Jodi Scurfield
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فعل film السرعة تقتل, starring John Travolta, Katheryn Winnick, Jennifer Esposito, etc., directed by Jodi Scurfield, was released on November 16, 2018 in Puerto Rico. It tells the story of تدور أحداث الفيلم حول بطل سباقات الزوارق السريعة والملياردير (بن ارونوف)، يعيش حياة مزدوجة تحطمه وتهدم إنجازاته وتؤدي به لتورطه مع زعماء تجارة المخدرات والقانون. This is a فعل, جريمة, دراما film with a runtime of 102 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 4.3/10 from 4,337 viewers.
Jodi Scurfield
بدور Director
John Travolta
بدور Ben Aronoff
Katheryn Winnick
بدور Emily Gowen
Jennifer Esposito
بدور Katherine Aronoff
Michael Weston
بدور Shelly Katz
Jordi Mollà
بدور Jules Bergman
Amaury Nolasco
بدور Agent Lopez
Matthew Modine
بدور George Bush
James Remar
بدور Meyer Lansky
Kellan Lutz
بدور Robbie Reemer
Charlie Gillespie
بدور Andrew Aronoff
Moran Atias
بدور Contessa
Tom Sizemore
بدور Dwayne Franklin
Mike Massa
بدور Knocky House
Luis Da Silva Jr.
بدور Panama
Keith Hudson
بدور Dutch Kramer
Jeffrey Holsman
بدور Howard Abbey
Bruno Irizarry
بدور Ed Reemer
Rob Gough
بدور Agent Schaefer
David Aaron Cohen
بدور Writer
John Luessenhop
بدور Writer
Paul Castro
بدور Writer
Arthur Jay Harris
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
127A Smithfield Road, Frederiksted, Virgin Islands
Castle Rock Entertainment
21 فوزاً و43 ترشيحاً إجمالاً
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I gave this an 8, it's not as good as Gotti who Travolta played as well and that too was based on a true story but it kept me entertained throughout. Travolta plays a guy that builds and races speed boats and also dabbles in a bit of drug dealing and somehow gets entangled with some other drug barons along the way. Many for and against this film in the reviews but I do think a true story and a great actor like Travolta makes it. Sure some of the screenplay seemed un-connected but take it at face value. It wasn't boring. It worked. Overall a nice little print and great seeing Mr Travolta again.
Confusing timeline, cheesy lines, BAD CGI. The timeline was constantly jumping back and forth, I had no idea what century we were in, let alone what year. The lines and camera work with John Travolta were embarrassing. The constant frames zooming in on him as we watch his face slowly melt was cringe worthy. The CGI in a particular scene made LEGO movies look realistic. Poor poor movie. I feel sorry for anyone who is made to watch this movie because they were too polite to say no
I wonder what was in their minds when they decided to make this movie. A lot of money spent, endless hours of work.This movie has on its cast famous actors with huge revenues,who have already played in very good movies or TV series.What is the reason for this movie? I made an effort to see it by the end. I'm curious if John Travolta had the patience to watch it all the way. I can say that the only thing that this movie excels on is the banality.That is not art.
It's not a bad film, but it was good to see John Travolta on the screen... Still looking Mr Travolta... Need to watch for yourself..
Wealthy speedboat racer Ben Aranoff leads a double life that gets him into trouble with both law enforcement and drug lords.... Speed Kills is another straight to DVD release starring Travolta that had no reason to have been made at all. The cover states that it's 'The Wolf Of Wall Street on water' and has Travolta leering at you like Michael Myers with his destroyed face. It's not a terrible film, well it is, but Travolta makes it watchable. Even though his face looks like a weather ravaged, fire burnt apricot, he still has that swagger that has made him an icon for over forty years. Loosely based on a true story, the film basically tells you that you can't run away from your past, which is ironic because one of the first people you see in this film is Tom Sizemore, and my word, he really looks like he has no idea what he is doing in his two minutes of screentime. His dialogue is bizarre to say the least, and as soon as he enters the film, he leaves, without explanation. A truly worthless role from someone who had so much worth at one point. Once the film turns to the racing, we are treated to some terrible CG water, and Kellan Lutz looking like a hulked out Noel Edmonds threatening Travolta like a petty schoolboy. It's trash, but watchable trash, making it a sobering thought that Travolta was once Hollywood gold, and had a wonderful resurgence thanks to Pulp Fiction, when for four years, any film he starred in made oodles of money. Even Michael and Phenomenon. We can never take that away from him, because he is John Travolta, and he knows he'll always be an icon, and people will always watch his films.... A bit selfish if you ask me.
Not as bad as reviews/ratings would suggest. Would've probably did better in the 90's, however, even though I didn't think it was that bad.
This is a bizarre movie. It starts out with crazy intensity between Old John Travolta and Old Other Guy who ends up standing menacingly by his truck just staring at him. Then it goes back in time. Travolta is in trouble with the mob and has to get his family out of town. So he goes to Florida and... immediately gets super involved in speedboat racing for some reason? People watching and clapping and him getting hooked right away are kind of ridiculous, especially if Travolta's supposed to be on the run - why enter and win a bunch of boat races and get that kind of attention? But I guess it's OK because this hood fresh in town gets the OK from Meyer Lansky himself, for some reason. Lots more pointless boat racing. He cheats on his wife for like a decade and she knows but does nothing about it I guess. His son goes in the hospital while he's off winning one of his races. His boat racing gets in the way of his mob duties and Meyer gets mad at him. It's so bizarre and Travolta LOOKS so bizarre in his various ages in this movie but it at least kept our attention. Until we turned it off.
Watching Travolta smoke a cigarette told me how good the acting was!
The movie was the worst of 2018,the story was really bad,everything was worst than a movie was made in 2005! I hope Speed Kills creators see the movie before they release it 😅..
If this is what $cientology reduces you too - then it's time to quit!
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
تعرّف على الطريقة الصحيحة لتثبيت Movie Box APK: أساسيات الإصدار أولاً، ثم خطوات التثبيت النظيف، وأخيراً كيفية الاختيار بين مسارات التلفاز وiOS والويب واستخدام التطبيق.
مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.