
Matthew Earl
بدور Self - Short Seller, London
Fahmi Quadir
بدور Self - Short Seller, New York
Christina Clementi
بدور Self - Short Seller, New York
Lionel Barber
بدور Self - Editor, Financial Times Newspaper
Jan Marsalek
بدور Self - Chief Operating Officer, Wirecard AG
Tom Kilbey
بدور Self - Stock Market Trader
Gary Kilbey
بدور Self - Stock Market Trader
Stefania Palma
بدور Self - Journalist, Financial Times Newspaper
Edo Kurniawan
بدور Self - Head of Accounting, Wirecard Singapore
Nick Gold
بدور Self - Short Seller & Investor
Felix Holtermann
بدور Self - Journalist, Handelsblatt Newspaper
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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All credit to Dan and the FT management for staying with a story even the German financial authorities tried to kill. Tenacious research and following of leads in Asia and Europe inspite of threats legal and otherwise reveals a real life financial scandal at one of Germanys largest companies. Fascinating insight into the world of short sells - not a very attractive bunch outside of two focuses American ladies who with others help lift the thick veil of secrecy of the fraudsters. Beats most financial dramas into small corner and makes you aware of the abilities of a determined fraudster to nearly make it even the German chancellor 'supported the company. Great insight into the talent and doggedness of a journalist never prepared to give up and of an editor prepared to take huge risks to get the story.
To be so quickly closed. It seems like a bit lacking to just leave it at company fall and Braun being arrested. I would hope there'd be some more coverage of consequences of the fraud when it comes to governmental involvement. Maybe part 2 or some future investigative piece will take a further look what else is implicated. Upon seeing this documentary I been in a classic internet rabbit hole to seek more information about involved actors, but there does not seem to be much more, or somebody did a pretty good scrape job to clean up the ties. Overall, I've seen some good pieces on Wirecard fraud, but this documentary provides a good amount of testimonies from people involved rather than just description of what happened.
Sauce
A very interesting documentary. Intense too, and challenging. You really have to concentrate to get everything. A bit too hard to follow sometimes maybe, the documentary sometimes opens pots it never closes, for example the investigation of the BaFin in the FT-Journalists. It is mentioned but no more. Leaves many questions unanswered. What was the role of the german regulators, why didn't they see anything and so on. But that is okay because it's a documentary out of the perspective of the FT-Journalists and these POV is - as I said - very interesting. At this point a special remark on the music which I really loved.
If you want to know the reason why people hate short sellers this film will give you a good idea. The cartoon character in his Cannes pile bemoaning what he didn't make by literally doing nothing is a perfect example. Their's, and the journalists glee at bringing down a company that employed thousands of people, and hundreds of thousands of investors, is quite hard to stomach. No doubt the company was dodgy to say the least but neither party were working for the good of mankind. The short sellers thinking only of the profit to be made by destroying the business, and the journalists revenge for having the tables turned on them. As a film it's well made and if you don't know the story worth the effort, personally I can't get over the unsurpassed delight at seeing the business fail.
Having watched the Wirecard: A Billion Euro Lie Sky documentary earlier this year, I was interested to see how this James Erskine Netflix piece deviated from the original. I'm pleasantly surprised as it takes an entirely different viewpoint, focusing mostly on the journalists, short sellers and MPs, rather than the former doc covering the whistleblowers and other influential parties. What ensues is an interesting value-add to the Wirecard story that helps to elevate the already thrilling saga of accounting fraud. The focus on Dan McCrum and team adds flavour to the narrative that was missing in the Billion Euro Lie doc. I do wish the whistleblowers were interviewed at the same extent however - though I imagine this may have been down to pre-existing agreements that would conflict. Overall, well worth a watch, and I'll await the third instalment of this documentary battle, coming from Amazon Prime, where they finally get Jan Marsalek to show his face.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.