Page Hurwitz
بدور Director
English,Filipino,Français,Indonesian,Kiswahili,Português,Русский,اَلْعَرَبِيَّةُ,اُردُو,هَرْشٜن هَوْس,বাংলা,ਪੰਜਾਬੀ,中文
The فيلم وثائقي film Stand Out: An LGBTQ+ Celebration, starring James Adomian, Sandra Bernhard, Caldwell Tidicue, etc., directed by Page Hurwitz, was released on June 9, 2022 in الولايات المتحدة. It tells the story of A comedy variety special featuring LGBTQ+ comedy icons and emerging voices. This is a فيلم وثائقي, كوميديا film with a runtime of 96 minutes and its worldwide box office is not listed in the available detail data. It has received a rating of 6.2/10 from 1,006 viewers.
Page Hurwitz
بدور Director
Linda Mendoza
بدور Director
James Adomian
بدور Self
Sandra Bernhard
بدور Self
Caldwell Tidicue
بدور Self
Joel Kim Booster
بدور Self
Guy Branum
بدور Self
Margaret Cho
بدور Self
Ani DiFranco
بدور Self
Billy Eichner
بدور Self - Host
Fortune Feimster
بدور Self
Stephen Fry
بدور Self
Solomon Georgio
بدور Self
Todd Glass
بدور Self
Judy Gold
بدور Self
Patti Harrison
بدور Self
Dennis Hunter
بدور Self
Eddie Izzard
بدور Self
Sam Jay
بدور Self
Matteo Lane
بدور Self
Rita Brent
بدور Writer
Page Hurwitz
بدور Writer
Carey O'Donnell
بدور Writer
قد تختلف التوافرية حسب البلد واللغة ونافذة الإصدار. بعض الأعمال تكون مضمنة في اشتراكات المنصات، بينما قد يتطلب بعضها الآخر الاستئجار أو الشراء أو الوصول عبر التطبيق. تُحدَّث كتالوجات البث واتفاقيات الترخيص بانتظام، لذا قد تتغير خيارات التشغيل بمرور الوقت. للحصول على أدق تجربة مشاهدة، راجع أحدث قائمة على الخدمة التي اخترتها وتأكد من الدعم الإقليمي وخيارات الترجمة وتوافق الجهاز قبل البدء.
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فيلم جيد!
😶🌫️
source: Stand Out: An LGBTQ+ Celebration
I love the diversity in this special, with cast members of all (most?) letters within the LGBTQ+ acronym, and racial diversity which was reflected in their pieces. However, as it can be expected from such a diverse show where each comedian could only do a small bit: some jokes are hilarious, some are bad, most of them are mediocre. Taste is diverse, and it is not to be expected that one can enjoy every inch of the show fully, because of its premise. All things considered, I was enjoyed for the duration of the show, so that's a good thing.
There are some really good comedians in this mix, but they barely had time for a set. I feel it would have been better if they had more time for a more developed set. Felt like a series of one liners, many which weren't that great. Or hits against Chapelle which is petty since he has apologized and tried explain his views but heaven forbid someone else has a different view and difficulty understanding something different from what their norm. As for Bill Burr, he does hate comedy is is against any minority group, so again, why waste your breath. There were some comedians that used their time with excellence. I did finish the show, smiled at some parts laughed at others.
Overall I enjoyed it. There was a couple not so funny people. The main thing I wanted to say here is why did they keep saying it was the first show of its kind when in 1993 and 94 there was Out There 1 and 2!
I love a lot of the comedians and think the special was funny. However, I didn't like the dragging of Dave Chappelle. Several comedians said he want to take down the rainbow community.... Flat out lies. He has certainly shared his experiences and have opinions, but nothing he said was to punch down the rainbow community. #provemewrong. I am an ultimate ally, but No one talks about how I feel about being labeled a Cis Woman. I didn't approve that and I don't like it! I am a woman period. Feel free to label yourself but it's not fair to give women a label I don't want. I label myself as a natural woman, and somehow that's criticized.
Now don't get me wrong, there are a few good comedians/sets. Going in I knew Margaret Cho, Trixie & bob, Matteo, Wanda etc weren't going to disappoint. However those 15 mins aside, this didn't feel like a comedy special given all the ghastly LA posturing. Every other act decided to take time to give a gratuitous speech simply saying trans rights are under attack and the world is terrible so they can get an audience cheer (ironic given despite this being a lgbtq+ special, there isn't a single trans comedian in sight), throw in the word 'queer' a few times then do lackluster sets with some regressive viewpoints social media has told them they should be parroting, and you have the rest of the hour plus this takes to get through. A comedy special on the back of not being straight, or not being both strictly cis and straight in Eddie's case, needs actual comedy. For instance Eddie talked about doing drugs and defecating themself and Mae explained 'gender' to us using Beauty and the Beast before saying how horrible Dave Chapelle and Ricky Gervais are and how she hopes she explained it to them and they all kiss eachother. Is the idea of straight men going gay meant to be funny? I think we all would have been a lot better off keeping this to half the comedians, and doubling their time. My ultimate advice would be to just watch a margaret cho special and call it a day.
When your criteria is based on sexual preference first and talent second, this is the result. This was the moment to showcase relevent, brilliant comics that are also LGBTQ+, not LGBTQ+ mediocre-at-best comics. So many comics were missing that could have made this nothing short of genius.
The material was just so weak, I found myself cringing almost all the way through. There were a couple of laughs here and there, but otherwise it was just a painful experience. Would not recommend.
تحليل مفصّل لتغيّرات الأسعار الأخيرة، ولماذا يعيد المستخدمون النظر في إعدادات المشاهدة لديهم، وكيفية تقييم سير عمل بديل دون فقدان عادات الاكتشاف.
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مراجعة موسّعة توضح لماذا يتميز Project Hail Mary في 2026: جودة الاقتباس، والسرد العلمي، والعمق العاطفي، وردود فعل الجمهور.
صُممت قصص الكوميديا للترفيه من خلال الفكاهة. تشمل الصيغ الشائعة الكوميديا الموقفية والكوميديا القائمة على المشاهد القصيرة وكوميديا العمل والكوميديا الرومانسية.
تركز أعمال الأكشن على الإثارة والصراع الجسدي والشخصيات البطولية والسرد السريع. غالباً ما تتضمن أعمال المغامرة الاستكشاف أو النجاة أو الرحلات الملحمية.
تتابع دراما الجريمة المحققين ورجال المباحث والمحامين أو الصحفيين أثناء حلهم القضايا الجنائية. وتشجع قصص الغموض الجمهور على اكتشاف الأدلة جنباً إلى جنب مع الشخصيات.
يستكشف الخيال العلمي التكنولوجيا المستقبلية والسفر عبر الفضاء والذكاء الاصطناعي والواقع البديل والتخمينات العلمية.
يخلق سرد الرعب التشويق عبر التوتر النفسي والأحداث الخارقة والوحوش أو سيناريوهات النجاة.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.
تشمل الرسوم المتحركة أعمالاً للأطفال والعائلات والكبار، وتتراوح من المحتوى التعليمي إلى السرد الدرامي المعقد.
تركز القصص الرومانسية في المقام الأول على العلاقات وقصص الحب والتطور العاطفي بين الشخصيات.