Mark Potts
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film Spaghettiman, starring Benjamin Crutcher, Winston Carter, Brand Rackley, etc., directed by Mark Potts, was released on January 1, 2016 in الولايات المتحدة. It tells the story of Clark doesn't care about you. He doesn't care about the world. He barely cares about himself. But after an incident with an old bowl of spaghetti and a malfunctioning microwave, he becomes a superhero that can fight crime with the power of spaghetti. However, you have to pay him. This is a فعل, كوميديا, جريمة film with a runtime of 87 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 5.3/10 from 818 viewers.
Mark Potts
بدور Director
Benjamin Crutcher
بدور Clark
Benjamin Crutcher
بدور Spaghetti Man
Winston Carter
بدور Dale
Winston Carter
بدور Shadow Man
Brand Rackley
بدور Anthony Banner
Joe LoCicero
بدور Keto
Leigh Wulff
بدور Katie
Kevin M. Brennan
بدور Officer Garibaldi
Doug Manley
بدور Officer Betts
Nathan Caywood
بدور Nasty Nate
Matt Hobby
بدور Pot Doctor
Mary Grill
بدور Miss Hansen
Janna Jude Brown
بدور Stephanie
Jeremy Culhane
بدور Homeless Kid
David Reynolds
بدور Bar Partier
Ali Hoffmann
بدور Dizzy Daisy
David Zwick
بدور Derek
Joe Fria
بدور Gary
Samir Forghani
بدور Zamir
Evan Sloan
بدور Dwayne
Winston Carter
بدور Writer
Benjamin Crutcher
بدور Writer
Mark Potts
بدور Writer
Brand Rackley
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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Spaghettiman
This movie was absolutely amazing. It's basically a stupid college-humor movie that is entirely lovable & steals the show. I'd put it up in the same league as "Nacho Libre" & "Sock Baby".
Don't be criticizal. It's a intentional stupid movie that is just so funny.
What a good spoof movie. I couldn't get past that greasy paper bag. then when tore it up he decided he wanted it so he tape it back up LOL paper bags usually around 5¢ but that's what made it funny... spoofing low budget
This superhero spoof caught my eye on Amazon Prime for being a wacky "crappy" movie. After watching this movie I genuinely think it was better than tons of movies with a thousand times it's budget in 2016. For being this genre and no special effects, it has great camera quality and some good cuts and shots and transitions. On top of all that it was a funny enjoyable movie. Plenty of funny one liners and cheesy superhero cliche's that make you laugh. For that, as a "B-movie" this is a 9/10 easily. But as a full feature film which I believe it can be compared too, these kind of movies have been done better. At times the pacing seems too fast then seems too slow. The sound can be too quiet at times and the climax of the movie seems too short. With all that said, compared to any theater film from 2016, this is just slightly below average. However it's an easy 9/10 B-movie flick. I would love to see, though it's been 4 years now so doubtful, someone give this director a bigger budget so the writers can go crazy in a sequel. Or maybe a new story similar to this and it could easily be lightning in a bottle.
Quality acting for a B movie, entertaining plot. And great humor. the ending was slightly unfulfilling, but not overly
You know it was always my dream to become a writer and director when I was a kid. As I grew up I slowly learned that my talent wasn't in making movies but rather, reviewing them. whenever a student film pops up I take the time to watch it and while I might be hard on large franchises I have a soft spot in my heart for student films. I know the struggle that many go through in order to get their ideas out there and become known in the movie industry; and you know it's hard being the little fish in a sea full of sharks that's why small creators have to pull out their A game when they make movies. For this movie I am proud to say that they hit a lot points spot on. Some of my major issues were the cinematography and the fact that some of the comedy was flatter then my wife's ass, but all other points were spot on. The beginning of this film is where the directors talents shine but near the end it begins to fall of hard which was disappointing to me as I was really getting into the story and the characters they had. I it feel would be a disservice to the director if I didn't mention is the excellent use of practical graphics. Most movies you watch today and ask yourself why something looks so awful is because usually it is practical effects. As movies became more and more CGI many practical graphics began to look out of place compared to the perfectly computer generated counter part. In Spaghettiman this doesn't happen because the director realizes that you can't combine CGI and practical graphics, and for that I applaud him. Overall if you want an excellent film which major companies like Marvel and Disney can learn from watch the beginning of this hilarious super hero film.
Sure, it's stupid, the acting is B- at best, and the budget is clearly in the 3 to 4 digits, but Spaghettiman is a really enjoyable movie, that once I started, I needed to watch to it's grin inducing conclusion. Spaghettiman is equal parts creative and cliché, improved substantially by the fact that nobody involved seems to have any misconceptions about what they are making. Once it's low standards are set, the movie enjoys exceeding them. Clearly filmed in Los Angeles, the producers access to the vast filmmaking resources of the area are clear - it is well shot, well edited, well produced, and even has a few "pro" special effects and stunts to boot. Aspiring to little more than to entertain for an hour or so, Spaghettiman is a triumph.
Don't expect great special effects, but the story behind Spaghettiman is awesome. The tagline is "Clark doesn't care about you. He doesn't care about the world. He barely cares about himself", but in the end, Clark DOES care. And we end up caring about all of the (admittedly limited) characters in this movie. Spaghettiman is just right at 80 minutes or so, and a good family laugh. It doesn't take itself too seriously, but the characters are likable, and the story holds our interest. Wish there were more movies like this!
SPAGHETTIMAN is an awkward superhero spoof made on a tiny budget. It's about a regular guy who accidentally eats a bowl of radioactive pasta and turns into the titular superhero, using his new-found pasta powers to fight crime in the city. It's a film as cheesy as it sounds, packed with lame humour and little else. The jokes feel laboured and in one fight scene he actually turns into spaghetti. It really is a waste of your time.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.